WAYS OF LIFE IN COLONIAL CALCUTTA: CHRONICLE OF ACCULTURATION

Dedicated to the memory of my dear friend Dr. Alok Ray (March 1937- June 2019)

 

Calcutta International Exhibition 1883_84

ঔপনিবেশিক কলিকাতায় সাংস্কৃতিক বিনিময়

PROLOGUE
If we believe that acculturation is an interactive process that brings about changes in lifestyles as well as moral and aesthetic values of two or more autonomous cultural systems, then it was a two-sided process of acculturation that happened in nineteenth-century Calcutta merging interests and identities of the two civilizations in encounter between a technologically superior Western society and a non-Western society inclined toward its empirical traditions. Acculturation in colonial India is generally interpreted as a deliberate process initiated by the British Orientalists and the English-educated enlightened Indians notwithstanding the dominating spirit of the 19th century nationalism in Victorian sense. In fact, on either side, players were products of the 18th-century world of rationalism, classicism, and cosmopolitanism. [Koff] Many Orientalists, notably William Jones, H. T. Colebrooke, William Carey, H. H. Wilson, and James Prinsep, made significant contributions to the fields of Indian philology, archeology, and history. On the other hand, Rammohun, Dwarkanath, Radhakanta, Debendranath, Vidyasagar and so many Indian reformists encouraged their fellowmen to get exposure to western science and literature, on top of vernacular sagacity. They effected in remarkably short time a widespread dissemination of western knowledge through institutionalized means like schools and colleges, printing-press and newspapers. By 1821, the Calcutta School-Book Society, sponsored by a number of public spirited individuals like David Hare, Rammohun, Radhakanta, belonging to different religious denominations, without any backing of Government grant, produced and distributed as many as 126446 copies useful works in different languages; no fewer than 14,792 were books in the English language’. Another interesting feature was the decrease in the demand for books in the Sanskrit, Arabic, and Persian languages, ‘being the spoken language of no one’. By 1835, the Society had sold 31,864 books in English. Five year before the Medical College in Calcutta started professional courses in English, it was claimed that Calcutta had in 1830 nearly 200 who wrote English as naturally as their mother tongue. As for Bengali language, long before the coming of the English in Bengal, the mother tongue of the majority had been discounted as simplistic and unworthy of official status. ‘The languages of the superior civil and commercial stations were English, Portuguese, and Persian, and ambitious Hindus made certain that of these they knew at least Persian’. It was Halhed who first urged upon British civil officers the necessity of acquiring knowledge of it for the efficient transaction of their duties. He argued for the Bengali language, before anyone else ever did, specifying its inherent qualities: ‘its plainness, its precision and regularity of construction, than the flowery sentences and modulated periods of Persian.’ His Grammar printed and published in Calcutta, gave practical support to his arguments, by providing British officers with a book from which they could learn the language. [Clark, 1956]

The earliest printed book in Bengali

No sooner Bengali becomes a popular medium of communication it started borrowing words from English and the English from Bengali as well. There have been many familiar words, e.g. coolie, cowrie, cot, curry, godown, pagoda, etc., originated from some other languages, commonly used by the English and the Bengalese. There are also some distinctively of Bengali origin, like babu and bungalow. A glimpse through Hobson-Jobson may reveal many interesting evidences of liberal linguistic behavior of the Colonial Bengal despite the racial bias of which the world is continuing to suffer till today. As we understand from Sarah Ogilvie the author of ‘Words of the World’ that the former OED editor Robert Burchfield found to be an inward-looking anglocentrics who had erased 17 per cent of the ‘loanwords’ and ‘world English words’,  Indic included, that had been added by earlier editor Charles Onions. [Ogilvie]

While all these conscious efforts of magnificent persona of both the camps created a short-lived glorious age of awakening and also a golden opportunity for a giant leap toward a modern society at par with global standards. Around 1880s that opportunity got lost. Western education reached a tiny proportion of the Indian population largely confined to the major urban centres. A chauvinistic nationalism back lashed the progressive movements. The undercurrent of acculturation, however, continued to flow effortlessly as conscious and unconscious acceptance of new ideas, often with the intention of revitalizing Indian cultural practices and institutions. Slowly steadily new things and ideas percolated through layers to the bottom level of society undergoing series of changes through interactions. [Peers] What were those ‘new’ things and ideas? Historically speaking, the things and ideas branded ‘colonial’ are supposed to be grown out of Industrial Revolution directly or indirectly, which may be as big as Indian Rail or as small as a gramophone pin – everything targeted to make living in the colonial society convenient and agreeable.

Nipper, the dog is listening to a wind-up gramophone. New Vector Records September 1905 ad. Courtesy: HMV

It was still an industrial age when the Colonial style of living was being shaped through interactions with native environment. Changes incorporating new things and ideas were taking place faster and in an unprecedented large scale than ever happened in history because of the boon of technology. The Industrial Revolution, however, may not be seen as a movement for achieving speed and volume in industrial sphere. Its ultimate gain for the human society proved to be more an attitudinal change toward accepting values associated with new products than productivity itself. Acculturation during the colonial era may be more meaningfully interpreted, essentially in terms of the attitudinal changes.

EUROPEAN HABITATION IN CALCUTTA BEFORE 1830s
Captain Williamson provided immaculate descriptions of the living conditions of late 18th century Calcutta that provides us with significant resource for identifying some down-to-earth relationship between the ‘new products’ of the Industrial Age and the formation of the ‘new society’, which yet to be fully surfaced.

The EIC officers adopting some local customs while remaining distinctly British_doyely

To the gentlemen coming to settle in Calcutta on civil, military, or naval service of the Hon. East India Company, Captain Williamson offered in his Vade Mecum many practical advices along with cautionary against belittling the native sagacity unwittingly while finding the most suitable mode of living for them. During Williamson’s time, between 1787 and 1798, a new Calcutta suburb was being born south of Town Calcutta to meet the craving of the settlers for ‘airy’ life close to Nature in the Gangetic Bengal mingled with the comfort and convenience of European way of living. New townships at Chowringhee-Dhurrumtollah locality were then only at their initial stage. In 1793-94, all over the town there were no fewer than 1114 pucca houses; in 1821 it increased to 14,230. [Oneil] The new suburbs grew faster with masonry houses built by Europeans and deshi well-to-dos as nucleus of new urban experience of ‘airy habitation’.

It is worth noting that the English inhabitants were still chiefly to be found ‘where their fathers had lived before them’ in the year 1810, Colonel Sleeman spoke of the residences of the Europeans as lying mainly between Dhurrumtollah and China Bazar; and the Tank Square was in the middle of the posh ‘Belgravia of his day’. [Cotton] This happens to coincide with the timeframe Williamson depicted in his Vade Mecum pinpointing some cultural issues involved in modeling ‘airy’ homes to live in comfy liberal style, which European settlers aspired to attain once they crossed Cossitollah toward further south. And so they did achieve their ‘model home’ through an intricate acculturation, after more than three decades of trials and errors, by coming into terms with indigenous methods and means of house building that the settlers initially tended to neglect. [Williamson 1810]

IN SEARCH OF A EUROPEAN MODE OF LIVING
Williamson was one who believed that taking the general outline of indigenous customs should be considered an axiom for the settlers in exploring a new possibility of improving their quality of life. All the European settlers remained anxious to see airy habitations, through which the wind could pass freely in every direction. When the English first visited India, they adopted a mode of building by no means consistent with common sense, and displaying a total ignorance of the most simple of nature’s laws. For instance, they wasted much time to ‘become convinced that the most insupportable heats are derived from the glare of light objects’ and were to be judiciously used in designing habitats. Williamson’s advice to the settlers was ‘to coincide with the habits of the natives, to a certain extent if they mean to retain health or to acquire comfort’.
Upon arrival, travelers learnt from local doctors that nine out of ten of the advices prescribed by doctors at London, would infallibly have sent them to ‘kingdom come!’ but readily approve the homie piece of good sense that ‘do as one should find the old inhabitants do’.
Travelers, he observed, often suffer extreme inconvenience, and expose themselves to much danger because of the fact that they “bent on the refutation of the most reasonable assertions, and influenced by a ridiculous determination to support some equally ridiculous hypotheses”. Williamson tipped them with a piece of his mind: however absurd many indigenous practices may at first appear, it will ordinarily result that ‘necessity was their parent’.

British Styled Bungalow. Photographer: James Kerr (pumpparkphotos.com) c1880

All the buildings forty to sixty years old were, “like the celebrated Black-Hole, constructed more like ovens, than like the habitations of enlightened beings”. The doors were very small; the windows still less, in proportion, while the roofs were carried up many feet above both. Those roofs were in themselves calculated to retain heat to an extreme, being built of solid tarras, at least a foot thick, lying horizontally upon immense timbers, chiefly of teak, or of saul wood. Until around 1790s, the whole of the family resided in the first floor; leaving the whole of the ground floor as basements for reception of palanquins, gigs, cellars, pantries, and even stables. Since around 1780s their preferences changed in many ways. Living in single-floored thatched houses, styled as bungalows, became the way of European life. The settlers remained engaged indefatigably to improve upon the habitability of bungalow. They closed up all the intervals between the thatch, and the walls, on which it rested; so as to exclude the external air, as well as the dust: a practice religiously observed even to the present date. They improved upon the arrangement by installing a tin ventilator near the summits of the thatches. [Williamson 1810]

The shape and size of bungalows changed further having their apartments surrounded by a veranda, of full fourteen feet in width; with apertures, of a good size, in the exterior wall, corresponding with those of the interior. This arrangement renders the generality of bungalows remarkably pleasant; but, it must be noticed, that there was a very wide difference in the expense incurred in rendering them so, both as relating to the labor, and to the materials.

COLONIAL LIVINGSTYLE INVENTED
As we discussed, Europeans modeled their new home and styled a new way of living for themselves through a continuous process of interactions between their own perceptions and desi sagacity. The model was generally found most comfortable and highly adaptable for living in changing Gangetic Bengal climate, and therefore the overall cost of a complete bungalow in tune of Rs 40,000, found quite acceptable by the well-to-do families of different cultural origin. Besides Europeans, there were quite a few desi families moved to Chowringhee-Dhurrumtollah to their newly owned bungalows. The natives of the land, on the other hand, increasingly appreciated whatever the settlers fashioned for their everyday use including bungalows, furniture fixture utensils wearable, as wonderful user-friendly amenities.

The spread of English education might have a partial role in changing people mindset toward western culture – the way of life and the things they use every day. The ‘new products’ we talk about, however, more often than not, were made of old familiar things into new design; like a folding umbrella, for example. The settlers learnt by experience that it should be a madness to use a European umbrella, like a parapluie or a parasol, against a heavy Indian shower or a blazing sun. So they designed a new tough umbrella employing seasoned bamboos and heavy canvas to stand Indian weather best, and then add a collapsible holder inside to turn the old chattah into a surprisingly convenient ‘folding umbrella’. This novelty item was expected to be on high demand in Chandney shops, and the shops were expected to store umbrella and its parts as well to promote use of umbrella to all communities of Calcutta society.

A Fakir with umbrella. Details not known. Source: ebay

Bengalese Babu. Courtesy: Mary Evans.

Like the umbrella, there happen to be a innumerable new products originally designed and developed by the European settlers out of local ingredients generally employing local tools and technology to facilitate their living a decent comfortable life in India as they were used to. Such products of Colonial origin not anymore sensed as foreign to local habits and practice, and the locals feel at ease in using those, hand in hand with things they use traditionally in everyday life. Today, after a lapse of two centuries, Indian populace in general, have converted their mode of living so completely that rarely a dhoti-clad babu can be spotted on road unless he was to attend a special festive occasion. Desi dresses, Desi dishes ending with a bouquet of Benaresi pan will be soon things of forgotten past together with many essential items that remained parts of our heritage so long. The way the tune of Senhai is giving way to the resounding Rock music, every single item of our traditional pieces of life and art will be replaced with newer kinds in course of never-ending societal change.

Colonial-inspired house and interior design Courtesy: @myLusciousLife

HOUSE & FURNITURE
Colonial Scenario:
In all parts of the country houses are let with bare walls. Rent was expensive; some two hundred rupees a month for small house; which was then equal to three hundred pounds yearly. [Williamson 1813] Terrace-work is substituted for plank; and, being covered with a fine kind of matting, made of very hard reeds, about the thickness of a crow-quill, worked in stripes of perhaps a foot or more in breadth each gives a very remarkable neatness to the apartments; many of which, however, are laid with ‘satringes’ (সতরঞ্চি), or striped carpets, made of wool, or cotton, during the cold season. Carpets, in imitation of those manufactured at Wilton and Brussels, are now made in India; some of which are of incomparable excellence and beauty.
The necessity which exists for keeping the doors and many windows open at all times renders it expedient to guard the candles, which are invariably of wax, from the gusts of wind that would speedily blow out every light. Shades, made of glass, are put over such candles as stand on tables.

Present-day Scenario
Majority lives in rented accommodation; mostly unfurnished. Few have preference to ethnic furnishing with satringes’ (সতরঞ্চি), or striped carpets, sitalpapties, madoors, chics, ctc., while the generality love showy interiors with sofas, chairs centre table, side tables and so on. Urban folks keep doors closed, windows open all seasons except when gusty wind blows. Even then there was no need to guard candles as no candle was there any more, but modern homes still need shades for cutting the glare of electric lamps. As it appears, the mode and style of living in Calcutta now and then in many respects alike outwardly, yet an attitudinal difference remains much to explain why the homes of today so ill-kept in contrast with the spic and span Colonial home. The other notable difference is that the modern families ‘sacrifice comfort to appearance’ contradicting the principle of the Colonial Style as we have already discussed at length.
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GARMENTS & OUTFITS
Colonial Scenario:

Major-General Charles Stuart (circa 1758 – 1828), wrote  his first article in 1798 about military clothing and there he professed the use of Indian clothing and accessories, as they are convenient and appropriate, attacking European prejudices. Better known as ‘Hindu Stuart’, Charles was not just an admirer of the Indian religions but also an enthusiastic devotee of Indian fashions. In a series of disputed articles in the Calcutta Telegraph he tried to persuade the European women of Calcutta to adopt the sari on the grounds that it was so much more attractive than contemporary European fashions. Because of his Hindu craze, Charles Stuart was certified as ‘gone native’.  [Dalrymple]

The friends of the English young men, who are sent to the East Indies, generally fit them out with a great variety of apparel, and other articles, enumerated in the slop-merchant’s list under the head of “Necessaries” that basically include quantities of the followings: Calico Shirts, Stockings, Trousers, Drawers, Jackets, Waistcoats, Night Caps, Hats, Handkerchiefs, Neck Kerchiefs Or Bandana, etc. “Of these a large portion is entirely useless.” Among the indispensables, according to Williamson, should be a good stock of wearing apparel; generally speaking, white cotton, manufactured into various cloths; such as dimity, calico, if not made of nankeen. The beauty of some fabrics of this description was considered ‘very striking’. Thirty suits will not be found too many for a European in Calcutta society. [Williamson 1813]

 

A European, probably Sir David Ochterlony (1758-1825), in Indian dress, smoking a hookah and watching a nautch in his house at Delhi. Artist: unknown. c.1820. Courtesy: BL

Present-day Scenario
Inside home, Calcutta men commonly wear pajama kurta (পাঞ্জাবী), and the ladies stuck to sari (শাড়ি) wherever they go, inside or outside, till around 1980s when a wave of Anglo-American fashion maxi midi mini dresses became choices of convenience for the young ladies that ultimately gave way to oriental varities of salwar kamiz. Outside, almost all men folks and children of both sexes appear in western attire – but with no caps on head. The corporate or institutional dress codes in Calcutta do not insist to wear a headdress – a useful accessory for resisting weather bite, but a necktie around the neck to look smarter at the cost of agonizing physical discomfort. There were quite a few things Europeans invented for tropical climate that become obsolete now in spite of their latent advantages. The Sola-topee or topi, may serve a good example of such things. Topi is made of lightweight sholapith covered with khaki or white cloth. The reason for using sola is its lightness and its heat-resistant capacity for protecting head from the scorching tropical sun, cleverly fitted with two tiny holes at both sides for ventilation. Colonial men and women loved to wear it for convenience and comfort, Indians rejected it possibly because of its prosaic appearance on the first place.

KITCHEN & TABLEWARE
Colonial Scenario:
The favourable oriental dejeuner usually consisted of tea, coffee, eggs, toast, and fish, (either fresh or slightly powdered with salt, rice, &c.). Many gentlemen, especially those from North Britain, add sweetmeats and soogee; the latter corresponding with porridge, oats, which were not cultivated in India. Of all things of European liking Hilsa might be the foremost. The fish tasted ‘remarkably fine’ especially when baked in vinegar, or preserved in tamarinds worcestersauce.

The knives and forks were all of European manufacture, though, within few years, some excellent imitations appeared in market. The greater part of the plate, used throughout the country, was made by native smiths, who, in some instances, might be seen to tread very close on the heels of English jewelers. Table cloths and napkins were manufactured in several parts of the country, where ‘piece goods’ were made, especially at Patna.

Present-day Scenario
Not for breakfast alone, tables for lunch and dinner (or supper as it was called then) resemble by and large what commonly Calcuttans having these days. Although, Bengalese still prefer to use hands in dining at home, cutlery are being used increasingly along with a large number of local variety of tableware like Tea Cups and Plates, Tea Cozy, Pepper Grinder, Salt Shakers, Napkins, and Pickles, Vinegar & Sauce as for instance. The English, as we all know, is basically a highly traditional race who still calls their lamb cutlet a ‘mutton cutlet’ retaining the French legacy of the product they had borrowed. Following the same tradition they call many products of Indian origin with vernacular appellations. On the contrary, in case of the colonial products, which they designed and developed using local ingredients and technology, reference to the source of origin is rarely provided. The story of the world famous Worcestershire Sauce and the theme British Curry may exemplify my view point adequately.

LEA & PERRINS® .The story of Lea & Perrins® famous Worcestershire Sauce begins in the early 1800s, in the county of Worcester. Returning home from his travels in Bengal, Lord Sandys, a nobleman of the area, was eager to duplicate a recipe he’d acquired. On Lord Sandys’ request, two chemists, John Lea and William Perrins, made up the first batch of the sauce but were not impressed with their initial results. They needed few years more to find right kind of aging process to turn the ingredients into a delicious savoury sauce. Without any kind of advertising, in just a few short years, it was known and coveted in kitchens throughout Europe.

Portrait of William Fullerton of Rosemont, Dip Chand, Murshidabad, India, 1760-1763. Opaque watercolour on paper. Company Painting. Courtesy: VAM

In the space of a few years Duncan, a New York entrepreneur, was importing large shipments to keep up with demand. Lea & Perrins was the only commercially bottled condiment in the U.S., and Americans loved it right away. Almost 170 years later, Lea & Perrins sauce remains a favorite in households across the U S.

BRITISH CURRY. “The idea of a curry is, in fact, a concept that the Europeans imposed on India’s food culture. Indians referred to their different dishes by specific names … But the British lumped all these together under the heading of curry.” [Collingham] In fact, there are many varieties of dishes called ‘curries’. In original traditional cuisines, the precise selection of spices for each dish is a matter of national or regional cultural tradition, religious practice, and, to some extent, family preference. Such dishes are called by specific names that refer to their ingredients, spicing, and cooking methods. Curry, which becomes now Britain’s adapted national dish, is largely viewed as an Anglo-Indian theme. Luke Honey, a columnist, writes “how fond I was of Anglo-Indian curry powders; the sort of thing I chuck into stews and then have the nerve to call ‘curry’”. He made his own version of Dr Kitchener’s curry powder, as described by Mrs Beeton. He slightly adapted it for the modern kitchen and added cardamom and black pepper. [Honey] Wyvern’s recipe for basic powders reveals a large number of similar ingredients, hinting at very similar flavour profiles. They all include turmeric, cumin seed, fenugreek, mustard seed, black peppercorns, coriander seed, poppy seed and dried ginger and chilies.

In 1810, the entrepreneur Sake Dean Mahomed, from the Bengal Presidency, opened the first Indian curry house in England: the Hindoostanee Coffee House in London. The theme of British Curry, as distinguished from Proto-Curry and Anglo-Indian Curry, presumes that Curry is the result of over four hundred years of British interaction with India. As the findings of a recent British academic research suggests, Curry is a way that the British made Indian cuisine understandable in their minds and on their palates. It is more than a mixture of Indian spices, an idea or a symbol of the success of British imperial endeavors in possessing, converting and incorporating an object of other i.e. of India, into their world. [Waldrop]

BRITISH GIFT OF TEA CULTURE TO INDIAN PEOPLE

British Tea
Tea Culture of India, Calcutta in particular, tells a fascinating story of social dynamics involving the ways of life of the British and the Indian people. The British gifted Tea Culture to India where they cultivated tea plants of native origin as well as the Camellia sinensis variety that Robert Fortune smuggled from China in 1849 for the East India Company. In Britain initially it was a luxury of the high society under the spell of Braganza the Queen Consort of Charles II during 1662 -1685, who happened to be the primary motivator behind the emerging British tea culture. Because the British East India Company had a monopoly over the tea industry in England, tea became more and more popular; and as its prices slowly fell, the luxury of drinking tea became middle-class habit. At the close of the 18th century tea – a cheaper drink than bear – turned out to be the drink of Britons of every class. There have been, nonetheless, the ways of making tea and taking tea remain distinctive of every class conforming nuances of tea culture. The popularity of tea, its respectability and domestic rituals, supported the rise of the British Empire, and “contributed to the rise of the Industrial Revolution by supplying both the capital for factories and calories for labourers” . Tea became the national drink of Britain. [Mintz]

Colonial India
In late 1870s the drinking of tea was in fashion all over India and commonly a part of everyday informal social meets. [Mandelslo] We can see from contemporary writers that ladies and gentlemen had occasions to socialize themselves many a time a day – at breakfast, lunch, afternoon tea, supper, dinner, and after-dinner – and never without cups and shimmering teapots to induce sharing of minds. Calcutta was then a city of ceremonials and carnivals. Tea-parties were enlivened with spirit of sociability where anything could be discussed, less the delicate subjects like tea growing and its politics and economics. Tea and the Britain have a shady history. ‘The British brought tea to England by way of monopolistic trade, smuggling, drug dealing, and thievery’ as modern research admits [Petras]. The Colonial India produced highest bid tea in auction markets by employing bonded labourers from Assam and North Bengal. From Calcutta, troops of hair-dressers and shoe-makers of Chinese origin were also called to join on the presumption that every Chinese a good tea-plucker. The plight of these hapless slaves was first known when Ramkumar Vidyaratna and Dwarkanath Ganguly reported in Sanjibani (সঞ্জিবনী) aroud 1886 [Ganguly] long before Mulk Raj Anand portrayed their misery in his famous Two leaves and a bird appeared in 1937. [Anad]

Recent Scenario
The Tea Culture in India virtually started with the Tea Cess Bill of 1903 provided for levying a cess on tea exports – the proceeds of which were to be used for the promotion of Indian tea both within and outside India. Large hoardings and posters for tea recipes were put up in Indian languages, on several railway platforms; at Calcutta tram terminals they distributed free cups of tea, added with milk and sugar to make the drink agreeable to uninitiated tongues, and the like promotional plans put into operation to convert the teetotaler Indian public, especially the Bengalese, into a tea-addict race to whom ‘every time a tea time’. The plans, however, failed to meet their goal so long the aggressive opposition from the Swadeshi camp was in force. Gandhi called tea ‘an intoxicant’, in the same class of avoidable substances as tobacco and cacao. In the early 1920s, Acharya Prafulla Ray, an eminent chemist and a passionate nationalist, published cartoons equating tea with poison [Sanyal], in contrast of the British outlook that drinking tea is good for health of every family member including the dog. “Young dogs are frequently kept in health by a cup of tea being given to them every day.”[Roberts]

Tea Set. Oil on canvas. Artist: Jean-Étienne Liotard. 1781-83. Courtesy:Getty Center

Rabindranath Tagore, to whom the spirit of nationalist was never chauvinistic, welcomed tea cordially not only as a refreshing drink but an engaging Culture as he had experienced in Japan in 1916. He also established at Santiniketan a unique café exclusively for tea, ‘Cha-Chawkro’ (চা চক্র) in around 1929 – an addaa for the চা-স্পৃহ চঞ্চল চাতক দল tea lovers, [Chakraborty 2019]. Cha-Chawkro probably was the third stand-alone Tea Room in India, the first being The Favourite a typical vernacular tea joint set up in1918, and the second, a typical well-groomed Anglican tea-shop that the Swish Mr. and Mrs. Joseph Flury opened in 1927 under the banner “Flurys”.

Today’s Flurys is no more a tea-room – but surely a brazen joint best known for its exquisite breakfast meals. The décor has given away its colonial vibe for a fusion of cultural trends of no character of its own. [Majumdar,2009]

The old Favourite Cabin, however, still continuing with its inimitable tea-culture indigenously developed since 1918. Excepting the tea tables, crockery and the style of tea making, Nutan Barua, and his elder brother Gaur, borrowed nothing from the English to steer this first stand-alone tea room making a history contributed by generations of regular customers, many of them were firebrand writers, political activists, and young intellectuals. The tea-table manners were guided by the unwritten codes the customers formed themselves over the years that surely helped the cafe in continuing with its esprit de corps so long. [Bhaduri]

Other than the three pioneering tea shops we discussed Calcutta had quite a few local bistros famous for their addictive teas, often with some fried specialties. Basanta Cabin, Jnanbau’s tea stall, in North, Radhubabu’s stall, Sangu Valley, Bonoful in South, and Café de Monico at the city centre had been then crowdie hangouts of different social groups who were largely responsible for hauling an independent tea culture of this colonial city. Although the tea industry is still looking optimistically for the prospect of India’s National Drink status, the culture of Tea is seemingly dying a silent death. Already assaulted by coffee and the American soft-drink lobbyists, it may not stand the shock of being robbed its very identity in recent time. The good name of ‘tea’ is now being abused to mean some novelty refreshments that have little or no tea content, but mostly made of heady spices often with large proportion of milk and sugar. Such brands of desi teas sound like new versions of Gandhian tea now being marketed as Tulsi tea, Masala tea, Malai tea, Rhododendron tea, and the like. The Kahwa tea, is however different being the soul-warming drink of the Kashmiris and a part of their culture. All these refreshment drinks, of dissimilar taste and flavour, meant for people of different mind-sets than those who enjoyed tea the way Tagore’s Gora did, or a Nazrul did in Favourite Café, or someone, not necessarily an intellectual like Sydney Smith [Smith], who thanks God for tea, wondering “What would the world do without tea! How did it exist? I am glad I was not born before tea.”

 

END NOTE
It is highly interesting to note, all these ‘new things’ created by the Europeans for themselves proved in no time to be equally good for Indian homes. Those products actually gave indigenous people an exposure to alternative styles of living and an opportunity to preview their relative merits that instigated necessary attitudinal change to tolerate differences in socio-cultural values and accept what found ‘best’ for them objectively. This attitudinal change we may consider as an indispensable condition for bringing about the ‘Awakening of Bengal’ and its recurrences around 1880s and 1930s.

 

REFERENCE

Anand, Mulk Raj. 1937. Two Leaves and a Bud. Bombay: Kutub.

Bhaduri, Arka. 2019. “ফেবারিট কেবিন.” Indian Express, May 9, 2019. https://bengali.indianexpress.com/west-bengal/favourite-cabin-a-century-old-kolkata-cafe-college-street-100180/.

Biswas, Oneil. 1992. Calcutta and Calcuttans From Dihi to Megalopolis. Calcutta: Firma KL. https://archive.org/details/in.ernet.dli.2015.149376.

Chakraborty, Sumita. 2016. “শান্তিনিকেতনে চিন ও জাপান.” Parabas, 2016. https://www.parabaas.com/rabindranath/articles/pSumita_china-japan.html.

Chunder, Rajarshi. 2016. “Dishes and Discourses: Culinary Culture at Jorasanko.” Sahapedia. 2016. https://www.sahapedia.org/dishes-and-discourses-culinary-culture-jorasanko.

Collingham, Lizzie. 2006. Curry: A Tale of Cooks and Conquerors. London: Vintage Books. https://books.google.co.in/books/about/Curry.html? id=Sr3GUyWe3O0C.

Cotton, H E A. 1907. Calcutta: Old and New; a Historical and Descriptive Handbook of the City. Calcutta: Newman.https://archive.org/details/calcuttaoldandn00cottgoog/page/n3

Dalrymple, William  (2002). White Mughals: Love and Betrayal in 18th-century India. London: Harper.

Davies, Pauline. 2013. “East India Company and the Indian Ocean Material World at Osterley, 1700-800,.” Internet: East India Company at Home. 2013. https://blogs.ucl.ac.uk/eicah/osterley-park-middlesex/osterley-case-study-winds-of-trade/.

Gandhi, Arun. 2014. Grandfather Gandhi. NY: Atheneum Books. https://books.google.co.in/books?id=wduwz6-DapAC&printsec=frontcover&source=gbs_ge_summary_r&cad=0#v=onepage&q&f=false.

Honey, Luke. 2008. “Dr Kitchener’s Curry Powder.” The Greasy Spoon. 2008. https://lukehoney.typepad.com/the_greasy_spoon/2008/11/dr- kitcheners-curry-powder.html.

Koff, David. 1969. No TitleBritish Orientalism And The Bengal Renaissance 1773-1835. Calcutta: Firma KL. https://archive.org/details/in.ernet.dli.2015.98306/page/n7.

Mahomet, Sake Deen. 1794. The Travels of Dean Mahomet : A Native of Patna in Bengal, through Several Parts of India, While in the Service of the Honourable the East India Company. [Ireland]: Cork. https://archive.org/details/b28742898/page/n5.

Majumdar, Rakhi. 2009. “Into the Future: Apeejay Surrendra Group Post Jit Paul.” ET :Jun 04, 2009, 2009. https://economictimes.indiatimes.com/into-the-future-apeejay-surrendra-group-post-jit-paul/articleshow/4617853.cms?utm_source=contentofinterest&utm_medium=text&utm_campaign=cppst.

Mandelslo, Johann Albrecht von. 1669. Voyages Celebres & Remarquables, Faits de Perse Aux Indes Orientales. London: John Starkey, and Thomas Basset. https://archive.org/details/voyagescelebresr00mand/page/n8.

Mintz, Sidney W. 1993. “The Changing Roles of Food in the Study of Consumption.” In Consumption and the World of Goods; Ed. by Brewer, John; Porter, Roy. NY: Routledge. https://www.amazon.com/Consumption-World-Goods-Culture-Centuries/dp/0415114780.

Ogilvie, S. (2012). Frontmatter. In Words of the World: A Global History of the Oxford English Dictionary (pp. I-Vi). Cambridge: Cambridge University Press. https://doi.org/10.1017/CBO9781139129046″>https://doi.org/10.1017/CBO9781139129046

Peers, Douglas M. 2006. No TitlIndia under Colonial Rule: 1700-1885. NY: Routledge. https://books.google.co.in/books? id=dyQuAgAAQBAJ&printsec=frontcover&source=gbs_book_other_v ersions_r&redir_esc=y#v=onepage&q&f=false%0A%0A.

Petras, Claire. 2013. “British Tea 17th-19th Century.” Clairepetras.Com. 2013. http://clairepetras.com/history/ .
Roberts, Emma. 1837. Scenes and Characteristics Hindostan,with Sketches Of Anglo-Indian Society. Vol. 1 (2). London: Allen. https://archive.org/details/scenesandcharac04robegoog.

Sanyal, Amitava. 2012. “Mahatma Gandhi and His Anti-Tea Campaign.” BBC News Magazine, May 2012. https://www.bbc.com/news/magazine-17905975.
Shastri, Shibanath. 1909. রামতনু লাহিড়ি ও তৎকালীন বঙ্গসমাজ. The British Journal of Psychiatry. 2nd ed. Calcutta: SK Lahiri. https://doi.org/10.1192/bjp.111.479.1009-a.

Smith, Sidney. 1855. A Memoir of the Reverend Sydney Smith. By His Daughter, Lady Holland. With a Selection from His Letters. NY: Harper. https://archive.org/details/memoirofreverend02smituoft/page/n6.

Waldrop, Darlene Michelle. 2007. “A Curried Gaze: The British Ownership Of Curry.” Univ. Georgia.

Williamson, Thomas. 1810. East India Vade Mecum; or, Complete Guide to Gentlemen Intended for the Civil, Military,or Naval Service of the Hon. East India Company; Vol. 2 (2). London: Black, Parry. https://www.scribd.com/document/305022589/The-East-India-Vade-Mecum-Volume-2-of-2-by-Thomas-Williamson.

Williamson, Thomas. 1813. Costume and Customs of Modern India from Collection of Drawings by Charles Doyley… Ed. by Thomas Williamson. Oxford University. Vol. XXX. London: Edward Omre. https://books.google.com.au/books?id=VNFbAAAAQAAJ&pg=PP7&hl=en#v=onepage&q&f=false.

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NABARATNA TEMPLE OF GOBINDRAM MITTER

Hindu Pagoda and House 1778 Coloured etching with aquatint of a Hindu Pagoda and House by Thomas Daniell (1749-1840)

নবরত্ন কালী মন্দির। চিৎপুর। কলিকাতা। ১৭৩০/১৭৩১

 

A View of the Black Pagoda 1826 This is plate 23 of James Baillie Fraser’s ‘Views of Calcutta and its Environs’.. Aquatint, coloured Date: 1826

Black Pagoda in Calcutta c1829 by Thomas Prinsep (1800-1830) dated c.1829. Inscribed on the album page: ‘Calcutta, Noubruttun-Chitpoor Bazaar’.

Hindoo Mut in the Chitpore Bazaar. 1882 This coloured lithograph is taken from plate 22 of Sir Charles D’Oyly’s ‘Views of Calcutta and its Environs’. This view shows the decaying ‘Black Pagoda’.

This is the famous nine-turreted Navaratna Temple, popularly called Ghentoo ( i.e Hindu) or Black Pagoda by the Europeans. The temple, dedicated to goddess Kali, was built in 1730-1731 , on the Chitpore Road by the notorious black zamindar Govindaram Mitter of Holwell’s time. The main cupola of the temple was for many years the most conspicuous object in the city, over which it towered as the dome of St Paul’s does over the city of London. The 165-feet cupola, taller than the Ochterlony Monument of the British Raj, served as a navigator for the ships in the Hooghly River. The temple building was never completed, but progressively damaged through neglect until its main structure collapsed sometime before 1813. [Cotton] The central part of the building was overthrown in the terrible cyclone and earthquake of 1737. The remaining part with smallest copula can still be seen in the Coomartuli area. Regular pooja is performed even today. Recently the temple has received a facelift.” Aitro Mukherjee 26/7.2019

It is interesting to note that the temple was described differently at different points of time. Some suggested the temple had five pinnacles, and to some others it had as many as nine. The anomaly might be due to the fact that the temple had to undergo many structural changes since the day of 1737 Cyclone when its first copula destroyed. We are lucky to have opportunity to visualize the changes depicted in four images captured by famous painters of pre-camera era. You may find the replicas here to appreciate the aesthetic appeal of the works of art and their historic significance as well.

The temple apart, there are more things, good and bad, stored in the accounts of early Colonial administration in Bengal, to remember the rare personality of Gobindram .

Gobindram Mitter (17??—1766)
Gobindram Mitter was one of the earliest Indian officials under the British rule and earned a mixed reputation for his wealth and extravagance. He was a man of exceptionally daring character. He was the only soul, besides Oomichand, who preferred to stay back to Sutanuti during the invasion of Siraj in 1756 while the entire population moved away to the other side of Hooghly. He dared to practice corruption like any other corrupted English officers of his time, and became so powerful that his master John Zephaniah Holwell failed to remove him from his position of Deputy Collector. When in 1752 Holwell accused Gobindram  Mitter of dishonesty, the celebrated “black collector ” defended himself by pointing out that every deputy of this description was allowed similar privileges, and that he could not from his wages keep up the equipage and attendance necessary for an officer of his station.1 But the Collector was not merely the gatherer of the Calcutta revenues, he was also the magistrate in charge of the native inhabitants. As magistrate he also had under him a small police force to maintain.

  1. R. Wilson accuses the Company administration of having a ‘vicious policy’ that encouraged rampant corruption in its system. The dishonest “ black collector ” is a recurring feature in the internal administration of Calcutta, and it is a feature which need not excite surprise. In all probability the pay of the ‘black collector’ was absurdly small. It was the vicious policy of the. Company to under-pay its servants, and it was notorious that these servants, both high and low, derived the greater part of their income from their perquisites and from private trade. If the English Collector was not content with his pay but had recourse to indirect mean8 to augment it, why should not his Bengali personal assistant follow so good an example ? When in 1752 Holwell accused Govindarama Mitra of dishonesty, the celebrated “black collector ” defended himself by pointing out that every deputy of this description was allowed similar privileges, and that he could not from his wages keep up the equipage and attendance necessary for an officer of his station. [Wilson]

Gobindram as a Magistrate seemed to be a terror in public mind. His method of punishment, as Holwell observed, was ‘very remarkable’. Gopee Sing a convict laid to the charge of Gobindram. For after severely suffering the lath, chains, imprisonment, and confiscation he was fixed in a public high-way, and an order issued for every passenger to kick him on the head, under which situation he expired. [Holwell] Gobindram Mitter held his office from 1752 to 1756. A power in perpetuity devolved on the standing deputy. Gobindram turned into a legendary despot better known for his ruthless stick, as it appears in old Bengali rhyming proverb:

Gobindram Metre (Mitter), held his office from 1752 to 1756. A power in perpetuity devolved on the standing deputy. Gobindram turned into a legendary despot better known for his ruthless stick, as it appears in old Bengali rhyming proverb:

বনমালি সরকারের বাড়ি
গোবিন্দরাম মিত্রের ছোড়ি
উমিচাঁদের দাড়ি
হুজুরিমলের কড়ি
কে না জানে?
[Banamali Sarakrer bari
Gobindram Mitrar chhari
Umichander dari
Huzoorimaler kori
Ke na jane? ]

With accumulated fabulous wealth Gobindram said to have built, besides the magnificent Navaratna Temple, a luxurious Garden in Ooltadanga amidst the native quarters of the town where his friend Oomichand also erected his garden on the adjacent plot.
The locality, Jorabagan, was named after this pair of gardens of Omichand and Govindram. A road was made to reach the place and called Jora- bagan Road as found in Upjohn’s map of 1793-94. It was inserted by Upjohn in a corner of his larger map of 1793, and is apparently the plan, upon a larger scale, referred to by Archdeacon Hyde in his Parochial Annals of Bengal. Except for a detour on the north-east at Halsibagan, to enclose the garden-houses of Gobindram Mitter, the “black zemindar,’’ and of Omichand, it follows the modern Circular Road from Perrin’s Point, at the north-western extremity of Sutanati, where the Chitpore creek meets the river, down to a spot near the present Entally corner. It was intended in the first instance to extend it to the southern part of Govindpore, but in the plan a considerable space, over a couple of miles, is left blank to the southward and is inscribed “ this part not executed”. [Firminger]

Gobindram Mitter is credited by some as being the first Bengali to drive a coach. His celebration of the Hindu festivals was marked with lavishness and extravagance. The entire image of goddess Durga was wrapped in gold and silver leaf. Thirty to fifty maunds (one maund is about 37 kg) of rice was offered to the deity, a thousand Brahmins were fed and given gifts. It was he who fired the urge for conspicuous consumption in the society of his time. Mitter had a sprawling house at Kumortuli spread on 50 bighas (around 16 acres) of land where he came to reside after leaving his ancestral home at village Chanak near present-day Barrackpore since he joined the Collectorate. It may be noted that Gobindram’s famous villa, Nandan Bagan was in fact the name of his garden house in Jorabagan, which along with Hasibagan,Hortukibagan Rajabagan, was lying outside the township , and not a new establishment in  rural Bengal as many writers suggested.

Gobindram died circa 1766 leaving an heir, Rughoonauth Mitter, who left five sons, – Radhachurn, lived in their hereditary house in Chitpore; Crishnachurun lived at Nandan Bagan; Golokemohun,and Rusomoy, both died childless, and Rajendernarain resided at Choukhamba in Benares. Thus the Mitter family founded by Gobindram was divided in two branches, the Kumartuli Mitters and Benares Choukhamba Mitters

 

A NOTE TO READERS
This is an update of my earlier post Black Pagoda : Nabaratna Kali Temple published on December 30, 2013 that contained barely anything more than the masterpiece painting of the Black Pagoda by Danielle. There have been quite a few old posts, like this, apologetically lying with some visuals of great historical significance without bare minimum informative contents. This happened as I fail to manage my time to clear backlog. I could never make this page had I not received from Aritro Mukherjee his comments giving essential data relating to the Temple, and more than that, an inspired feeling of togetherness in revealing the truth and beauty of puronokolkata. I heartily thank Aritro for showing the way.

 

REFERENCE

Bangiya Sahitya Parishat. 19AD. “Bharatkosh; Vol.3.” Calcutta: Sahitya Parishat. https://archive.org/details/in.ernet.dli.2015.454306.

Biswas, Oneil. 1992. Calcutta and Calcuttans From Dihi to Megalopolis. Calcutta: Firma KL. https://archive.org/details/in.ernet.dli.2015.149376.

Bose, Ananda Krishna. 1928. ”A Short Account of the Second Class Residents of Calcutta in the Year 1822”. In: Calcutta Keepsake; ed. by  Alok Ray. 1978. Calcutta: Riddhi. https://archive.org/details/dli.bengal.10689.13264/page/n5.

Cotton, Evan. 1907. Calcutta Old and New: A Historical and Descriptive Handbook of the City. Calcutta: Newman. https://archive.org/details/calcuttaoldandn00cottgoog.

Firminger, W.K. 1906. Thacker’s Guide to Calcutta. Calcutta: Thacker Spink. https://archive.org/details/thackersguidetoc00firm/page/n8.

Holwell, John Zephaniah. 1774. Indian Tracts. London: Becket. https://doi.org/10.15713/ins.mmj.3.

Mukhopadhyay, Harisadhan. 1915. “Kalikata: Sekaler O Ekaler (কলিকাতা একালের ও সেকালের).” Calcutta: P M Bagchi. https://archive.org/stream/Kalikata-Sekaler-O-Ekaler-Harisadhan-Mukhopadhyay/Kalikata Sekaler O Ekaler – Harisadhan Mukhopadhyay#page/n0/mode/2up.

Sengupta, Subodhchandra, and Anjali Basu. n.d. “Samsad Bangali Charitabhidhan.” Calcutta: Saitya Sangsad. https://archive.org/details/in.ernet.dli.2015.454299/page/n1.

Wilson, Charles R. 1895. The Early Annals of the English in Bengal , Being the Bengal Public for the First Half of the Eighteenth Century; Vol.1. London, Calcutta: Thacker. https://archive.org/details/earlyannalsofeng01wilsuoft.

 

 

 

ARMENIAN GHAT PAVILION: An update of 28 May 2015 post

 

 

আর্মেনি ঘাট মণ্ডপ

This is one other instance of mistaken identity of Armenian Ghat, which is often being called Mullick Ghat or Mullik Ghat  by laymen and scholars alike. The root cause of such a mistake probably lies in our inattention to the fact that the river ghat and the ghat pavilion are two distinctive entities. It becomes a knotty problem when a new ghat replaces a ruined one by reconstructing its ghat-steps, and erecting a new pavilion. As we all know, Armenian Ghat and Mullick Ghat existed close to each other with their separate structure and unique history, but a few know how close they were in terms of yardsticks and timetables so that their identities never get lost . We already discussed these issues in earlier posts.

Photochrom Zurich, is the company behind the production and distribution of this type of event, this photochrome is an authentic photochrome of their house. Every image produced by them is referenced in gold letters in the lower left corner: 20036.PZ. The photochrome is a process that borrows applications from photography and lithography. The proof is produced from a black-and-white negative and then processed using a color lithographic method. The invention was deposited in 1888 by the Swiss company Orell Fussli, then presented to the public at the 1889 World Fair in Paris.

A black-and-white negative used for colored lithograph of Armenian Ghat

Besides the identity issue, the publisher provided us with a misleading information about the pavilion structure, which was made of wrought iron and not ‘of wood’ as stated. “A singularly beautiful lacy cast iron canopy with arches and pillars – distinguishes Armenian Ghat from all brick and stone pavilions of those days. In the mid-18th century, the rich Armenian trader Manvel Hazaar Maliyan had shipped in an elaborate cast iron facade for the Armenian Ghat ..”
Sebanti Sarkar, who did a fascinating study (2017) on colonial architecture in consultation with celebrated architect Professor Manish Chakrabarti, observed that the elegance of the lacy floral motif fashioned in cast iron aroused a general interest in using ornamental wrought iron to beautify public places, corporate buildings as well as family mansions. Calcutta elites assumed the ‘newer aesthetics of living’. The merchants and, zamindars, munshis and baniyas found it appropriate to adopt the new hallmark and style of power. Gradually innovative patterns evolved admixing different European with traditional Bengali motifs. Local variety of cast iron grilles, bells and whistles, sometimes twined with religious icons or family insignia became affordable and popular by early 1900s. [See: Sarkar]

 

 

 

Living in Style in I9th Century Calcutta. Courtesy:  Timorous Traveler

 

REFERENCE

Ajantrik. 2015. “Armenian Ghat, Calcutta. 1734.” Puronokolkata.Com. 2015. https://puronokolkata.com/2015/05/28/armenian-ghat-calcutta-1734/.
Ajantrik. 2018. “Mallick Ghat and the Jagannath Steamer Ghat.” Puronokolkata.Com. 2018. https://puronokolkata.com/2018/08/22/mullick-ghat-and-the-jagannath-steamer-ghat/.
Park, Keith. 2010. “Introduction to Photochromes.” Photographers Resource. http://www.photographers-resource.co.uk/photography/history/introduction_to_photochromes.htm.
Sarkar, Sebanti. 2017. “Tudor Roses at the Ghoses.” Hindu. 2017. https://www.thehindu.com/society/history-and-culture/tudor-roses-at-the-ghoshes/article19819052.ece.
Timorous Traveler. 2010. “Poetry in Iron- The Charm of Old Kolkata Balconies.” Sights and Sounds of Kolkata. 2010. https://pedantictraveler.blogspot.com/2010/03/poetry-in-iron-charm-of-old-kolkata.html.

CHANDNEY BAZAAR: A Neglected Element of Change toward Social Awakening of Bengal

Artist: George Francklin Atkinson. c.1850s Source: ‘Curry & Rice’ authored by the Artist.

 

চাঁদনি বাজার

SHOPKEEPER’S CITY, CALCUTTA
Calcutta in the 18st century was a new city with enormous mercantile resources. The respectable of its inhabitants were merchants. Men were getting involved in wealth-getting and wealth-spending activities – an economic life led by the shopkeepers. [Biswas]. Calcutta earned the moniker SHOPKEEPER’S CITY even before modern bazaars came up in 1783.
Half a century later, it was the improved company policies and the growing public interest in bazaar farming, Calcutta was looked upon as a great city for living comfortably with foods and drinks and all that facilitate city life. Emma Roberts wonders in late 1830s that there is “perhaps no place in which everything essential for an establishment can be obtained so easily as at Calcutta, carriages and horses are to be hired at a not unreasonable rate, palanquins by the day or half day, and servants of all descriptions of a very respectable class also by the day, these people are called ticca, and if recommended by individuals of known good character, may be trusted. A whole house may be furnished from the bazaars in the course of a few hours, with articles either of an expensive or an economical description, according to the means of the purchaser, a well filled purse answering all the purposes of Aladdin’s wonderful lamp. Never was there a place in which there are greater bargains, for if sales happen to be frequent, the most costly articles, carriages, horses, &c., are to be had for a mere song.” [Roberts]

Visibly, the life in Calcutta was then being supported by a range of service providers from giant merchant houses to feriwalas on foot. There were big firms who acted as auctioneers or commission agents, like Messrs King, Johnson and Pierce; Mouat and Faria; Stewart and Brown; Tulloh & Co. Most of them were in business for decades selling and commissioning wide range of articles from black bear and rabbit skin tippets to Persian attar or essence of roses to cider and other kinds of intoxicating drinks to guns to soda water to Madeira wine. The Europeans, it seems, also engaged themselves, apart from trading in manufacturing businesses dealing with carpentry, glass work, gun making, washing and mangling, distillery, jewelry, coach-making, etc. and catered essentially to the European population residing in the city. [Basu]

CALCUTTA BAZAARS
In maps, old and modern, the entire city of Calcutta may be seen dotted with bazaars, private and public. These bazaars are permanent markets or street-markets consisting of open shops grew mostly as veritable zamindaries for their owners – mostly Indians and few Europeans. Normally bazaars cater the daily necessities, like fresh vegetables, fishes, meats, groceries and stationary items, and also store ready consumer goods. Besides selling of products, there are other classes of ‘bazaar people’ who sell small services of varied kinds, like money-changers, bookbinders, stationers, cobblers, cabinet-makers, umbrella makers, petty agents, leeches-men, idol-sellers, retailers of saccharine dainties, and general dealers do regular business in these bazaars and thoroughfares.’ These are the folks who frequented these bazaars as traders and artisans to share space with regular product shoppers to sustain their livelihood. [Ghose] To a large extent, these job-vendors and artisans found their place in bazaar settlement in response to the changing pattern of consumer behavior in colonial societies. The character of the bazaar and its sales likewise shift toward new varieties of products. Emma was pleased to discover:
“European vegetables may now be purchased in the native bazaars. Indian gardeners have found their account in cultivating potatoes, peas, cauliflowers, lettuces, &c. ; and in travelling particularly, it is of great importance to be able to procure such useful and agreeable additions to the table.” [Roberts]
As we come to know from James H. Harrington’s Report of 1778 [cited in Basu] ] and Mark Wood’s Plan of Calcutta of 1792, there had been around 20 desi bazaars within Calcutta, namely
Burra Bazaar, Bow Bazaar and Lal Bazaar, Bytakhana Bazaar, Sutanuti Hat and Bazaars, Charles Bazaar or Shyam Bazaar, Ram Bazaar, Sobhaa Bazaar, Dharmatala Bazaar, Arcooly Bazaar, Machua Bazaar, Kasaitala Bazaar, Colootala Bazaar, Jaun Bazaar, Hat Jannagar, Hat Rajernagar, Colimba (Colinga) Bazaar, Simla Bazaar and Simla Road Bazaar— as far as the official public bazaars were concerned. Among the private bazaars Tiretta’s Bazaar, Sherburne’s Bazaar, Kashi Babu’s Bazaar (near Sherburne’s) and Gopee Ghosh’s Bazaar in Entally were included.

This is a part of the original panoramic view of the Dhurrumtollah crossing captured from terrace of a house on Esplanade Row by an unknown photographer supposedly at a very early date of Calcutta photography disclosing some details of immense historical significance. Source: suvrodahal.blogspot.com

The three bazaars – Burra Bazaar, Bow Bazaar, and Bytakhana Bazaar were the biggest and busiest bazaars of Calcutta that generally dealt in daily necessities like vegetables, fruits, and of course fishes, besides some other necessities. Hat Jaunnagar, Hat Rajnagar(?) and Kashi Babu’s Bazaar had become special markets dealing in rice, betel leaf and nuts, spices, and paddy straw. Burra Bazaar , the central whole sale market of Calcutta, consists of huge warehouses and plenty of retail shops offering largest variety including, “sundry materials like cutlery, glass ware, glass, earthen ware, fans, blankets, fine mats (shitalpati), coarse mats (chattai), common mats, board mats, wickerwork, coarse cloths, silk ribbon, cotton thread, rope, cotton, leather shoes and slippers, bracelets of all kinds, necklace of wood or beads, goods tirade of brass, small iron boxes or shinduk, iron works, medicinal tools, coconut hookahs, balls for hookah, straw, paddy straw, bamboo, bird cages, umbrellas, stone cases, deshlais or match sticks, etc. were also up for sale”. [cited in Basu]
The diversity of goods on sale bears witness to the grandness of the select few bazaars, which were designed to meet the changing pattern of demands of ‘cosmopolitan population of the city’ in particular. It appears, only in Bytakhana Bazaar, Burra Bazaar and in Sherburne’s private bazaar animals like fowls, geese, duck, horses, pigeons were sold. These apart, goats were available in Burra Bazaar, and ‘homed’ cattle in Bytakhana Bazaar only. All the bazaars of Calcutta had separate places allotted for the sale of fish. Burra Bazaar, Bytakhana Bazaar, Machua Bazaar and Sherburne’s Bazaar had cowrie exchange facilities against gonads. The private bazaars in general seem to specialize in certain articles some of which catered more to the European demands. For example, in those days fireworks were sold primarily in Tiretta’s Bazaar. Among the private bazaars Sherburne’s Bazaar dealt with the greatest number of articles.

EUROPEAN BAZAARS
The owners of three new European bazaars, Edward Tiretta, Joseph Sherburne, and Charles Short came forward to propose setting of modern bazaars in tune with the changing outlook of the Company administration against the backdrop of a ‘civilizing mission’ for improvement of city life. Their proposals also contained distinctive perceptions about a bazaar and references to ‘improve’ upon the existing ill-organized and unhygienic set-ups. To bring about in Calcutta bazaar relatively modern notions in terms of western sensibilities, Edward Tiretta, Joseph Sherburne and Charles Short petitioned individually in May 1782, October 1782 and July 1783, respectively, to the Governor General and Council for permission to build such market places in accordance with the Bye Law of 1781. They pledged to set up bazaars with pucca buildings, tiled shops and stalls instead of the straw huts of the desi bazaars. Mechua Bazaar, although owned and managed since 1775 by a European marketer, Francis D’Mello, was in no way better than the bazaars run by desi masters. In fact, it was since 1882 the shapes of the Calcutta bazaars get changed outwardly and internally for the first time. The new two bazaars, Tiretta Bazaar, and Sherburne’s Bazaar, were set on larger plots, occupying 8-18-4, and 10-1-4 bighas respectively, than Bazaar Sootaluty (3-17-2), and Dhurrumtollah Bazaar (6-10-0). [ Proceedings of the Board of Revenue, Sayer, November, 1794. Cited in Biswas]

SHERBERN’S BAZAAR
Sherburne’s bazaar, like Tiretta’s and Short’s, followed western model in which hygiene was the primary consideration in its planning to safeguard against deteriorating state of the physical ‘health’ of the city. Huge waste of the native bazaars was regarded largely responsible for infecting the air leading to the degeneration of the atmosphere into poisonous miasmas. These considerations went a long way in the planning of the three newly set bazaars. Sherburne’s bazaar was permitted on a fixed annual rent of Rs.300, revised later to Rs500, and entered the 1785 list of authorized private bazaars of the city. He was given in 1785 an official position of Scavanger [(Hobson-Jobson) ] of the Town of Calcutta, and at rooms, nos. 1 and 3, in his bazaar Sherburne used to discharge his duties of inspection of the goods on sale in Calcutta markets, as well as collection of the taxes. [Calcutta Gazette] The Bazaar was situated in a piece of land, locally known as Ismail Sarang’s Garden, where Chandney Market stands now on the fringe of Dhurrumtollah Street. As we understand, Joseph Sherburne petitioned the Governor General in October 1782, for permission to establish a public bazaar on this very plot he purchased, seemingly from Gokulchandra Mitra. Mitra, who had made a fortune in salt trade and, as it was said, won the Chandney Chawk area in the first Lottery. Behind Sherburne’s Bazaar, Julius Soubise opened his Repository of horses on a large piece of land leading from the Cossitollah down Emambarry Lane. It looks like, the old Chandney Chawk has been more a part of Cossitollah than Dhurrumtollah contrary to popular belief.


After two decades of close association with the Bazaar, Joseph Sherburne passed away at Monghyr on July 18, 1805. His only son, Pultney J. P. Sherburne, died on 28 June 1831. [ Asiatic Journal ] The map of the City and Environment of Calcutta published next year by Jean-Baptiste Tassin, printed the name of Chandney Bazaar for the first time replacing Sherburne’s Bazaar in the site of Chandney Chawk. [Tassin] Although a ‘Chandnee Choke’ and a ‘Chandnee Choke Lane’ found printed in Wood’s map of 1792, there had been no Chandney Market in Calcutta until the Sherburne’s Market wiped out from Calcutta maps. In all probability Sherburne’s Bazaar shuttered down in 1831.

CHANDNEY BAZAAR
When Chandney Bazaar came into existence by 1832, there was no R C Church, no Tipu Mosque, but only the Dhurrumtollah Bazaar opposite Dhurrumtollah Tank stood on roadside since 1796 with Stibbert’s House behind. The oldest institution remained there was the Native Hospital built in 1793 near Chandney. In Talpooker, Pritaram erected his Jaunbazaar House in 1808. “In 1793-94, all over the town there were no fewer than 1114 pucca houses; in 1821 it increased to 14,230” [Biswas] The new suburbs as southern extension of Town Calcutta grew faster with masonry houses built by Europeans and deshi well-to-dos as nucleus of new urban experience of ‘airy habitation’ .

Chandney Market stands on no. 167, Dhurrumtollah Street, at the crossing of Chandney Chawk Street, or Chandney Chawk Bazaar ka Rastah, on the north side of Dhurrumtollah, where Sherburne’s earlier stood. Chandney Bazaar did not replace Sherburne’s Market but came up with a unique identity of its own, completely dissimilar kind of a bazaar, to sell commodities of special kind to altogether different sections of consumers than what Sherburne’s or other bazaars usually target, that is, the common people whose requirements are chiefly food and other daily necessities such as household items, weareables, fashion items – all for ready consumption. In contrast, Chandney Bazaar has never been a place to retail fresh food unlike others. It was not a market for ready-made garments but held shops of cloth lengths and cut-pieces, and tailoring shops for making dresses cheaply and quickly. Chandney was known as a native shopping complex for retailing popular as well newest materials, accessories and tools needed primarily for consumption of journeymen, including artisan, craftsmen, petty tradesmen, mostly pieceworkers like tailors, carpenters, plumbers, electricians, smiths and small manufacturers.

Stuart Hogg’s Market. Photographer: Bourne and Stephens. 1860s

Cotton described the Bazaar as ‘a labyrinth of ill-kept passages, lined with shops, in which may be found a wonderful collection of sundries, from a door nail to a silk dress. The list can be lengthening endlessly by adding items like ‘brass and iron hand-ware, clothes, umbrellas; shoes, stationery, and various other articles of domestic use.’ Cotton, however, unwittingly left a piece of empty advice for shopaholics that “very similar shops and stalls may now be found, but under conditions infinitely more advantageous and comfortable, in the Municipal Market in Lindsay Street, off Chowringhee”. [Cotton] In reality, the two markets have been entirely dissimilar. So much so, no comparison can be possible between the two without distorting facts that still alive. Yet his advice as to the ‘getting favourite picks at pocket-friendly price’ at Chandney by ‘bargaining at your heart’s content’, and that ‘one must essentially be guarded with sharp shopping skill’ may prove helpful for a shopaholic even today.

Chandney Bazaar has never been a market for gentlefolk – sahibs or babus; rarely shoppers go there with families. Most shops were kind of mini warehouse, with no display-windows, no fashion shows. On the whole, the market looked drab, shabby, and uninviting – a mockery of the model market of Sherburne. Chandney, however, was not a ‘second-hand’ market, nor a chore bazaar – a ‘receptacle for all stolen goods’ as Cotton perceived. Chandney Bazaar was essentially, and still it is, a hardware market and not a market of second-hand goods, like some other auction houses and antique bazaars of Calcutta where stolen fancy goods of every description were being sold in the open.

CHANDNEY AMBIENCE
The ambience of Chandney Bazaar has always been disgustingly chaotic – a contradiction of the model picture of the bazaars the city administrators drew in 1783 that Tiretta, Shorts, and Sherburne followed. Outside the Bazaar, the doldrums of Chandney crowd and its unruly traffic overflowed into Dhurrumtollah crossing creating a logjam on the highway.

Chandney Bazaar Interior 2017. Photographs by Olympia Banerjee:

“Gharis wait outside shops, the horses hunched up in their shafts and harness, limp-legged, asleep. The drivers are asleep on the box and syces (সহিস) slumber behind. Water and rubbish on the pavements. The air is heavy with a fetid smell of hookah and food; paint, oil and cycles. In the shadow of the gold-tipped minarets women swathed in sheets clatter their slipperiered feet along the road. … The patrons of the ‘Chandni’ bazaar, scowling, busy; bargaining, wrangling; smiling, smirking; cycle shops, camera shops, pigeon stalls for cigarettes and sherbet. Pavement vendors with their wares in their baskets, pavement barbers assisting the needy with their toilet; street hawkers who pause on the roadway at the; hailing of a customer quarrelsome ghari men lashing their whips at one another.” [Minney ]
Yes, this picture penned by R.J. Minney represents a true to life profile of Chandney – a pet object for a satirist it seems. The pathetic scenario of Chandney inspired even Sukumar Ray to chose the spot to make the road accident happen to one of his comic characters, namely, the over-smart uncle of Ramesh, as we may read in his immortal book, আবোলতাবোল (Aboltabol):

রমেশের মেজমামা সেও ছিল সেয়না,
যত বলি ভালো কথা কানে কিছু নেয় না ;
শেষকালে একদিন চান্নির বাজারে
পড়ে গেল গাড়ি চাপা রাস্তার মাঝারে ।
[সুকুমার রায় ।“সাবধান”,আবোলতাবোল । ১৯২৩]

 

CHANDNEY BAZAAR, AN AGENT OF CHANGE
Behind the bland homely face of Chandney Bazaar, we may still discover signs of its lost charms that helped Calcutta society to keep pace with the industrial productivity 1832 onward. During the industrial era, the ‘new products’, that is, the newly designed products manufactured by the industrial giants as well as petty workshops, were being increasingly likened by all. There have been also some ‘new products’ designed and developed by the European settlers to help them living comfortably and in style in oriental environment. Society accepts some and rejects others for more than one reason. Market availability, replacement and maintenance are evidently among the main factors for decision-making. Chandney Bazaar stood by the consumers with steady stocks of current and the latest utility products for them to buy replace or repair. Though there were few relatively decent shops, like Nandy’s that used to sell fancy household items, or Kar & Kar the tailoring and garment seller, Chandney has been largely a receptacle of machine-tools, machine parts, and raw materials for the consumptions of small manufacturers, tradesmen, and mechanics. This group of working hands plausibly provided Chandney Bazaar with a unique opportunity to motivate utilization of new products to homemakers more effectively, and to reach families at their homes who hardly ever visit the stinky marketplace – not meant for gentlefolk. That might have been a good reason to postulate that Rev Evan Cotton never had occasion to step inside Chandney Bazaar in person to verify his ideas before attempting to compare it unfairly with Hogg’s Market.
It is unfortunate; Chandney Bazaar does not have enough archival records available for us to distinguish between gossips and facts, so that the worth of its contributions to Calcutta society, in accommodating new products, ideas, new habits, could have been determined with some degree of certainty. Had Chandney Bazaar existed when Captain Thomas Williamson lived in Calcutta (1778-1798), he would have depicted Chandney analytically and objectively in the manner he elaborated on China Bazaar in his prudent Vade Mecum published in 1810. [Williamson] In absence of dependable sources we are being overwhelmed with skewed information disseminated through prints and e-media. Google may take you at once to a number of blogs publicizing Chandney Bazaar of Calcutta in chorus as an exclusive market of electronic goods; while in reality not a single stall of electronics to be found inside, but outside Chandney Bazaar hundreds wait to greet you on the street. I fear the ever increasing nonsense in today’s manufactured information will pose greater challenge to future researchers to investigate issues with scanty documentary evidence, depending largely on literary references and oral traditions, as is the case of Chandney Bazaar of Calcutta.

 

REFERENCE

Asiatic journal and monthly register for British India and its dependencies. (Jan. 1830-Apr. 1845). London : Printed for Black, Parbury, & Allen. https://babel.hathitrust.org/cgi/pt?id=chi.095922792&view=1up&seq=4

Basu, Shrimoyee. 2015. “Bazaars In The Changing Urban Space of Early Colonial Calcutta.” University of Calcutta. http://hdl.handle.net/10603/163761.

Cotton, Evan. 1907. Calcutta, Old and New: A Historical and Descriptive Handbook to the City. Calcutta: Newman. https://archive.org/details/calcuttaoldandn00cottgoog.

Ghose, Benoy. 1960. “The Colonial Beginnings of Calcutta Urbanisation without Industrialisation.” The Economic Weekly, no. August 13: 1255–60. http://www.epw.in/system/files/pdf/1960_12/33/the_colonial_beginnings_of_calcuttaurbanisation_without_industrialisation.pdf?0=ip_login_no_cache%3Dfc8386086015fc6e2268f71b76bece16.

Minney, Rubeigh James. 1922. Round about Calcutta. Calcutta: OUP. https://archive.org/details/roundaboutcalcut00minnrich.

Ray, Sukumar. n.d. “Sukumar Sahitya Somogro; vo.1.” Calcutta: Ananda. https://archive.org/details/SukumarSahityaSomogro3/page/n17.

Roberts, Emma. 1845. East India Voyager, or the Outward Bound. London: J. Madden. https://books.google.co.in/books/about/The_East_India_Voyager.html?id=rOFAAQAAMAAJ&redir_esc=y.

Setton-Karr, W. S. 1864. Selections from Calcutta Gazettes. Calcutta: Military Orphan Press. https://archive.org/stream/in.ernet.dli.2015.195937/2015.195937.Selections-From-Calcutta-Gazettes-1864#page/n5/mode/2up.

Tassin, Jean-Baptiste. (1832). Map of the City and Environs of Calcutta;  Constructed chiefly from Major Schalch’s Map and from Captain Prinsep’s Surveys of the Suburbs. Retrieved from https://gallica.bnf.fr/ark:/12148/btv1b530996458

Williamson, Thomas. 1810. East India Vade Mecum; or, Complete Guide to Gentlemen Intended for the Civil, Military,or Naval Service of the Hon. East India Company; Vol. 2 (2). London: Black, Parry. https://www.scribd.com/document/305022589/The-East-India-Vade-Mecum-Volume-2-of-2-by-Thomas-Williamson.

Wood, Mark. (1792). Plan of Calcutta. Calcutta: William Baillie. Retrieved from https://www.bdeboi.com/2016/02/blog-post_27.html

Yule, Henry ; and Coke Burnell. 1886. Hobson-Jobson: A Glossary of Anglo-Indian Colloquial Words and Phrases and f Kindred Terms. London: Murray. https://archive.org/details/hobsonjobsonagl02croogoog/page/n8.

 

 

DHURRUMTOLLAH STREET: WAY TO BENGAL RENAISSANCE

A triple portrait of the East India Company ship Royal Charlotte – Indiaman (1758-1770. Oil on canvas by Robert Dodd. Couresy: National Maritime Museum,

 

 

নবজাগরণের যাত্রাপথে ঐতিহাসিক ধর্মতলা স্ট্রিট

LEAD UP
As early as in May 1772 when Dean Mohamet (1784–1851) arrived, Calcutta was already a major center of commerce for the English East India Company, prosperous and entrepreneurial. [Dean Mahomet] Calcutta was then just a township desperately in need to grow into a city to fulfill the common ambition of the Company Bahadur and the British colonialism under the administration of Lord Clive and his immediate followers. It is interesting to note that the Industrial Revolution, the critical turning point in modern history, had its origin in village Sutanuti cotton market that allured the British traders to settle and exploit. The wave of Industrial Revolution, which had started a decade ago in Britain with manufacturing of textiles, reached the shore of river Hughly by then, and let its impact felt in the planning for Town Calcutta expansion beyond the up-coming Fort William at Govindpore. Its chronicle gradually discloses a co-relation between industrialization and urbanization.

It all started with the initiation of the new Fort that set off huge mobilization of the Europeans southward and of the natives of Govindpore to Kumartooly, Sobhabazar, and Burrabazar at north and to Taltola at east. Both the parties had to spend lengthy time experimenting with new realities before they settled themselves in changed environment. That was the time since when new occupations being introduced as the unheard-of opportunities coming up as a result of scientific inventions and industrial diversification. Calcutta in the process of urbanization started experiencing effect of industrialization. The external economic orientation of Calcutta to England emerged in18th and 19th centuries, provided the young city with an industrial prospect. It took however pretty long time to develop some minimum indigenous technological systems of production, transportation, construction, and the logistics required for large concentrations of people in urban areas. [Ghose] The progress slowed down because of the typical political apathy and cultural lethargy of colonial Calcutta.

THE CLIMATE

Until 1813 the commercial relations between India and England was free from industrial capitalist exploitation. Trade with India had been relatively small. Its huge potential, however, was foreseen by the industrial capitalist who wasted no time to frame policies for maximizing capital gain to feed British machine industry. They defined their policy with the objective, set out by the Manchester Chamber of Commerce, to make India an agricultural colony of British capitalism, supplying raw materials and buying manufactured goods. British rule brought the destruction of traditional handicrafts as well as their technical proficiency, carried off plunder, and revenue extraction. [Sarkar] By 1814 the Company servants themselves had begun to invest their capital in Agency Houses born out of an alliance between the private trading interests of the Company’s servants and the Free Merchants. This unseemly alliance had been continuing since early days of East India Company. We understand from a scholarly note on the Company’s ship Royal Charlotte – Indiaman (1758-1770) featured at the top, that the Company placed bulk orders for official goods with the ships’ captains and supercargoes encouraging the flourishing network of private trade that supported the regular inflow of luxury commodities into Europe. This form of ‘regulated corruption’ was sanctioned through indulgences in Company policy. [Davies]

Despite all the mighty negative forces driven by the political machinery, industrialization happened in Bengal as well as other provinces in India at uneven pace mostly on European initiatives, excepting few instances of Indian entrepreneurship. Calcutta and its neighborhood were on the threshold of a small scale industrial revolution. The local business community embarked upon a broad range of steam-powered industries. Calcutta became ‘a seat of numerous extensive manufactories, vying with many British cities.’ [Stocqueler] The scenario changed in the second half of the 19th century. Faster transportation, and a uniform legal framework, in particular, expanded possibilities of capital and labour movements. ‘The Empire encouraged factor-market integration, increased the scope of public-private partnership and the separation of banking from trading and of trading from manufacturing. This diversification of risk was a key impetus to the industrialization drive.’ [Ray] It was the English who exploited the opportunities most. The natives of Calcutta missed it almost because of their so called entrepreneurial backwardness – a deeply-seated socio-cultural attitude. ‘Power over land, not mercantile or industrial enterprise, was the economic hallmark of social statuses.’ Trade was associated with low ranking castes, Brahmins and Kayasthas considered only the intellectual and administrative professions as proper occupations. Thus the indigenous Bengali elite turned its back on business and left modern industry and international commerce in Calcutta to Europeans. [Sarkar] Neither the shrewdness of colonial policy nor the apathy of general Bengalese toward business could stop Industrialization Revolution that brought forth radical and innovative changes in manufacturing and transportation from manual to mechanical mode. We may note in this context that it all had started with the bonanza of British textile industry at the cost the death of Indian cotton hand mill tradition. The first textile industry in India, Bowreah Cotton Mills, was established in 1818 by British at Fort Gloster near Calcutta; the first jute mill at Rishra started spinning in 1855 when they brought its machinery from Dundee. Industrialization produced a new market economy, and most importantly, a new society desirous of using innovative products and transports to set the revolution go.

 

Dhurrumtollah Bazar – a section of the coloured lithograph depicting Catholic Church of the Sacred Heart created before 1838 (pub. 1848) by Sir Charles D’Oyly. Courtesy Heidelberg U Univ.

DHARRUMTOLLAH IN CONTEXT

Walking around the Dhurrumtollah Street we may still find few footprints of Industrial Revolution that modernized the ‘process of manufacturing consumer goods and capital goods and of building infrastructure in order to provide goods and services to both individuals and businesses.’ The industrial orientation was discernable more markedly in the new township around the Fort covering the entire southern expansion up to Surman’s Park including villages of Govindpore, Birji, Chowringhee and sections of Colinga – the area commonly understood today in terms of east and west Dhurrumtollah. That time Taltola, or Talpooker, with its segment Jaunbazar was an undeveloped swampy land of Colinga mouza nearest to ‘Bazar of Govindpore on the site of Fort’ (also referred to as ‘Dhurrumtollah Bazar). The only landmark it had was a shrine of Dharmathakur, or the Dharmatala. A road to Dharamtala that known to exist in 1762 as a causeway immediate north of Dingabhanga or Jala Colinga was reinforced with Birbhum gravel in 1796 just after the new Dhurrumtollah Bazar established. [Setton-Kerr]

 

As we have already noticed, during the time of expansion of the Town Calcutta and construction of the new Fort, there had been massive mobilization from all directions. The Europeans moved toward south, the Govindpore villagers toward north and east where the later had to take up new occupation for living. In addition, there had been a steady inflow of people from outside India of varied cultural background and expertise for doing business or working as professionals or employees in government and private institutions. The uprooted Govindpore folks gained prospect of living in civil areas and availing new job opportunities in exchange of homes they lost. The opportunities were not limited to serving the European and the Native aristocracy as domestics, but also in public places and at the Fort site as coolies, road-labourers, or palanquin-bearers who in those early days were customarily natives of Bengal. So far we understand, the Hindu settlers from Govindpore had no serious involvement in the process of developing Dhurrumtollah into a neighborhood of historical importance. In our collective mind, the area of ‘Dhurrumtollah’ today no more includes the eastern part of Jaunbazar, which found its own identity after Pritaram Das had built his palatial house in 1810s – the hallowed site where Rani Rashmoni, his daughter-in-law, lived her distinguished life of spiritual, social and political significance. As we conceive, Dhurrumtollah of recent time comprises the entire area between the Lindsay Street and the Dhurrumtollah Street. The road was widened up in 1836 allowing the adjacent land to develop fast into a modern colony next to Chowringhee, but unlike Chowringhee, it was for people of all shades, not white alone. So to speak, such liberal inclusion was a striking exception to the administrative directions pronounced for removing ‘native inhabitants from the black town and to build houses for themselves on another spot, at a greater distance from the fort’. We gather from the English traveler, Edward Ives that this was ‘owing to the governor and council’s resolution in consequence of Colonel Clive’s advice, to enlarge and well secure Fort William, which could not be done, whilst the Indian town was standing. [Ives]

The White Town concentrated around the Tank Square. The region centering on the Govindpore Fort, including Chowringhee, Park Street, Dharmatala, Esplanade, formed the European part of the town. [Wallace] Dharmatala, though commonly designated as a European district, can hardly justify so by its mixed populace and liberal lifestyle, which has been encouraged to diversify further culturally and economically, keeping pace with the changes taken place in global societies through ever increasing Calcutta connections.

GreatMarket_Solvyns,

Of the Nations Most Known in Hindoostan. Solvyns, Les Hindous, Vol. III. 1811

The crowd of Dhurrumtollah Street is always different from anywhere else in Calcutta – “full of the People of India, walking in family parties and groups and confidential couples. And the people of India are neither Hindu nor Mussulman — Jew, Ethiop, Gueber, or expatriated British” (like James Augustus Hickey, Justice Le Maitre, or a David Drummond). “They are the Eurasians, and there are hundreds and hundreds of them in Dhurrumtollah now.” [Kipling] Because of the presence of British insiders, Dhurrumtollah milieu is essentially more inclusive than the grey town Murgihatta, and may be justly called a global town. On this road, Rev. C Cesry found in 1881 many faiths, many occupations, and many institutions existing next to each other. [Cesry] The road becomes congested with swelling population and their multifarious activities – commercial, professional, humanitarian, devotional, and recreational.

Calcutta may aptly be called ‘a city of shop-keepers’ if ‘getting and spending’ proves to be the essence of its economic life. This was what Sambhoo Churn wrote in Mookherji’s Magazine in 1861. The most respectable of its inhabitants were merchants, and the next might be the judiciary and law practitioners in Calcutta. Those days their profession found highly profitable. So were the medical practitioners. Englishmen in those days carried on other professionals as well. They were jurymen. Besides, they were engaged in different trades as coach-making, watch-making, tavern-keeping, tailoring, wine-dealing, shoe-making, hair-dressing, tanning and the like. [Biswas]

NEW PHENOMENA
A glance through the street directories of late 18th century or early 19th century Calcutta should show the changing pattern of occupations in Dhurrumtollah Street with “addresses of Engineers, Under¬takers, Chemists, Doctors, Midwifes, Photographers, Professors of Music, Horse Doctors, Auctioneers, Jewelers, Book-sellers, Publicans, Barbarians, Scythians, Bond and Free. [Cesry] There were more, most importantly the teachers who contributed singularly to awakening of a new Bengal. The role of Dhurrumtollah Academy of David Drummond and certain other extraordinary institutions carried out gently their grand missions on this rowdy street of ‘shops and bazars’. To Rudyard Kipling the street was like Hammersmith High¬way – the main shopping street in Hammersmith, London.

As we have elsewhere discussed at length about the old bazars of Dhurrumtollah, including the Chandney Market that still exists. [puronokolkata] The old Chandney was altogether a different class of market. It was set to cater raw materials like cloth lengths, threads and needles, or tools like scissors, knives, hammers or a fishing rod, but barely any ready-made consumer goods like garment to wear or fishes to eat. It was also a good shopping centre for household wares. I believe it still continues with the tradition to a large extent.  This apart, I like to draw your attention to the variety of specialty shops in Dhurrumtollah locality that sale, repair and offering services and products of modern technology.

Madan Theatre by Night” by Gaganendranath Tagore. Held at National Gallery of Modern Art, New Delhi. Image Courtesy: NGMA

There was no dearth of photographic studios, camera shops, professional cameramen, gramophone players, and music records, projectors and films, and above all there was the pioneering Indian cinema production company, the Madan Theatres to show how very receptive the ambience of Dhurrumtollah has been to innovative merchandise. Even today one goes there for a treasure hunt for rare music records, and some finds the master mechanic for gramophones and cameras in its lanes and bi-lanes. Such experience veritably takes us back to the old days of Dhurrumtollah.

CamelCarriage_Atkinson_1860

Camel Carriage. Coloured lithograph by F. Jones after Captain G.F. Atkinson. 1860

The scenario Kipling described did not grow overnight but an outcome of a slowly built tradition since 1762 – the time when Dhurrumtollah Street was a muddy road frequented now and then by animal-drawn carts pulled by bullocks, horses, and possibly elephants and camels.
The road became wider in 1867; building plots were numbered in 1843 and revised in 1869. Along with the continuous improvement of the Street and its surroundings, changes take place not only in mode of transportation, or form of vehicle, but in people’s lifestyle and the design of the institutions within the orbit of Dhurrumtollah Street.

OBSERVATIONS
Dhurrumtollah Street is, as we see, one of the few roads of the 18th century Calcutta that may claim to be a distinctive reserve for augmenting the history of making Calcutta a modern City out of the colonial ‘Town Calcutta’. The Street carries the traces of the socio-cultural progress on the route to urbanization basking in the glow of Industrial Revolution. It turned up in Dhurrumtollah rather than in any other part, because of two reasons, I believe. First, it was a free society and a learning society, continuously adjusting itself with new ideas and technological inventions. Second, the resolute role of institutions and few little-known, liberal forward-looking people that made it all happened.

CHAPIN PUMPING ENGINE.Dwarkanath imported this technology from England for his business ventures

Contrary to this view, there is a general notion that ‘the early and prolonged exposure to British administration resulted in the expansion of Western education, culminating in development of science, institutional education, and social reforms in the region, including what became known as the Bengali renaissance.’ [Bengal Chamber] When there is no denying that India owes to the British for the revival of its heritage, the British had little to contribute to the formation of the liberal spirit of Bengal Renaissance simply because they never had such values in their national character founded on the rock of convention.

Neither the contemporary business world had much to effect a change in Bengali mind-set. We know many illustrious names of the 19th century business and industrial leaders, British and Indian, from Andrew Yule to Octavius, from Dwarkanath to P C Ray. Among the Indian entrepreneurs there were many great public figures but hardly any persuasive leader capable of being an agent of social change. When Dwarkanath launched his firm, Young Bengal found a hero, and expected the Bengalis to ‘compete with the nations of Europe and America, not only in English literature, but in fine arts, sciences and commerce’. [Sarkar]

There had been however many renowned adorable renaissance men, including foreigners like a David Hare, and many more unacknowledged people who readied the Calcutta society at large with their open and inquisitive mind imbibed with liberal values. The society was shaped by those extraordinary minds behind the scene that produced leaders to instill new values in public mind, and influence politics of the land. While the industry, the political power, the social elites all had their respective roles to back the new society to flourish, essentially it was the work of the unaccounted activists – the mind-makers.

ENDNOTE
To illustrate my views I shall present few cases, starting with Chandney Bazar, an obscured offshoot of the industrial age. It will be followed by profiles of some magnificent men who left their invisible signatures on some very important chapters of Calcutta history leading to Bengal Renaissance. They came from dissimilar walks of life at different points of time – two horsemen, one Caribbean the the other French by birth, a atheist teacher of Scottish birth, and one Brahmoite  American Unitarian activist. Hopefully, you would enjoy their stories so far unheeded, when come out on puronokolkata pages before long.

REFERENCE
[Anonymous]. 1816. Sketches of India; or, Observations Descriptive of the Scenary, Etc in Bengal. London: Black, Purbury and Allen. https://books.google.com.au/books?id=tEcVAAAAQAAJ&pg=PP1#v=onepage&q&f=false.
Bengal Chamber of Commerce. 2016. Discover Bengal: A Guidebook Of Business Prospects In West Bengal. Calcutta: Bengal Chamber. https://www.google.com/url?sa=t&rct=j&q=&esrc=s&source=web&cd=1&cad=rja&uact=8&ved=2ahUKEwi77uKz1PnhAhUk63MBHQ8vDkYQFjAAegQIAxAC&url=https%3A%2F%2Fwww.bengalchamber.com%2Feconomics%2Fdiscover-bengal.pdf&usg=AOvVaw1V8wDJ0_pSUMaxTwj7VrZ9.
Bengal Hurkaru. 1838. Bengal Directory and Annual Register 1838. Calcutta: Samuel Smith. https://archive.org/details/dli.bengal.10689.14012/page/n5.
Biswas, Oneil. 1992. Calcutta and Calcuttans From Dihi to Megalopolis. Calcutta: Firma KL. https://archive.org/details/in.ernet.dli.2015.149376.
Cesry, Rev. C. 1881. Indian Gods Sages And Cities. Calcutta: Catholic Orphan Press. https://archive.org/details/in.ernet.dli.2015.128152.
Chunder, Bholanauth. 1869. Travels of a Hindoo; to Various Parts of Bengal and Upper India; Vol.1. London: Trubner. https://archive.org/stream/travelsahindoot00chungoog#page/n9/mode/2up.
Davies, Pauline. 2013. East India Company and the Indian Ocean Material World at Osterley, 1700-800, East India Company at Home (May 2013). https://blogs.ucl.ac.uk/eicah/osterley-park-middlesex/osterley-case-study-winds-of-trade/
Dean Mahomet. 1997 The Travels of Dean Mahomet: an eighteenth-century journey through India; ed. By Michael Fischer. California: UCPress,1997 https://www.ucpress.edu/book/9780520207172/the-travels-of-dean-mahomet
Forbes, James. 1834. Oriental Memoirs: A Narrative of Seventeen Years Residence in India; Vol.2. 2nd ed. London: Bentley, Richard. https://archive.org/details/orientalmemoirs00montgoog/page/n10.
Ghose, Benoy. 1960. “The Colonial Beginnings of Calcutta Urbanisation without Industrialisation.” The Economic Weekly, no. August 13: 1255–60. http://www.epw.in/system/files/pdf/1960_12/33/the_colonial_beginnings_of_calcuttaurbanisation_without_industrialisation.pdf?0=ip_login_no_cache%3Dfc8386086015fc6e2268f71b76bece16.
Kipling, Rudyard. 1899. City of Dreadful Night. New York: Alex. https://archive.org/details/citydreadfulnig02kiplgoog/page/n7
Puronokolkata. (2018). Durrumtollah And Its Old Bazars. Retrieved from https://puronokolkata.com/2018/05/08/dhurrumtollaha-bazars/
Roy, Tirthankar. 2014. “Trading Firms in Colonial India.” Business History Review 88 (1): 9–42. https://doi.org/10.1017/S0007680513001402.
Sarkar, Suvobrata. 2013. “Bengali Entrepreneurs and Western Technology in the Nineteenth Century: A Social Perspective.” Indian Journal of History of Science 48 (3): 447–75. http://www.insa.nic.in/writereaddata/UpLoadedFiles/IJHS/Vol48_3_4_SSarkar.pdf.
Sen, Amit pseud. [i.e. Susobhan Sarkar] ]. 1947. Notes on Bengal Renaissance. Bombay: People’s pub. https://archive.org/details/notesonthebengal035527mbp/page/n6.
Setton-Karr, W. S. 1865. Selections from Calcutta Gazettes; Vol.2. Calcutta: Military Orphan Press. https://archive.org/stream/in.ernet.dli.2015.44506/2015.44506.Selections-From-Calcutta-Gazettes–Vol-2#page/n3/mode/2up/search/beerbhoom.
Stocqueler, J.H. 1845. Handbook of India: A Guide to the Stranger and the Traveller, and a Companion to the Resident. 2nd ed. London: Allen. https://books.google.co.in/books?id=SelHAQAAMAAJ&pg=PA348&lpg=PA348&dq=a+seat+of+numerous+extensive+manufactories,+vying+with+many+British+cities.&source=bl&ots=O-V1sg-gc6&sig=ACfU3U1bRKpuM94feKVkwAc3A7wwaWsOPg&hl=en&sa=X&ved=2ahUKEwi8hbmhlO3hAhWKP48KHYEm.
Wallace, Robert Grenville. 1822. Fifteen Years in India; or, Sketches of a Soldier’s Life Being an Attempt to Describe Persons and Things … U.S. Commission of Fish and Fisheries. London: Longman. https://doi.org/10.1016/0003-6870(73)90259-7.

THE EDEN GARDENS – A PARADISE LOST

ঈডেন উদ্যান কলকাতা
In 1940, John Barry, the Calcutta Journalist, finds Calcutta “admirably served in the matter of ‘lungs’. There is no part which is not provided with a park or open space.” Besides the vast green of the Esplanade around the new Fort William, there have been as many as seven parks in the south of Tank Square, the Eden Gardens being the prettiest of them all. It served as the Promenade of Calcutta as Perrin’s Garden did long back in 1740s.

Garden City Calcutta
Calcutta has gardens of varying descriptions and many luxurious garden houses of upscale European and native families; a few of those turned later into institutional gardens like Horticultural Garden and Zoological Gardens.  Two of the oldest gardens, Perrin’s Garden and Surman’s Garden were the most inviting entertainment grounds for the early English genteel in Calcutta.

The Perrin’s Garden at the extreme north of the town, now Bag Bazar, was named after Captain Perrin, owner of several ships.  Perrin’s Garden was a pleasure resort, once the height of gentility for the Company’s covenanted servants to take their ladies for an evening stroll or moonlight fête. [Long.  It began to be less frequented when the English left Sutanuti. By 1752 it was alto­gether out of use and sold out for Rs. 25,000..  The other old garden, Surman’s Garden, lay at the extreme south of the town. Surman owned both Belvedere House and its garden which were sold on his behalf by public auction to Captain Tolly. It was afterwards purchased by Hastings for the Governor’s garden-house.  [Calcutta Census 1905]

Topography
Between Government House and Garden Reach there was a broad open plain, about 150 acres in extent, called the Esplanade or maidan in Hindustani. It was laid out with fine broad macadamized roads, bordered with trees. The space between the roads is plain turf. As seen in Thacker’s Guide of 1906, the Calcutta Gate of Fort William.

Strand Road west of Eden Gardens. Photographer: Samuel Bourne. c1868

leads out in a straight line to the Eden Gardens at the north-west extremity of the Maidan, bounded on the north by Auckland Road and on the west by Strand Road. [Thacker’s 1906] On Strand Road where the Bank of Bengal now stands, the native boatmen careened their craft at Cutcha- goody Ghaut before the English occupation. Later, when Supreme Court stationed in Calcutta, an avenue of trees marked this spot along the river-bank up to the Creek as King’s Bench Walk.  A more elegant avenue was planted by the Lottery Committee stretching from Chandpal Ghaut to the New Fort, known as Respondentia Walk. [Blechynden]  The Calcutta society  took their constitutional, evening after evening, while the more wealthy drove round in palanquins —facetiously called “coach and four ” —or chaises. Others still went up and down the river in budgerows, over exactly the same ground as their successors do in carriages or motors ; for the Hughli at that date flowed along what is now the Strand. [Minney]

Strand Road north of Eden Gardens. Photographer: Samuel Bourne. c1868

The Strand Road was laid on the land resulted from alluvial deposit. The Municipality contributed largely in the reclamation of this valuable land, or chur (চর) by depositing the sweeping of the town upon the alluvium so formed for many years.  In 1848, the sweeping, which were reported to cause a nuisance, were covered up and consolidated by the Municipality. The property became valuable and the income formed the Strand Bank Fund, which was utilized by Government not only for improving itself but for draining and painting trees on the Maidan, the Eden Gardens, and works on the Esplanade.  The Lottery Committee constructed Strand Road and Strand Bank , in 1820-21,that passed through two Zamindaries, Calc utta and Sootanaty. [Friends of India. 8 Sept.1853]

The Calcutta society  took their constitutional, evening after evening, while the more wealthy drove round in palanquins , facetiously called “coach and four “, or chaises. Others still went up and down the river in budgerows, over exactly the same ground as their successors do in carriages or motors; there were no Eden Gardens, which came nearly half a century occupying most of the old walks.  [Minney]

 

Genesis
There are different unverified stories about acquisition of the land. According to some, it was Babu Rajachandra Das (Marh)  who gifted it to Lord Auckland [Wiki]; some suggested Auckland himself purchased a plot for the garden in 1841 [Ency Date]. Whatever might be source of procurement, it is obvious that Auckland tended the garden when it formed part of the Governor’s Estate. [BL Annotation to Band Stand Photo by Malitte]
That the Eden Gardens is named after Emily and Fanny Eden is now a common knowledge, but a few know why it was not after their brother George Eden instead. Something similar happened with the Barrackpore Eden School which was established and grew under personal care of Lord Auckland, often erroneously credited to Emily Eden.  Around 1842 the Eden Gardens of Calcutta came into existence with the name Auckland Circus Gardens, or just ‘Auckland Garden’. We are yet to know when it adopted the new name ‘Eden Gardens’ and why the change needed at all. {Ency. Indian Dates} Some believed that the makers of the Gardens being ‘inspired by Garden of Eden in the Bible’, changed its name. What we gather from the words of Curzon and Cotton, that it were Misses Eden, the sisters of Lord Auckland, whose ‘liberality and taste’ contributed most in making the gardens to benefit  Calcutta society [Cotton] . Unfortunately, their claims appear somewhat inconsistent with the details Emily recorded in her Letters from India.

Emily and Her Sister

Miss Emily Eden. Portrait Artist: Simon Jacques Rochard. 1834

There is no denying that Edens had a genuine love for gardening.  Gardens were their means to secure Englishness in India. At each of their houses in Calcutta, Barrackpore, and Simla, George and Emily made sure they had a garden. But the letters Emily Eden left with us provide little or no indication to establish her involvement in making Eden Gardens.  Emily’s ‘new garden’, which comes up frequently in her correspondences, refers to the Park Gardens, or the Ladyship Garden at Barrackpore where she stayed mostly,  happily engaged in overseeing her ‘new garden  turning out very pretty,  observing that her plants doing a great deal in six weeks, enquiring  about the Gloriosasuperb growing almost wild there.  [August 2. (Finished August 9), 1836] – all these mentions were about their private garden in Barrackpore where she planted seven hundred flowering plants that Dr Wallich of the Botanical Garden gifted. This was the garden the two sisters and their brother George Eden had built for enjoying privately their Englishness in continuity of their Greenwich days.  Historically, Emily and Fanny Eden had no more than accidental relations with  Eden Gardens and, if any, that should be hardly enough to justify changing of the name of Auckland Circus Park into Eden Gardens, in other words, replacing Lord Auckland with the names of his two sisters in public mind for some external reasons .
We have also difficulty in accepting Eden sisters as liberal-minded as Curzon and Cotton suggest disregarding their highly opinionated conservative mind-set uncovered in great many private letters Emily.
“Eden’s place in English society developed out of a permanent class hierarchy, from birth. Being dropped into the contrasting classes of Anglo-Indian society made Eden psychologically uncomfortable”. In fact, hardly ever Emily minded her language in expressing her aversions, as we see in her letter of 24th March 1824, Emily describes their dinner with Anglo-Indian guests:  ”have great dinners of 50 people, ‘fathers and mothers unknown’, to say nothing of themselves”. March 24, 1836.  Eden sisters were upset seeing the loss of British identity in those white people of Calcutta. They abhorred ‘the black naked creatures’ – the native Indians. The status and prestige Emily enjoyed as George’s sister made her “royalty” among the inhabitants of Calcutta, yet unlike their brother George they detested Calcutta, and sometimes thought India a barbarous country.

George Eden, Earl of Auckland
George Eden, earl of Auckland was different being liberal and concerned for the welfare of the people many of the stiff neck Britons looked down, as did his two sisters. He was known as ‘Cold-mannered, reticent, shy, good-natured, robust of figure, disliking all pomp and parade, and delighting in regular official work’. He was said to be least fitted to organize wars and gain victories. He took charge as Governor- General of India in 1836. During his tenure, the first Anglo-Afghan war gave a severe blow to British Prestige in India. He was termed as most unsuccessful GovernorGeneral of India and is known for his follies in Afghan wars. Though Auckland was found “least fitted to organize wars”, he “eminently fitted by temperament and long experience to discharge the most exacting duties of quiet times,”[Trotter] The then British authority, as we see,  preferred a war-hero to a good statesman in India. Auckland was called back in 1842 as a failure notwithstanding the immense good he had done for India and its people.

Earl of Auckland, George Eden. Portrat Artist: Simon Jacques Rochard. c1843

During his six year administration Auckland amply proved his will and ability to improve the living conditions and opening opportunities for self development. Launching the Fever Committee programs, introducing the basics of municipal governance, abolishing Pilgrimage Tax, empowering religious endowments, improvement of the medical and general education, extending government scholarship to studying Sanskrit, Arabic, and Persian, designing Slavery Act of 1843, are some of his lasting contributions to the colonial India, Calcutta in particular.  Lord Auckland’s despatches and State papers impressed Fitzgerald, as President of the Board of Control. He perceived, Auckland “was, with the sole exception of Lord John Russell, by far the ablest member of his party; his views most statesmanlike, and his government of India particularly just.’ “If modern Calcutta has ever a thought to give to the citizens who have made her what she is, she will find many a name worthy of honour among those who recognized Moira and Bentinck and Auckland and Dalhousie as king in turn.”[Cotton]  The new Viceroy astonished the inhabitants by showing himself on foot at times and places where he would be least expected. ‘He walked,’ says his private secretary, “to the Eden Gardens in the gloom of these January evenings, and, like the Sultan in the Arabian Nights, heard with amusement or with interest remarks about him as he mingled with the crowd.  [Thaker’s Guide to Calcutta 1906]

As already said, Auckland loved gardens, and that wherever he lived maintained a garden there. Government House apart, Auckland had owned one of the most magnificent Garden houses, the Belgachia Villa, which later passed to the hands Dwarkanath Tagore. Auckland’s deep sense of living in harmony with nature prevented him to sanction a plot of ground “at the south-east corner of the enclo­sure of Tank Square ”for the purpose of erecting Imperial Library. He thought that those spaces of the town which are appropriated to light and ventilation ought not to be given up for purposes of building.” [Cotton]

So far what I have said is only to suggest that George Eden had by far the most appropriate candidature  for being the ‘Eden’ of the Eden Gardens, previously called Auckland Circus Garden, or simply ‘Auckland Garden’, though it is being said in chorus  that the garden was named after ‘Emily and Fanny Eden’.

A Garden of Eden
The garden was the best of its kind in English colonial states. The Eden Gardens along the river’s bank had been a place of “great show of fashionables out for the purpose of enjoying a drive— ‘eating the air’ (howa-khana) as the Indians express it.” [Carey] Entering the Strand Road we turn to the North, and on our right we pass the Eden Gardens. A large space has been turfed and is well patronized by hundreds of citizens who may be seen taking their evening exercise on the green sward. [Cotton]  Thirty years ago, the evening walk in the Eden Gardens was sacred to the Calcutta elite, and, if not in uniform, one had to assume a top hat and frock-coat in order to mingle there with the great ones of the land. Then a wave of liberal sentiment break the order, and the pleasure of listening to the military band discoursing sweet music ceased to be a monopoly for Europeans. The hierarchy since then has not patronized the Gardens as in the days of old.  [Thaker’s 1906] The Eden Gardens complex sprawls over a lush green land of 50 acres many gardens, lakes, a Pagoda and a Bandstand of special historical importance. The gardens themselves are laid out with winding paths and artificial water, interspersed with a profusion of flowering trees and shrubs. A pleasanter place for a morning or evening stroll cannot be found. The portion devoted to promenading is well illuminated with the electric light [Carey]

The prettily decorated Pagoda and its reflection on the adjacent lake water was a favourite spot of the visitors.   This Burmese Pagoda, a specimen of Tazoungs architecture, was built in 1852 in Prome by Ma Kin, wife of the then Governor. It was then removed from Prome after the Burmese War in 1854, and re-erected here in 1856. Within the Pagoda there was an image of Gautama Buddha with its forehead set with precious stones, used by Buddhist Priests for worship. [Thaker’s 1906] The lake alongside the Pagoda, where giant lilies bloom in plenty, is a pleasing sight. For the happy holiday-makers there were two rowing boats, very appropriately named Adam and Eve. These can be hired at the rate of four annas per head per hour. [Barry 1939/40] Round the whole is a broad grassy ride for equestrians, enclosed by shady walks and plantations. [Carey]

Town Band & Operatic Culture
Thanks to the fact that Calcutta was the seat of the Governor-General, brass bands had been of enormous import since the city’s earliest days. The town’s regimental bands, or the Governor-General’s own private band, had initially provided Calcutta with this public music.  Curzon reminded us that for the first time the Governor General’s Band was played at his Party in the new Government House to celebrate the King’s Birthday on 4th June, 1803. But it was much later in 1820s a separate Band for the Vice-Roy was formed on assured basis. Since then ‘visitors to Government House have always noticed and as a rule expressed much admiration for, the Viceroy’s Band.  Emily Eden, writes on 16 March 1836:

“To-night there was the concert, at which the natives came, besides all the same society that was at the ball. Fanny said there was nothing very splendid about the rajahs. I heard the music in my bedroom, and it did not sound ill. Our own band is a very good one, and plays every evening when we have company.” [Emily 16Mar1836]

In the late 1850s, after the Rebellion, promenade band concerts became a regular part of White Town life. By August 1861, the concerts had grown in popularity and the more musical residents of Calcutta established a Town Band that entertained the town each night. A large sheltered bandstand was erected in the Eden Gardens. By the winter of 1861-62, the Town Band had become a musical and social institution; evenings would find the bandstand occupied by the Town Band, an ensemble of twenty-five performers supported entirely through voluntary private donations, with crowds of townsfolk coming in carriages, on horseback or on foot to listen. The Band’s best contributions to operatic culture were the regularity of its offerings and its low-cost. [Calcutta Premiere]

The repertoire for each day’s concert was published in the morning edition of several Calcutta newspapers, including The Englishman. Although the individual pieces varied each day, the programmes followed a fairly standard formula: one or two opera overtures, a dance such as quadrille, waltz or march, an arrangement of an operatic set-piece, an arrangement of a British ballad or song, especially of a patriotic nature, and occasionally an arrangement of a parlour song or Hindoostannie (sic) air. We find Sisir Bhaduri, the maestro of Bengali theatre, staged DL Roy’s Sita at the Eden Gardens during Christmas in 1923. [Christiansen]  The recitals of the city’s professional musicians and the daily promenade concerts given by the Town Band were invaluable contributors to Calcutta’s operatic culture.

The Statue of Auckland
This noble statue of Lord Auckland was installed in the Eden Gardens, or the Auckland Circus Garden as it was called then. Facing the river, the statue remained prominently visible from strand. The height of the statue itself is about 8 feet 6 inches; and on the whole, including pedestal, 20 feet only. The casting, as well as the model, was sculptured by Henry Weekes, R.A. The monument was complete in 1848. A fee of £.2000 was paid to the sculptor from the fund collected by the people of Calcutta for making the statue of the Earl after his departure from India as a token of their love and gratitude.

Earl of Auckland. Marble Statue. Sculptor: Henry Weekes, R.A. 18481848

The statue of George Eden comes in view when one walks past the Burmese Pagoda and close to the northern gate. The inscription on the pedestal upon which it stands declares that the statue was erected by men, of whom some were the instruments of his government, of whom many knew that government only by its benign effects, all of whom agreed in the affectionate desire to perpetuate the memory of the six years during which be ruled the destinies of British India — for this just reason that, throughout the whole course of those years, he laboured earnestly and unremittingly to make security from rapine and oppression, freedom of internal trade, the medical science of Europe, the justice which is blind to distinctions of race, and the moral and intellectual affluence which it opens, a common and perpetual inheritance to all the nations who inhabit this Empire. 1848.” [Steggles]  It was ‘an almost fantastic panegyric’, Curzon commented, and regretted that the name of Auckland was forgotten in Calcutta by then, ‘except the Eden Gardens, which Calcutta owed to the liberality of his sisters, and for its own statue’. [Curzon, v2] Today, none of those two, the Eden Gardens and Auckland’s statue, survives to bear out the loving memory of the Earl in this city.  It seems Auckland was covertly stripped of everything he achieved while in India because of some untold sins he committed –failure in Afghan War, or for some good he did for Indian people that proved bad for the British interest. It might also be a streak of his character. As Charles Greville, who knew him well, found in him some very best qualities for a statesman but ‘a certain diffidence in his own judgment, a diffidence which was soon to lead him, his party, and his country, into disaster. [Trotter]
Firstly, Auckland Park lost its definite identity by changing its name into Eden Gardens in an attempt to cut off Auckland from Calcutta people very unkindly, indeed. The new name convenience spreading of the make-belief story, that it was a gift to the townsfolk due to liberality of the Eden sisters, who had been in real life conservative British aristocrats utterly disrespectful to the native Indians and Anglo-Indians on different counts.
View of Eden Gardens and its Burmese Pagoda. Photographer: Hoffman and Johnston. 1865Besides Auckland’s statue, there had been two other monuments located in Eden Gardens. On its north side, the grave of Charlotte, Lady Canning was buried and remained there until moved to Barrackpore Park. On its south side stood the statue of the Naval Commander William Peel until reinstalled at Temple of Fame, Barrackpore. No memorials of Emily and Fanny Edens ever installed to acknowledge their supposed involvement in making of the garden. The statue of Auckland that stood in Calcutta from 1848 was taken away to Auckland City in 1969, after a short stay in Victoria Memorial Hall being a part of its statuary collection.  The cost of transportation and its erection on site was arranged and financed by the New Zealand Insurance Co. Ltd. as a gift to its home city. Calcutta bade adieu to the last of Auckland.

A Paradise Lost

The garden that was steadily being developed since early 1840s under the care of Lord Auckland and his successors into an enchanting sphere of natural beauty and peace for the people of Calcutta, encountered a threat in 1864. The Calcutta Cricket Club, after many refusals of their prayer to the successive Governors-General obtained permission to move to the eastern end of the Eden Gardens. The garden authorizes did never mind accommodating such events as of  Bengal Lawn Tennis Championship, Kennel Club Dog Shows, Presidency Sports, Rowing Club boating, but not a game that may ruin the delicate natural atmosphere and its exquisite garden architecture with the tumult of the maddening crowd from the stadium. The stadium has since grown into a large walled realm larger than Roman coliseum ruled predominantly by the law of fashion, entertainment and commerce in the name of sports. It was an unholy marriage that ultimately reduced the  Eden Garden, once so much loved, next to nothing but its name, which now stands for:
”a cricket ground in Kolkata, India established in 1864. It is the oldest cricket stadium in India. It is the home venue of the Bengal cricket team and the IPL franchise cricket team Kolkata Knight Riders, and is also a venue for Test, ODI and T20I matches of the India national cricket team. The stadium currently has a capacity of 68,000.” [Wikipedia]

This shows how we like to redefine our past and ourselves giving a damn to our roots.

 

REFERENCE

Blechynden, Kathleen . 1905. Calcutta: Past and Present. London: Thacker. Retrieved (https://archive.org/details/calcuttapastand02blecgoog).

Carey, W. H. 1907. The Good Old Days of Honorable John Company, Being Curious Reminiscences … during the Rules of the East India Company, from 1800 to 1858; Vol.2. Calcutta: Cambray. Retrieved (https://archive.org/details/in.ernet.dli.2015.116087).

Carey, William. 1882. Good Old Days of Honorable John Company; Vol.1. Calcutta: Quins Book. Retrieved (https://archive.org/details/goodolddaysofhon00careuoft).

Christiansen, Amy Marie. 2012. Discomforts of Empire: Emily Eden’s Life in India, 1836=1842 -. Auburn: Auburn University. Retrieved (https://etd.auburn.edu/bitstream/handle/10415/3271/AChristiansen-Thesis.pdf?sequence=2&isAllowed=y).

Cotton, Evan. 1907. Calcutta, Old and New: A Historical and Descriptive Handbook to the City. Calcutta: Newman. Retrieved (https://archive.org/details/calcuttaoldandn00cottgoog).

Firminger, W. K. 1906. Thacker’s Guide to Calcutta. Calcutta: Thacker, Spink. Retrieved (https://archive.org/details/thackersguidetoc00firm).
Gupta, Hemendranath Das. 1944. The Indian Stage; v.4. Calcutta: M K Das Gupta. .(https://www.amazon.in/Indian-Stage-Vol-IV/dp/1178594637)

Marquis Curzon. n.d. British Government In India Curzon 2 : Free Download, Borrow, and Streaming : Internet Archive. Retrieved January 21, 2019 (https://archive.org/details/BritishGovernmentInIndiaCurzon2/page/n3).

Massey, Montague. 1918. Recollections of Calcutta for Over Half a Century. Calcutta: Thacker, Spink. Retrieved (https://www.google.co.in/url?sa=t&rct=j&q=&esrc=s&source=web&cd=3&cad=rja&uact=8&ved=0ahUKEwjRr_WylsPXAhUDV7wKHTWJAXcQFggxMAI&url=https%3A%2F%2Farchive.org%2Fdetails%2Frecollectionsofc00massiala&usg=AOvVaw3uvydXqyjqB3xbkOOZe4jp).

Minney, R. J. 1922. Round about Calcutta. London: Oxford U P. Retrieved (https://archive.org/stream/roundaboutcalcut00minnrich#page/n5/mode/2up).

Ray, A. K. 1902. Calcutta: Town and Suburbs; Pt.1 A Short History of Calcutta. Calcutta: Bengal Secretariat. Retrieved (https://books.google.co.in/books?id=-Lo5AQAAMAAJ&q=calcutta+town+and+suburbs+ak+Ray&dq=calcutta+town+and+suburbs+ak+Ray&hl=en&sa=X&ved=0ahUKEwjDnrz11MnXAhUCN48KHdgEDQUQ6AEIJzAA).

Rocha, Esmeralda Monique Antonia. 2012. “Imperial Opera : The Nexus between Opera and Imperialism in Victorian.” 1833–1901. Retrieved (https://api.research-repository.uwa.edu.au/portalfiles/portal/9844782/Rocha_Esmeralda_Monique_Antonia_2012.pdf).

Steggles, Mary Ann. 1993. Empire Aggrandized: A Study in Commemorative Portrait Statuary Exported from Britain to Her Colonies in South Asia, 1800 to 1839; Vol.1. Leicester: Leicester. Retrieved (https://www.researchgate.net/publication/44103641_The_Empire_Aggrandized_A_Study_in_Commemorative_Portrait_Statuary_Exported_From_Britain_to_Her_Colonies_in_South_Asia_1800_to_1939).

Trotter, L. J. 1893. Earl of Auckland. Oxford: Clarendon Press. Retrieved (https://books.google.co.in/books?id=1ypnW6TwjQAC&pg=PP2&lpg=PP2&dq=captain+trotter+auckland&source=bl&ots=vKMRrW9x7i&sig=rCHTnT2EZ0Z_FyF0dtIz_uFAREU&hl=en&sa=X&ved=2ahUKEwiBspPbhejfAhWIQI8KHbqfDLUQ6AEwAXoECAkQAQ#v=onepage&q=captain trotter auckland&f=fals).

Wikipedia . Eden Gardens. 12 Jan. 2018 ( https://en.wikipedia.org/wiki/Eden_Gardens)

Mullick Ghat and the Jagannath Steamer Ghat Update: Chhottelal Ghat

Mullick Ghat and the Jagannath Steamer Ghat. Update: Chhottelal Ghat


The descriptions of the questioning edifice gathered from texts and photographs fit best to the structure presently stands on the riverbank a little high up with an added floor close by the Howrah Bridge. The cartographers earmarked the riverbank as Mullick Ghat in maps prepared before 1873, when the edifice was constructed, and also thereafter. I was tempted to accept the edifice as the original pavilion of Nemai Mullick Ghat, ‘subject to further verification’. Sri Animesh Kundu, backed by his recent findings, proved my guesswork all wrong, establishing that this grand pavilion was built in 1873 to serve as a memorial to Babu Durga Prasad Chhottelal, a Furrukhabad businessman. The details of the story revealed by his painstaking efforts may be read in Kolkata and Surroundings.  For the first time we come to know the identity of Chhottelal and the nitty-gritty of making of his memorial. The newly acquired knowledge, however, helps us little to answer our old queries such as:
1. Why some old photographic prints, commercial and private, were captioned ‘Juggernath Ghat’ / ‘Mullick Ghat’ instead of ‘Chhottelal Ghat’, ignoring the presence of the eye-catching Chhottelal memorial pavilion?
2. Why we find no mention of Chhottelal Ghat in texts and maps barring very few like Richard’s 1913 map.

  1. The Chhottelal Ghat marble plaque, mounted on wall no more than a decade ago by the National Ganga River Basin Authority who funded for the ‘Improvement & Re-Development of Chote Lal Ki Ghat’. It is a recent notice, undated, written over the original text hidden behind. Conversely, the memorable plaque of the 1887 Ship-wreck preserves the original texts in vanishing ink. The new findings provide no clue to figure out necessary association of the two plaques, in other words, how ‘Chote Lal ki Ghat’ relates to the memory of the ship-wreck on Jagannath jatra.

To my mind, for those answers it is critical for us to recognize a river ghat as a typical public facility in Indian context, mostly set up out of philanthropic zeal, or pious wish. Primarily it consists of a flight of steps to river edge to enable people to reach Holy River for performing rituals, bathing or ferrying. Besides that, optionally, ghat provides pavilion to benefit the bathers, and carries memories of the ghat-founder. Chhottelal pavilion is a rare exception to this convention, being erected on an ‘old existing ghat’ to commemorate someone unrelated to the original ghat. Perhaps, this is the reason why we find some vintage pictures of the Chhottelal pavilion bear names of Jaggernath Ghat, or Mullick Ghat, and the maps indicate no name of Chhottelal Ghat either. Moreover, we need to learn the exact position of the ferry ghat called ‘Juggernath Ghat’. Is it the same as ‘Basak’s Bathing Ghat or Jagannath Ghat of Barabazar? The only guidance to locate ‘Juggernath- ghat’ we find in Bradshaw 1935 where the shipping companies notify passengers to approach:

“Juggernath-ghat, which is situated on the Calcutta side of the River Hooghly above Howrah Bridge, several times weekly on the opening of the bridge.“ See: Puronokolkata.com 

Since there were several river-ghats between Jagannath Ghat of Burrabazar and the Pontoon Bridge, it is most unlikely for the steamship companies to send passengers to the Burrabazar ghat but the ghat next to the bridge instead.

We hope to enrich our understanding with new findings, by correcting and incorporating pieces of information – not only facts but also the rationale to get them established.

Holy Street Dhurrumtollah

 

Dhurrumtollah ka Rustah

উদারপন্থী ধর্মতলা জনপথ

Catholic Church of the Sacred Heart in Calcutta on Dhurrumtollah Street: Col Lithograph. Artist: Charles D’Oyly. c1833. Courtesy: BL

Preliminaries

This is a sequel of the story ‘Finding Dhurrumtollah’ I posted last June 4. It was an attempt to trace back the situation of Dhurrumtollah within the province of huge marshy land of Colimba-Talpukur, populated with very different varieties of flora and fauna, and people of different cultural orientation and faith.

The aboriginal Dhurrumtollah continued to exist till the old city of Calcutta stretched across Govindpore and Chowringhee villages amidst forest of sundari trees. Around 1764 the beaten jungle path toward the east was made over by the East India Company as ‘Dhurrumtollah ki Rustah’. But the place ‘Dhurrumtollah’ where to the muddy dusty street supposed to lead remains curiously unspecified in historical records since Mark Wood’s map of 1784-85 sited its name and location.

Should this ‘Dhurrumtollah’ necessarily be an outstanding devotional edifice like temple, mosque or a church? If so, how far realistically we can think of such construction in a forlorn marshland? An answer to this should conceivably help to resolve at least one of the two old theories. The one advocated in 1859 by James Long, that the name ‘Dhurrumtollah’ was originated from an ancient Mosque; the other initiated by Augustus Frederic Rudolf Hoernlé in 1888, that it was originated from a Buddhist adda in the neighborhood of Jaunbazar.

Before we come closer to look into these theories, often restated by later writers, we must get prepared to free our mind of all sorts of ethnic bias that prevented native communities to accept some other’s faith likewise divine. Calcutta has had a relatively short history of communal living but a long torturous memory of bloody relationship between Hindus and Muslims because of sheer religious predisposition politically instigated time and again. In spite of its many ugly episodes, Calcutta has been regarded a glorious seat of divine cultural heritage of Hindu-Muslim creative alliance in the form of Hindustani music, for instance.

Dhurrumtollah Street has too many religious institutions of diverse faiths standing peacefully side by side. We will see in course of our ongoing discussions that this street was a playground for experimenting with liberal principles in social, economic, educational, and spiritual orders as well.

 

Ghulam Muhammad’s Mosque on the left and the spire of the Roman Catholic Church of the Sacred Heart on the right taken by Frederick Fiebig in 1851. Courtesy: BL

View along Dhurrumtollah Street with Ghulam Muhammad’s Mosque on the left and the spire of the Roman Catholic Church of the Sacred Heart on the right taken by Frederick Fiebig in 1851. Courtesy: BL

At the very beginning of the Street stand an elegant mosque and a Catholic Church. The view set a blessed disposition, which quickly disappears journeying further into the crowded thoroughfare passing by bazars and commercial houses, public and private institutions and residences of European, Eurasian and native families. There have been also a number of religious houses in close proximity of each other attended by Islamic, Christian and Hindu devotees.

In this ‘street are the Union Chapel, the American Mission Home – the small old and the new large Methodist Churches, the Church of the Sacred Heart of Jesus, and besides the good looking Tipu Sultan Masjid at least 5 more mosques, and 2 minor temples. We can add few more to Rev Cesary’s list, and make the aggregate more impressive, but that would hardly improve our understanding of the historicity of holy Dhurrumtollah, which this article aims to establish.  [Cesary]

 

Ancient Mosque in Dhurrumtollah

Rev. James Long says there had been an ancient mosque, since demolished, on the very site of Cook’s stables, where tens of thousands Musalman devotees assembled to observe the Kerbaladay. The ground of mosque and its neighboring land were owned by a zealous Musalman, Zaffir, who happened to be a Zamadar employed under Warren Hastings. Though Long specifies no direct source, he subscribes to the idea that the ‘local sanctity’ due to the mosque’s presence lent it the name ‘Street of Dharamtolah’, or the holy street.[Long].

Before 1888, when Frederic Hoernlé talked about his theory about the presence of Buddhism in Bengal, there had been no other theory available except what Rev. Long had proposed and many accepted him unquestioningly. Rangalal Bandyopadhyay was one of them.

“ধর্ম্মতলার পূর্ব নাম এভেন্যু অর্থাৎ বারাসৎ, কারণ তাহার উভয় পার্শ্বে বৃক্ষ শ্রেণী ছিল। ধর্ম্মতলা নাম হইবার কারন এই যে হেষ্টিংশ সাহেবের জমাদার জাফের নামক এক মুসলমান, যেখানে এখন কুকের আড়গোড়া রহিয়াছে সেখানে এক মসজিদ নির্ম্মাণ করে। পরে সে স্থানে বর্ষে বর্ষে কার্বালার সময় সহস্র সহস্র মুসলমান একত্র হইতে থাকিলে ধর্ম্মতলা নাম হয়।“[Bandyapadhyay]

 After Rangalal, writers like William Carey, A K Ray, Evan Cotton, Harisadhan Mukhopadhyay, keep both the ideas alive by repeating Rev. Long and Dr. Frederic Hoernlé without making attempt to check their veracity.

Dhurrumtollah Street Scene. Calcutta Ladder, Cook &. Calcutta. (Old Picture Postcard) Courtesy: Ebay

The alleged Mosque was told to be built on Zamadar Zaffir’s land and that should have happened during the tenure of Warren Hastings who employed Zaffir. The Mosque was worn out before Cook’s livery stables occupy the plots at nos. 182 and 183 Dhurrumtollah Street. It was originally an enterprise of Chevalier Antoine de L’Etang who came to Calcutta in 1796 and opened a riding school on Park Street and a horse repository on Dhurrumtollah Street to conduct weekly auction sales of horses. [Roberdeau] Most likely, the alleged mosque was built after Plassey and disappeared at the end of 18th century. During its existence the Musalman population in Calcutta had never been so high to let us imagine tens of thousands Musalman devotees at Karbala, as Long says. The Census reports that the Musalman population In Calcutta grew from 37848 in 1752 to 48162 in 1821. It is also interesting to note that the ancient mosque, as Long indicated, was situated close to the entry point of the Street and needed no approach-road or a ‘Dhurrumtollah ka Rastah‘.

Lastly, the scope of general acceptance of an Islamic shrine by other religious sects, Hindus in particular, sounds unrealistic in the historical context of socio-cultural relationships primarily based on religious practices, rites and ceremonies. What Alexander Hamilton writes in early 18th century remains still relevant that “In Calcutta all religions are freely tolerated”, but there have been polemics, as always, to shatter the harmony in living together instigated by vested interest in gaining power and glory. The extract from East India Chronicle published in 1801 shows a short and sharp picture of the conflicting situation, and the social and political attitude to buy quick solution rather than any permanent gain.

“The Mussulman Mohurrum, and Hindu festival in honour of Doorga, happened to occur at the same time from the former being regulated by Lunal Calculate, disputes between the two sects took place in many parts of India, and their contests were attended with bloodshed. During the Government of Ally Verdi Khan, the Hidoos were publicly prohibited from celebrating their festival, whenever it happened to interfere with that of the Mahomedans. – An event proof of the bigotry and intolerant spirit of them and their arbitrary government of the Hindoos.” [Hawksworth] The kind of 1801 reportage discourages us to admit Rev. Long’s view as plausible theses that presupposes acceptance of non-idyllic Musalmans are equally virtuous and Masjid a holy (ধর্মীয়) institution. Thus the presence of the Ancient Mosque and its association with the naming of Dhurrumtollah Street may remain a mere myth until researchers bring to light sufficient supportive evidence.

 

Jaunbazar Buddhist Adda and Dharmaraj Temple

We have come to know from Evan Cotton that Dr Hoernlé discerns in the name ‘Dharamtala’ a reference to Dharma, one of the units in the Buddhist Trinity, and he also points to the ‘Buddhist Temple in Jaun Bazar hard by’, in confirmation of his theory. Cotton, however, left no citation for the readers to reach Hoernlé’s exact version in context. [Cotton]

Augustus Frederic Rudolf Hoernlé (1841-1918), the India born British Indologist of German origin, is better known as philologist. He spent nearly his entire working life studying Indo-Aryan languages, editing and translating manuscripts. His work, ‘Manuscript remains of Buddhist Literature from Eastern Turkestan’, was brought out in 1916. [Grieson] . Those interested may find a complete list of his works in OCLC WorldCat Identities. http://worldcat.org/identities/lccn-n83172870/

Jataka. Turkish version. Courtesy: Berlin-Brandenburg Academy of Sciences and Humanities

Hoernlé was associated with the Asiatic Society of Bengal since long and presumably had occasions to share views with MM Haraprasad Shashtri (1851-1931) working then as the Director of Operations in Search of Sanskrit Manuscripts. Haraprasad became famous for discovering the Charyapada, the earliest known examples of Bengali literature. One of his most important scholarly contributions is ‘Living Buddhism in Bangal’ where he elaborates his theses of Dharma Cult and its relationship with Bengal Buddhist trends in plain language. In an attempt to substantiate his ideas Haraprasad introduces us to a Dharma-Thakoorbari in Jaunbazar, which seems most likely  the one Hoernlé had in mind.

Charyapada. 12th Cetury. Pre-modern Bengali

Haraprasad suggested that the imagery, symbolism and worship of Dharmaraj bore very close resemblance to Buddhist notions of the sacred. He dedicated his entire career to pursue his ideas that resulted in numerous publications. His basic tenet that the worship of Dharmaraj was nothing more than a remnant of decaying Buddhism in Bengal stayed vir­tually unchallenged for almost half a century. It was Khitish Prasad Chattopadhyay who, based on his anthropological field studies, first questioned his hypothesis in 1942. Khitish Prasad noticed “a preponderance of tortoise-shaped stones” and inferred a tortoise cult that was later absorbed into Buddhism.  He thus intro­duced the novel idea of pushing the origin of Dharmaraj back even farther into the past by equating Dharmaraj with the Vedic deity Varuna. [Korom] Soon after Sukumar Sen suggested in an article that it was Dharma worship that influenced Buddhism and not otherwise. The antiquity of Dharmaraj, he believed, predated the Vedas, and the cult in its most primitive form was brought in by the Austric immigrants. This view got a support from grammarian Suniti Kumar Chatterji who independently proposed the Austric origin of Dharmaraj based on philological evidence.

The most cautious review of Haraprasad was brought out in 1946 by Shashibhusan Dasgupta in his book, Obscure Religious Cults. Having critically examined archival resources he comes to a conclusion that proves to be most significant for our discussion. As he perceives, Dharma cult can be said to be a crypto-Buddhist only so far as it bears faint relation to that form of later Buddhism, more than 90% of which belong to religious systems other than Buddhism – including the beliefs and practices of the Hindus, Muslims, and even of the non-Aryan aborigines. This might be the kind of reasons why Nihar Ranjan Ray in his book, বাঙ্গালীর ইতিহাস (Bangalir Itihas), pronounces ধর্মঠাকুর বৌদ্ধধর্ম থেকে উৎপন্ন নয়’ (Bouddhism not the origin of Dharma cult) [Ray]

As we have already noticed, the researchers involved in the discovery, identification and interpretation of Dharmaraj are generally coming either with literary or anthropological background. Asutosh Bhattachayya belongs to both the camps. Like every other scholars in this field he acknowledged the pioneering works of Haraprasad and other veterans but at the same time felt that the various opinions put forth by them might apply to a specific location without producing a gen­erative model for the whole area in which Dharmaraj is worshipped. [Korom] I fear, our story of Jaunbazar temple, to be told in a moment, might contribute some more issues to clear up before looking for such a generative model.

 

Dharma Cult and Jaunbazar Dharmalay

Old Jaunbazar Native Shops. Chromolithograph  By William Simpson. 1867. Courtesy: BL

We learnt from Haraprasad that the Calcutta temple of Dharma, situated at the premises no. 45 Jaun Bazar Street contains six prominent images namely Dharma on a simhaśana, with his conspicuous eyes and his tapering head representing the light of the Adi Buddha. This is a miniature of the chaitya. Below the simhaśana are big images of Ganeça and Pancánand as a form of Mahádeva. Below these is a stone with eruptions representing small-pox. This is çitalá. There are Sasthi, the goddess of procreation, and Jvarásura, the demon of fever, also to be found in the room. According to him,“çitalá or Háriti is a constant companion of Dharma in Nepal. Ganeça and Mahákála are regarded as Dváradevas, the gods at the door of Dharma.”

Haraprasad then draws our attention to ‘something very curious in the Calcutta temple’. He found there three regular shaped stones forming one object, the middle one being smaller than the other two. They are decked with brass or silver nail-heads fastened on the stones with wax. One is led to suspect that ‘this is the ancient representation of Dharma, Samgha and Buddha in one piece of stone. This representation is very ancient, – much older than the present form of Budhism in Nepal’ (my emphasis). To his estimate, ‘the Calcutta temple is a very old one and represents a very ancient state of religion in this part of the country”. [Shastri]  This is an extraordinary view in the context of the findings of Shashibhusan that the Dharma cult originated and spread only in some parts of Western Bengal, which is proved beyond doubt by the local references found in the ritualistic works and the semi-epical Dharmamangal works. The stone-images of Dharmathakur, as exists in Jaunbazar Temple, are still being worshipped in West Bengal. He believes, “Dharma cult, developed in Bengal out of the admixture of some relics of decaying Buddhism, popular Hindu ideas and practices, a large number of indigenous beliefs and ceremonies, and ingredients derived also from Islam” as well.

Shashibhusan endorses fully the insightful statement of Haraprasad that “no religious movement of long-standing cultural influence can be eradicated all at once from a land by any other religious movement or political or religious causes. Buddhism, even in its Tantric from, was pushed aside and was gradually assimilated into the cognate religious systems among Hindus and the Muslims, and the Dharma cult is the outcome of such a popular assimilation.” It may not be difficult for us to appreciate that the followers of Dharma cult with their monotheistic belief in the formless God could easily have responsive terms with the Muslims who had the same monotheistic belief in the formless God and who were particularly antagonistic to the polytheistic belief of popular Hinduism. Hindus, like Dharmites themselves, regard Dharmathakur either as a form of Vishnu or of Shiva. They do not have anything to oppose until Dharmathakur is claimed to be the supreme deity – the creator of Hindu Trinity.

  Dharmaraj in Differnet Forms

Dharmathakur is also called Dharma Thakur, Dharma Raja or Dharma Ráya. Dharmathakur is known in different places by different names, such as, Chand Rai, Kalu Rai, Dolu Rai, Bankurha Rai, Banka Rai. Dharma cult is a far more popular among common folks – unsophisticated and the less advantaged populations forming a huge body of devotees to frequent Dharamtala – to worship Dharmathakur presumably at the foot of a tree, as the suffix ‘tala’ (তলা) indicates [Beverley. Census, 1876], A temple has been built there only toward the end of the 19th century, in 1300 BS at premise no. 45 Jaunbazar Street, [Shastri]

Of late, we come to know from the locals, including a sevayet and a purohit, that immediately before, it was only a small shrine next to the pond, talpukur, within the same Taltala area, where Dharma Raja had his home under the patronage of Rani Rashmani. As before Gajan is being held every year two days before Chaitra Sankranti – an occasion of great festivity for the locals – no matter Hindus and Muslims.

Dharmatala

Dharmatala. In a unique celebration of Buddha Purnima. Courtesy: Anandabazar

The findings of Haraprasad should have been well-known in the academic world of his time and thereafter. Yet the existence of Jaunbazar Thakurbari is sadly overlooked by all but a few. Pranotosh Ghatak, a 20th century journalist, is one of them. He narrates the story of Dhurrumtollah Street justly pointing to the hallowed seat of Dharmathakur on Jaunbazar Street as the origin of the name of Dhurrumtollah Street.  Pranotosh provides whereabouts of the few other Dharma Thakurbaris around Dhurrumtollah. A Banka Rai Street, goes behind the Wellington Square connecting Dhurrumtollah Street, and a temple of Banka Rai remains there. In Bengal & Agra Annual Gazetteer for 1841 he also finds citations of places of Dharma worship in the localities of Dinga-Bhanga Lane and Doomtala Street.

Until very lately, we were unsure about the exact address of the Jaunbazar Street Thakurbari that Haraprasad had visited and referred to as premise no. 45 and not no. 51 as found in the Bengal & Agra Alamanacfor1841.

Temple Foundation Stone

Another directory, namely, the Bengal Directory for 1876 shows it at premise no. 48, instead. As one may find today, the ‘Thakoorbari’ now known as Sitalamandir, though inscribed ‘Dharmalay’ on a stone-slab dated 1300 BS when the temple was built by Harish Chandra De (referred to by Haraprasad as ‘Hari Mohan De’ whom he met personally), stands on number 45 Surendranath Banerjee Road (formerly Jaunbazar Street).

During the last hundred years the temple ‘Dharmalay’ and its ambience have considerably been changed and more so the situation inside the holy chamber of gods and goddesses. While many of the idols Haraprasad described still show up, some seemingly go missing or misplaced. Unfortunately, the single-piece stone with three regular shaped figures, which Haraprasad belived to be ‘an ancient representation of Dharma, Samgha and Buddha’ was not found by recent visitors.

 

Dharmaraj Sila wth metallic Eyes. Taltala Dharmalay Temple. 2018. Photo.: Author

The most important among the available ones is the Dharmaraj sila – with two metallic eyes set on the uncut primeval stone placed above three separate stone tablets bearing symbols of Kurmo avatar, matsya aavatar and a pada-padma of exqusite minimalistic style of ancient Indian art. Besides the idol of Dharmaraj with two metallic eyes fitted on black granite in primeval form, there are idols of kurmo avatar and matsya(?) avatar and a padma-pada made of stone..

 

More uncertainties like this may remain for the future researchers to settle, but it is, I believe, the facts discussed here should be convincing enough to accept that ‘Dharmatala’ or Dhurrumtollah, where ‘Dhurrumtollah Ki Rasta’ originally destined for, was actually the seat of Dharmathakur discovered on Jaunbazar Street in recent past. The entire region remained for few centuries predominantly under the spell of the pre-Aryan religious sect of Dharma cult, supposed to be ‘much older than the present form of Buddhism in Nepal’. This is not a hasty conclusion but actually conceived long back by Haraprasad, Shashibhushan redefined it, and since then generally accepted and retained by informed people. [See:  অগমকুয়া http://sisirbiswas.blogspot.in/2016/01/blog-post.html%5D

 

 Origin of the Dharmaraj Shalgram and the Missing Chaurangiswar

 A question, which never been asked ever before, is being put forward here for understanding how and where from the ancient cult of Dharma worshipping came and settled at Jaunbazar  Dharamtala, in the neighborhood of Dinga-Bhanga, Talpukur. How and when this non-Aryan religious sect, outwardly Buddhistic, propagated? Who inspired this faith in this part of the country? The subject sure enough goes far beyond the colonial Calcutta but not unrelated to the topics we discuss in puronokolkata. The issues need handling with sophistication and perhaps a different platform. However, I intend to address the questions summarily to share with you my perceptions and also to encourage researchers to undertake intensive studies to reveal an obscure ethnic cultural link with ancient Calcutta.

In Paschimbanger Sangskriti, Benoy Ghosh suggests that it was the migrated fishmongers from Ghatal/Arambagh settled in the locality of Jeleparha who initially started worshipping Dharma-Thakur. Sadhus from the riverside go to Dharmatala to pay homage, take part in Gajan and Mela organized by the fishermen under the patronage of Rani Rashmoni. The Dom-pandits played the role of ministers in performing rites and ceremonies of Dharma-Thakur. Those apart there has been a well-established  community of Nath-Pandits, who also act as ministers to Dharma-Thakur. [Ghosh] There are some Dharmamangal narratives that contain regular mixture of the legends of the Nath literature and the Dharma literature, where prominent Nath siddhas along with gods, goddesses and demigods are worshipped in line with some Dharma-puja-vidhana. [Shashibhushan] Most significant poets of Dharmamangal are Rupram Chakrabarty (17th century) and Ghanaram Chakrabarty (17th-18th century). Manikram completes his work in circa 1725 (4th Jayistha 1703 Saka era). The recency of Dharmamangal kavyas and the era of Rani Rashmoni dispute the theory that Dharma-cult was introduced in Calcutta by the Jelepara fishing community.  Moreover, the primeval shalgram of Dharma-Thakur found in Jaunbazar-Dhurrumtollah Sitala-temple differs radically from the depictions of Dharmamangal kavya, being more akin to the pseudo-Buddhist notion of Nath-cult. The most prominent among the Nath-siddhas are Minanath (or Matsyendranath), Goraksanath, Jalandhari and Chauranginath – all included in the list of the Buddhist Siddhacaryas. Since the last mentioned Nath-siddha ‘Chauranginath’ happens to be our focal point, I may be allowed to dwell upon the legend of Chauranginath without delving into the history of Nath-cult which appears to Shashibhushan as a ‘hotchpotch of esoteric Buddhism and yogic Saivism’ representing a particular phase of the Siddha cult of India.

Chauranginath, or Chaurangi Swami, is regarded as one of the apostles of Bengal. Dinesh Sen writes “The Aryans who came to Bengal and settled here had distinctly a high religious object in view. From Silabhadra, Dipahkara and Mahavira to Minanath, Gorakjanath. Hadipa. Kalupa, Chaurangi and even Ramai Pandit — the apostles of Bengal all proclaimed to the people the transitori­ness of this world and the glory of a religious life. [Sen]

Nath_Siddha Lineage

Vajradhara surrounded by smaller figures of Telopa, Naropa, Marpa and Milarapa Hanging scroll (mounted on panel). Courtesy of the Freer Sackler Gallery.

Chauranginath (c1400), a contemporary of Kabir(1398-1518), lived few generations behind Śīlabhadra (529AD-645AD), Atīśa-Dīpaṃkara Śrījñāna(980AD_1054AD), and Gorakshanath (11th- to 12th-century). He is one of the nine nathgurus and according to some traditions a direct disciple of Minanath. We know little of Chauringhi but some unverified stories like the ones retold by Harisadhan in his book.

  1. Legend has it that the sacred granite bearing the face of Kali the Goddess was discovered by Chauringi swami or his disciple Jangalgiri, and thereafter the jungle covering the area between Lal Dighi and Southern end of Govindpore was named Chowringhee after his name. Though we get this from flimsy source, it may be worth exploring since, other than hearsay, there is no clue as yet how and where from the vigraha of Kali was brought into the Kalighat temple. We learnt from Kalikshetradipika that it was found in the wilds by a wandering sanyasi: “যাহা হউক ইহা অবশ্য স্বীকার করিতে হইবে যে কালীঘাটে কালীমূর্ত্তীর প্রথম প্রকাশ অবশ্য অরণ্যবাসী বা গৃহত্যাগী ভ্রমণ তৎপর কোন না কোন সন্ন্যাসী বা ব্রহ্মচারী দ্বারা হইয়া থাকিবে। কোন সময়ে এবং কাহা দ্বারা কি প্রকারে প্রকাশিত হয় তাহা স্থির করা বড় দুরূহ।“
  2. Harisadhan gathered from an octogenarian that long back there were four Shivalingas being worshipped by sanyasis within the jungle of Chouringhee and its neibourhood. Nakuleswar discovered and reestablished in Kalighat by one Tarachand Sikh; Jangaleswar Mahadeva, said to be relocated somewhere in Bhowanipore Kansaripara by Jangalgiri – a disciple of Chauringinath; Nangareswar Mahadev exists near Burrabazar Pan-posta; Chouringiswara Mahadeva is said to have been unearthed while the Asiatic Society building was being constructed and removed afterwards to some unknown destination. We may recall that the land upon which the Society’s building constructed had been occupied previously by Antoine de L’Etang’s riding school.

A K  Ray, however, rejects Chauringinath as there is “no tangible evidence that Chauranga Swami ever came to Calcutta and lived in its jungle”. The original name of “Chowringhee”, he believes, is “Cherangi”, and suggests that the goddess Kali herself, called Cherangi from the legend of her origin that they trace back the name of ‘Chowringhee’”.

AK Ray is right so far as there is no hard evidence that Chauranga Swami ever came here. But there is no evidence either that he never did, especially being an acknowledged apostle of Bengal. The interpretation that the jungle was called after the Goddess Kali who herself called ‘Cherangi’ may not be readily acceptable.

Map of Calcutta Before the English. 1680

As we experience, a place name evolves from what it is being frequently called by. The name ‘Cherangi’ is little known and does not appear in the 1001 names of Kali. It is therefore very unlikely to be a valid ground for accepting the name ‘Cherangi’ as an alias of Kali the Goddess.

We know from Dinesh Sen that one of the Bengal apostles is Chaurangi swami. He and his disciples are known as Chaurangis in the sense that their religious life was to stand the fourfold test of ascetics, viz., parama-tapssita(great privation), parama-lukhata (great austerity), paramajegucchita (great loathness to wrong-doing), and parama-pavivittata ( great aloofness from the world). No wonder Chauringi swami and his disciples find the jungle adjacent to river Ganges an ideal retreat for them, and the jungle becomes then known by the name of Chaurangis.  The jungle Chaurangi had been in existence long before the English occupation. The earliest map of Calcutta made in the 16th Century shows its topography covering the entire region between the Creek and Kalighat opposite Govindpore. It was for the first time, the map Mark Wood prepared in 1784-85 charted the chunk of land separated from Chowringhee as Colinga. Colinga includes two subareas: Talpooker and Jala Colinga where Jaunbazar-Dhurrumtollah belongs to. It is the site of Dharma-Thakur Temple very much within the domain of Chaurangi. Here the Nath devotees of Dharma put their obscure religion into practice and made it adored by people of all sects. In course of time Dharmatala turns into a holy place for all, and a landmark of Calcutta then and now.

 

 

CITATIONS

Bandyopadhyay, Rangalal. 1850. Kalikata Kalpalata (কলিকাতা কল্পলতা). Calcutta: n.p. Retrieved (https://archive.org/details/KolikataKolpalata/page/n0)

Carey, William. 1882. Good Old Days of Honorable John Company; Vol.1. Calcutta: Quins Book. Retrieved (https://archive.org/details/goodolddaysofhon00careuoft)

Cesry, Rev. C. 1881. Indian Gods Sages And Cities. Calcutta: Catholic Orphan Press. Retrieved (https://archive.org/details/in.ernet.dli.2015.128152).

Chattopadhyay, Suryakumar. 1891. The Antiquities of Kalighat; or, কালীক্ষেত্র দীপিকা. Calcutta: Bhowanipore Parthib Yantra. Retrieved (https://ia801904.us.archive.org/23/items/in.ernet.dli.2015.354023/2015.354023.Kalikhetra-Dipika.pdf)

Cones. 1874. Calcutta Directory, 1874. Calcutta: Cones. Retrieved (https://archive.org/details/in.ernet.dli.2015.94126).

Cotton, Evan. 1907. Calcutta, Old and New: A Historical and Descriptive Handbook to the City. Calcutta: Newman. Retrieved (https://archive.org/details/calcuttaoldandn00cottgoog)

Dasgupta, Shashibhusan. Obscure Religious Cults as Background of Bengali Literature. Calcutta: C.U., 1946. Retrieved (https://archive.org/details/in.ernet.dli.2015.31035/page/n3)

Ghatak, Pranotosh. n.d. Kolikatar Pathghat (কলিকাতার পথ ঘাট). Calcutta: Indian Associated Publishing. Retrieved (https://archive.org/details/in.ernet.dli.2015.355340/page/n7).

Ghosh, Benoy. Paschim Banger Sanskriti (পশ্চিম বঙ্গের সংস্কৃতি). Kalikata: Pustak Prakash, 1950. https://archive.org/details/in.ernet.dli.2015.354330/page/n7

Grierson, G A. Augustus Frederic Rudolf Hoernlé. In: The Journal of the Royal Asiatic Society of Great Britain and Ireland.(Jan., 1919), pp. 114-124. https://www.jstor.org/stable/25209477

Hawksworth. East indian Chronologist. Calcutta: Hircurrah Press, 1801. https://archive.org/stream/eastindianchrono00hawkuoft#page/70

Korom, Frank J.” Editing Dharmaraj: Academic Genealogies of a Bengali Folk Deity. In: Western Folklore Vol. 56. No. 1 (Winter. 1997). pp. 51-77. https://www.jstor.org/stable/1500386?read-now=1&loggedin=true&seq=27#page_scan_tab_contents

Long, James. 1852. “Calcutta in the Olden Time – Its Localities.” The Calcutta Review 18:275-. Retrieved (https://catalog.hathitrust.org/Record/002715346)

Mukhopadhyay, Harisadhan. 1915. “Kalikata: Sekaler O Ekaler (কলিকাতা একালের ও সেকালের).” Retrieved (https://archive.org/stream/Kalikata-Sekaler-O-Ekaler-Harisadhan-Mukhopadhyay/Kalikata%20Sekaler%20O%20Ekaler%20-%20Harisadhan%20Mukhopadhyay#mode/2up)

Ray, A. K. 1902. Calcutta: Town and Suburbs; Pt.1 A Short History of Calcutta. Calcutta: Bengal Secretariat. Retrieved (https://books.google.co.in/books?id=-Lo5AQAAMAAJ&q=calcutta+town+and+suburbs+ak+Ray&dq=calcutta+town+and+suburbs+ak+Ray&hl=en&sa=X&ved=0ahUKEwjDnrz11MnXAhUCN48KHdgEDQUQ6AEIJzAA).

Ray, Niharranjan. Bangalir itihas (বাঙ্গালীর ইতিহাস); Adi Parba. Calcutta: Dey’s, 1356 BS. https://archive.org/details/BangalirItihasAdiparbaByNiharranjanRoy/page/n3

Roberdeau, Henry.’Accounts of life in Calcutta in 1805. (Editorial Notes)” In: Bengal Past And Present Vol.29, 1825. https://archive.org/stream/in.ernet.dli.2015.32669/2015.32669.Bengal-Past-And-Present–Vol29#page/n139/mode/2up.

Sen, Dinesh. History of Bengali language and literature. Calcutta: C.U., 1911

https://archive.org/stream/in.ernet.dli.2015.47773/2015.47773.History-Of-Bengali-Language-And-Literature#page/n439/mode/2up/search/chaur

Shastri, Haraprasad. 1897. Discovery of Living Buddhism in Bengal. Calcutta: Sanskrit Press. Retrieved (https://archive.org/stream/in.ernet.dli.2015.47680/2015.47680.Discovery-Of-Living-Buddhism-In-Bengal#page/n3/mode/2up).

Shastri, Haraprasad. Remnants of Buddhism in Bengal. Proceedings of the Asiatic Society of Bengal December. Calcutta: The Society, 1894. https://archive.org/details/proceedingsofasi94asia/page/134

Thacker Spink. 1876. Bengal Directory, 1876. Calcutta: Thacker, Spink. Retrieved (https://archive.org/details/in.ernet.dli.2015.68578)

Wilson, Horace Hayman. 1846. Sketch of the Religious Sects of the Hindus. Calcutta: Bishop’s College. Retrieved (https://archive.org/details/sketchofreligiou00wils/page/n5)

 

 

MULLICK GHAT AND THE JAGANNATH STEAMER GHAT

 

 

Bathing ghat immediately downstream from Howrah Bridge, 1944. by Glenn S. Hensley. Courtesy: Lib.U.Penn

 

মল্লিক ঘাট তথা জগন্নাথ স্টিমার ঘাট

The river ghats on Hooghly, being intimately connected with almost all events of their life and death, reflect the ethnicities of the people of Calcutta, comprehensive of socio-economic and cultural dimensions. Most of these ghats were created by zealous men and women, natives and foreigners, out of goodwill. Harisadhan listed names of 39 Ghats that existed between Bagbazar and Chandpal Ghat in 1793 [See: Harisadhan]. Since then many have been destroyed, and many more added. Cones’ Calcutta Directory listed as many as 58 ghats existed in 1874 between Bagbazar and Tolly’s Nullah. [ See: CONES ]

Study of Calcutta ghats proves to be challanging. The different names a ghat often called by require tracking and linking one another to tell its story of  ups and downs meaningfully. Mullick Ghat is one of its kind and of great historical significance.

 

Calcutta. The River Hooghly. Photograph by Johnston & Hoffman. c1885. Courtesy: BL

MULLICK GHAT AND ITS IDENTITY

Down the river, next to the Jagannath Ghat of Sobharam Basak stands Nemai Mullick Ghat. Rammohan Mullick built it in 1855 in memory of his father Late Nimaicharan Mullick on the ground of the old ‘Noyaner Ghat’ that their forefather Noyanchand Mullick made before 1793. The in-between riverside ghats, namely নবাবের ঘাট, বৈষ্ণব দাস শেঠের ঘাট, কাশীনাথ ঘাট, কদমতলা ঘাট, কাশীনাথবাবুর ঘাট, হুজুরীমলের ঘাট ceased to exist long back. Around 1870-74 when the Howrah Pontoon Bridge, the first bridge on Hughly, was in the making, Jadunath Mullick, a great son of the Mullick family, renovated the Mullick Ghat. It needs to be noted that this first bridge on Hooghly, constructed in 1874 to connect the old Howrah Station, was positioned immediate south of Mullick Ghat, about hundred yard away from the existing Cantilever Howrah Bridge, which stands immediate north of Mullick Ghat connecting the New Howrah Station built in 1905. [See: Puronokolkata]

Mullick Ghat took part in the history of making the river water resources useful in public life. The Corporation set up a Pump Station there to distill river water for supplying to the city. A dynamo was installed there on August 19, 1879 to illuminate the Bridge 1,528 ft. long and 62 ft. wide. [ See: Grace’s] The Ghat was also famous for launching passenger and cargo steamer services.  Mullick Ghat still exists, bereaved of its stately look that once prompted Evan Cotton to speak of the ‘handsome masonry structure of Mullick Ghat, which stood ‘immediately to the north of the Howrah Bridge’. We must note that Cotton wrote it before 1907 and the Bridge he referred to was the old Pontoon Bridge. As we have come to know from a recent survey, Mullick Ghat at present has a large and ornate square pavilion while the ghat itself has a more ‘native appearance’ [ See: ETH Studio].

Calcutta. Bathing Ghat. Photograph by Johnston & Hoffman. c1885. Courtesy: BL

 The first photograph of the ghat we find was taken by P.A Johnston & Theodore Hoffman about three years after they established ‘Calcutta Studio’ in 1882. The shot must have been taken before Johnston died in 1891. The British Library (BL) does not specify the Ghat name. They provide instead a generic Title: Calcutta. Bathing Ghat. If I am not wrong, photograph titles are assigned, as convention, adhering to what the photographers or the original collectors stated. BL however takes the liberty to name it Chatulal’s Ghat in their descriptive note and subject tags, presumably on the basis of common belief and order of the day, which are apparently subject to change.

The other photograph, featured at the top, depicts the same bathing ghat, taken by the same photographers and possibly around same time. As Evan Cotton had stated, the bathing ghat, stands on the east bank of the Hooghly River immediately to the north of the bridge. The panoramic view of the Bathing Ghat, shows no bridge in view northward, since the Pontoon Bridge to its south remains downstream and out of frame.

BL provides more details of the pavilion; we are told that the pavilion was ‘crowned by a substantial structure in European classical style, topped by a drum’. As for its date, BL estimates that the ghat ‘was in position by the mid-1870s, and still standing in the mid-1940s, but has since been demolished’.  It was probably the last photograph of the  ghat taken by Glenn S. Hensley in 1944 which incited BL to guesstimate the date of demolition, if demolished at all.

By trailing the cue of the two renderings noted at hundred year interval by Evan Cotton and ETH Studio, we find half a dozen of matching photographs, but astoundingly none citing Mullick Ghat, but two other ghat names, Juggernath Ghat and Chatulal Ki Ghat.

Bathing ghat, Calcutta side of river, downstream from Howrah Bridge, Photographer:Hensley Glenn. 1944. Courtesy: Lib. U.Penn

The common features of these photographs are:

  1. Location: East bank of the Hooghly River immediately to the north of the Old Bridge/ south of the New Bridge
  2. Shape: A large and ornate square pavilion
  3. Features: A substantial structure in European classical style, topped by a drum

The descriptions best fit to the edifice presently stands on the riverbank a little high up with an added floor close by the Howrah Bridge, as shown in the photograph below. We may accept the edifice as the original pavilion of Nemai Mullick Ghat, subject to further verification.

 

Mullick Ghat : a recent photograph. Courtesy: ETH Studio Basel

CHATULAL KI GHAT FOR MULLICK GHAT

Chotelal ki Ghat. Courtesy: TOI

The Mullick Ghat we find today is still a popular site, mostly under the guise of ‘Chatulal Ghat’, hunted by movie-makers and tourists, functions nowadays as dharamsala.  The pavilion has lost its old glory. There is no ornamental dome. An additional floor at the top makes its façade unbecoming. A loud paint colour covering the sandstone wall has lifted its elegance and sobriety. The look is now changed beyond recognition and can give a miss to anyone unguarded. More so, because of its borrowed name, Chatulal Ghat, by which it is known today in lieu of Mullick Ghat.

The anomaly that troubles us in identifying the particular bathing ghat, as represented in all the photographs posted here, has become more upsetting since 2014 when the following glass plate, which looks like another Johnston & Hoffman photograph(c1885), was brought out with supplied caption: The view of Kolkata’s Chotulal Ghat, as seen from Howrah Bridge.

 

Chotelal ki Ghat. Courtesy: RCAHMS

This was found in a collection of 178 photographic glass plates on Indian scenario under the British Raj, including one more photograph of the pavilion of alleged ‘Chatulal Ghat’ held in the archives of the Royal Commission on the Ancient and Historical Monuments of Scotland (RCAHMS). The negatives, officially estimated to be dating back to 1912, were found in a fragile condition in a shoebox and were wrapped in copies of the Statesman newspaper dating from 1914. The Chotulal’s Ghat photograph was identified most likely based on some descriptive note found on the negative itself, or some other reliable source. [See BBC]

Interestingly, it was just a year before the name Chatulal’s Ghat was inscribed for the first time in a published map:  City of Calcutta Census Map drawn in1913 by Richards [ See: Richards] and goes missing again in the City of Calcutta Map drawn by Wagner & Debes published next year in 1914.

Chotulal_Ghat_In Richards 1913 CalcuttaCensus Map. Courtesy: Harvard Lib.

Chatulal’s Ghat never shows up in any of the earlier maps of Calcutta, so far I could see. The list of 39 bathing ghats existing in 1793 [ See Harisadhan], or the list of 58 bathing ghats existing in 1874 had no place for Chatulal’s Ghat.   [ See: CONES]. In fact, other than some blogs and the 1913 map of Richards, there is hardly any historical and descriptive accounts of Calcutta, including directories and handbooks, that refer to Chatulal’s Ghat.

Whatever little we know of Chotulal of Chotulal’s Ghat from the recent blogs provides hardly any clue to establish that Chatulal was alive in mid 19th Century taking part in some historical events, like launching steamship to chandbali.  [See: Basu] We understand from an article, “Heritage Ghats of Calcutta – Chotulal Ghat” in Noisebreak 29 Oct 2016 [http://noisebreak.com/?s=chotelal] that it stands next to Jagannath Ghat along the Hooghly River. The ghat was named after Chhotelal Durga Prasad, an eminent practicing lawyer at the Calcutta High Court. As we know from another source, some Chotelal Durgaprasad did actually exist who appeared in Allahabad High Court on 23 August 1938. [See Indian Kanoon]. As the Noisebeak story suggests, Chatulal Durgaprasad was seemingly already a middle-aged man before the ghat constructed; and if not quite impossible, it is somewhat difficult to imagine him pleading in 1938. Furthermore, to call Chatulal’s Ghat a heritage ghat, presupposes its having an extraordinary past – a tradition that reminds us of the philanthropic contributions of its founder, like a Sobharam Basak, or a Nemaichand Mullick, for example. This is after all an issue to be considered by the INTACH Kolkata Chapter. For us it is more critical to find the exact location of Chatulal’s Ghat on the eastern bank of Hooghly. We know from the blog stories that Chatulal’s Ghat stands ‘next to Jagannath Ghat along the Hooghly River’.  According to Harisadhan (1915), and the latest river survey (2008) the next ghat to Jagannath Ghat is none but Mullick Ghat. The position of Mullick Ghat cited in historical maps of Calcutta overwhelmingly proves that Chatulal’s Ghat is an out of place notion. Fact remains that we have not yet found evidence, besides the solitary example of the 1913 map of Richards, to establish that a ghat called ‘Chatulal’s Ghat’ does independently exist and actually founded by Chatulal Durgaprasad. There remains, however, a likelihood of restyling Mullick Ghat as Chatulal’s Ghat unceremoniously.

In a recent article on ‘Mullick Ghat’, Rangan Dutta writes that the steamship ‘Sir John Lawrence’ sailed on May 25, 1887, from ‘Kolkata’s Chotulal Ghat (also called Mullick Ghat) for Chandbali.’ [See: Dutta] It is all important for me that he maintains, as I do, the idea of Chatulal Ghat as an alternative name of Mullick Ghat, although the name ‘Chatulal Ghat’ was possibly introduced long after the ominous day of 1887.

 

ARMENIAN GHAT FOR MULLICK GHAT

These two historical bathing ghats, once situated close by, are also renowned for providing regular ferry services. Though there should be no good reason to mixing up their identity, quite often the Armenian Ghat is taken mistakenly for Mullick Ghat. Yet structurally, materially and stylistically the two were entirely different.

Common people apart, there are instances of such failings on the part of celebrated writers, like Montague Massey. Massey illustrated his famous book, Recollections of Calcutta, with beautiful photographs, and one of them happened to be actually a photograph of Armenian Ghat captured by Federico Peliti, that he inadvertently picked for Mullick Ghat. [See: Massey]

A singularly beautiful lacy cast iron canopy with arches and pillars – distinguishes Armenian Ghat from all brick and stone pavilions of those days. In the mid-18th century, the rich Armenian trader Manvel Hazaar Maliyan had shipped in an elaborate cast iron facade for the Armenian Ghat, which now only exists in a photograph by colonial era photographer Chevalier Federico Peliti. [See: Sarkar]

 

JUGGERNATH FERRY SERVICE AT MULLICK GHAT?

It was in early 20th century the English artist cum writer Alfred Hugh Fisher went over to the Howrah Bridge to see the ceremonial bathing on the festive day of Sankranti. On the stone building on his right, he looked over the bridge railing at the top of the great flight of steps; a slab dedicated to the memory of ship wreck victims was let into the wall inscribed in English and Bengali:

‘THIS STONE IS DEDICATED BY A FEW ENGLISHWOMENTO THE MEMORY OF THOSE PILGRIMS, MOSTLY WOMEN, WHO PERISHED WITH SIR JOHN LAWRENCE IN THE CYCLONE OF 25TH MAY 1887’.

২৫এ মে তারিখের ঝটিকাবত্ত স্যার জন লরেন্স বাস্পীয় জাহাজের সহিত যে সকল তীর্থযাত্রী

(অধিকাংশ স্ত্রীলোক) জলমগ্ন হইয়াছেন তাহাদিগের স্মরণার্থে  কয়েকটি ঈংরাজ রমনী কর্ত্তিক এই প্রস্তর ফলক্ষানি উৎসর্গীত হইল

The stone building where Fisher  found the memorial plaque should be in all probability the Mullick Ghat where from steamers took pilgrims to Chandbali on their way to Jagannath Temple. [ See: Fisher] Mullick Ghat bears the sad memory of the wreck of steamship ‘Sir John Lawrence’ with hundreds of women passengers on their way to Chandbali on 25 May 1887. The details of the devastating event were recorded by Buckland as follows:

The centre of a violent cyclone passed to the westward of Saugar early on the 26th; the sea was described as running high beyond all experience. .. For several days no vessels left the river except the ship Godiva, which left on the 25thin tow of the steam tug Retriever, and the steamer, Sir John Lawrence, (the Chandbally boat) with 735 passengers, chiefly pilgrims, which left on the 25th afternoon. The Retriever and the Sir John Lawrence were both lost at see with all hands except one native fireman of the tug [ See: Buckland]

On hearing the fateful news the poet, Rabindranath Tagore, gave immediate expression of his deep anguish in his poem সিন্ধুতরঙ্গ (পুরী তীর্থযাত্রী তরণীর নিমজ্জন) [মানসী] [See: Tagore]

 

Samuel Walters / THE CLIPPER SHIP SIR JOHN LAWRENCE ‘HOVE TO’ FOR TAKING THE PILOT OFF THE GREAT ORME. oil on canvas. Courtesy: mutualart.com

The Report of the Marine Court of Inquiry to the Government of Bengal found that the Sir John Lawrence was carrying more than her proper complement of passengers and that the tragedy occurred due to the shipmaster’s irresponsible navigation. The report led to an uproar and the demand for the railways to Puri became loud and clear, which had been constantly pushed aside by the Bengal Government since 1860s when two British promoters, Marshman and Stephenson, mooted a plan for rail link between Kolkata and Puri to allow pilgrims irrespective of caste and creed. Government also turned down another proposal for a direct Rail link between Calcutta and Madras via Orissa coastal plains that Baikuntha Nath De did submit in 1881 for a direct rail link between Calcutta and Madras through Orissa’s coastal plains with a branch line to Puri, which promised to provide a faster and safer means of transport for the Jagannath pilgrims.

During 1870s, around 6,00,000 pilgrims visit Puri every year, which would guarantee a lot of profit. Taking advantage of the numbers and government ignorance, some foreign companies started steamer services from Kolkata to Chandbali in Orissa, now Odisha. As the fares were high, it was mostly children and women who would take the steamers, while the men take the unpromising journey by Jagannath Sadak. Tarinikanta Lahiri Choudhury penned his own appalling experience of the journey to Puri by Jagannath Sadak.

কলিকাতা হইতে কতকাদূর জাহাজে, কতকাদূর নৌকায় এবং কতকাদূর স্থলপথে যাইতে হইত। সমুদ্র পথে গমন করিতে হইলে কলিকাতা হইতে জাহাজে চাদবালি হইয়া সেখান হইতে খালের মধ্য দিয়া কটক গমন করিতে হইত কিংবা বঙ্গোপসাগরের মধ্য দিয়া জাহাজে একেবারে পুরী যাওয়া য়াইত। যাহারা কটক সহর হইতে পুরী যাইত তাহারা বিখ্যাত “জগন্নাথ সড়ক” দিয়া গরুর গাড়ীতে, পাল্কিতে কিংবা পদব্রজে গমন করিত । [See more ভারত ভ্রমণ – তারিনীকান্ত লাহিড়ী চৌধুরী  {See: Lahiri Choudhury]

To compete with the steamers of the Indian government on the Ganges, the India General Steam Navigation Company was established in India in 1844. From 1870s onwards, the Company faced hard competition from Rivers Steam Navigation Company Limited, and ultimately had agreed to work together as the Joint steamer companies. India General, who had already undertaken construction of an extension of a railway to the banks of the Brahmaputra at Jaganathganj, went to liquidation in 1899. The new company was named India General Navigation and Railway Company Limited. (1885-1904) [See: FIBIS]

There were other smaller steam navigation companies in operation for different destinations, like:

  • Calcutta Steam Navigation Co., Bengal (1882)
  • Calcutta Lading & Shipping Co., Calcutta (1883)
  • Bengal Assam Steamship Co., Calcutta (1895)
  • East Bengal River Steam Service, Bengal (1906)
  • Port Shipping Co., Calcutta (1906)

In the latter half of the 19th century when the railways came into existence, the significance of waterways as inland trade routes declined, as the railways were faster and safer. [See: Goyal] It has been found, however, that the steamer navigation was being continued as an auxiliary service to Rail Companies for transporting passengers and cargoes, and for river excursions as well (vide পথে বিপথে / অবনীন্দ্রনাথ ঠাকুর। বিস্বভারতী and নদীপথে / অতুল গুপ্ত, জিঙ্গাসা ). As shown in the following two documents, (1) Bradshaw’s Condensed Schedule Assam-Sunderbuns Despatch Service, and (2) a Cargo Delivery notice from Rivers Steam Navigation Company Limited & India General Navigation and Railway Company Limited dated 2.10, 1912, steamer services were being provided till 1912 from several ferry ghats on Hooghly, including ‘Juggernath Ghat’.

The steamer ghat, printed on the delivery notice and in Bradshaw as Juggernath Ghat, makes us curious about its possible location, or more precisely, if this is the same historic bathing ghat, the ‘Jaganath Ghat’ of Shobharam Basak, now reduced to a homely embankment with a long shade to the north of the existing Howrah Bridge.

[Steamers of the Assam Sunderbuns Despatch Service leaves Juggernath ghat, which is situated “on the Calcutta side of the River Hooghly above Howrah Bridge” (Pontoon Bridge). Steamer Pleasure Trip from Calcutta; Advertisement 1934 Macneill & Co Advertisement]

The other possibility remains for us to consider if the ghat pavilion, hugely adored and popularized as ‘Jagannath Ghat’, or ‘Juggernath Ghat’ mainly as publicity materials, had functioned as the Juggernath Steamer Ghat as well.

 

Gustav Boehm’s Voyage Around the World advertisement for Toilet Soaps and Perfumeries with photograph of ‘Public Bath’. No Mention of Chatulal Ghat or Jagannath Ghat. Before looking into it, we may need to review the status of the old Sobharam Basak’s ‘Jagannath Ghat’ of Barabazar.

The ghat built by Sobharam Basak, ‘one of the wealthiest native inhabitants of Calcutta in the eighteenth century’ [Cotton], was initially called ‘Sobharam Basak’s Ghat, শোভারাম বসাকের ঘাট, and shortly after changed into Jagannath Ghat as shown in the published maps.

Mark Wood’s Plan of Calcutta 1784-85, 1792

The Ghat has been an important landmark seen from the river and land. A long stretch of Hooghly up to Jagannath Ghat came in view from the faraway rooftops of Shimulia houses in North Calcutta as there were no tall buildings in between. There was neither any large steamship in view, but plenty of wooden sailing vessels whose tall masts looked like a forest of dead woods from distance. [See: Datta]

Sobharam built the Ghat around 1760s by the side of the Jagannath Temple he had erected at 1, Nabab Lane. Sobharam’s Jagannath Ghat was present in all the historical maps of Calcutta since Mark Wood’s Plan. The Ghat originally built by Sobharam, might have been washed away into the river and replaced by a shaded structure with stepped embankment for public bathing of no particular significance from the view of public interest.

Jagannath Ghat, Barabazar

Since the pavilion, represented in all the photographs displayed here, has already been identified beyond doubt as of Mullick Ghat, from where steamboats set off to near and far places to Assam and Orissa with freights and passengers and pilgrimage to Jagannath, it’s not unimaginable to have the ghat/ jetty called a ‘Juggernath Ghat’ too.

I am still not sure what is right, but this last proposition to my perception should be a key solution for clearing up the manifold complications we created through centuries by dubbing the ghats by conflicting names unintelligently, as I did myself earlier [See: Puronokolkata. Jagannath Ghat]

 

REFERENCE

Alfred Hugh Fisher. (1911). Through India and Burmah with pen and brush. London: Laurie. Retrieved from http://seasiavisions.library.cornell.edu/catalog/seapage:299_173

Basu, U. (1980). Etched in stone? TOI 21 July 2018, p. 1961. Retrieved from https://timesofindia.indiatimes.com/city/kolkata/etched-in-stone/articleshow/65076457.cms

BBC. (2012). Raj Pictures. Retrieved from https://www.bbc.co.uk/news/uk-scotland-edinburgh-east-fife-17973614#story_continues_2

Buckland, C. E. (1902). Bengal Under the Lieutenant Governors; vo.2. Calcutta: Bose. Retrieved from https://archive.org/stream/in.ernet.dli.2015.104181/2015.104181.Bengal-Under-The-Lieutenant-governors-Vol2#page/n291/search/john+lawrence

Cones. (1874). Calcutta Directory, 1874. Calcutta: Cones. Retrieved from https://archive.org/details/in.ernet.dli.2015.94126

Cotton, E. (1907). Calcutta old and new: a historical and descriptive handbook of the city. Calcutta: Newman. Retrieved from https://archive.org/details/calcuttaoldandn00cottgoog

Datta, Mahendranath. (1973). Kalikatar puratan kahini o pratha. Calcutta: Mhendra Pub. Retrieved from https://www.bdeboi.com/2016/02/blog-post_27.html

Datta, Ranjan. (2018). Mallick-Ghat. https://doi.org/10.15713/ins.mmj.3

ETH Studio Basel, C. (2008). River Edges of Kolkata. Retrieved from http://www.studio-basel.com/assets/files/05_River_web.pdf.

FIBIS. (2015). Indian General Navigation Company. Retrieved from https://wiki.fibis.org/w/Indian_General_Navigation_and_Railway_Company

Goyal, P. (2003). Sea and Inland Navigation. History of Indian Science and Technology. Retrieved from http://www.indianscience.org/essays/seaandinlandnavigation-EdtedbyPankaj-edit.shtml

Grace’s Guide. (n.d.). Howrah Potoon Bridge. Retrieved from https://www.gracesguide.co.uk/Howrah_Pontoon_Bridge

Indian Kanoon. (1938). JUDGMENTs Bennet, Ag. C.J. Indian Kanoon. Retrieved from https://indiankanoon.org/doc/141456/

Lahiri Choudhury, Tarinikanta. (2015). Bharat-bhraman. Retrieved from https://bn.wikisource.org/wiki/পাতা:ভারতভ্রমণতারিনীকান্তলাহিড়ীচৌধুরী.pdf/৫৫১ %0A

Mark Wood. (1792). Plan of Calcutta. Calcutta: William Baillie. Retrieved from https://www.bdeboi.com/2016/02/blog-post_27.html

Massey, M. (1918). Recollections of Calcutta for Over Half a Century. Calcutta: Thacker, Spink. Retrieved from http://www.gutenberg.org/files/12617/12617-h/12617-h.htm

Monovisions. (2015). Photographer Federico Peliti. Monovisions, (March 7). Retrieved from http://monovisions.com/federico-peliti/

Mukhopadhyay, Harisadhan. (1915). Kalikata: Sekaler O Ekaler –. Calcutta: Bagchi. Retrieved from https://archive.org/stream/Kalikata-Sekaler-O-Ekaler-Harisadhan-Mukhopadhyay/Kalikata Sekaler O Ekaler – Harisadhan Mukhopadhyay#page/n0/mode/2up

Puronokolkata. (2015). Jagannath Ghat. Retrieved from https://puronokolkata.com/2015/06/16/jagannath-ghat-calcutta-c1760s/

Puronokolkata (2). (2015). Howrah Railway Junction Station. Retrieved from https://puronokolkata.com/2015/11/18/howrah-railway-junction-station-howrah-1854/

Richrds. (1913). City of Calcutta Census Map. Retrieved from http://ids.lib.harvard.edu/ids/view/11076152?buttons=y

Sarkar, S. (2017). Tudor roses at the Ghoses. Hindu. Retrieved from https://www.thehindu.com/society/history-and-culture/tudor-roses-at-the-ghoshes/article19819052.ece

Tagore, Rabindranath. (2016). Manasi (Poem: Sindhu-taranga). Calcutta: Bichitra. Retrieved from http://bichitra.jdvu.ac.in/search/bengali_search.php

 

FINDING DHURRUMTOLLAH

Calcutta. a steel engraving. 1839. Source: Meyer’s Universalism 1850.

ধর্মতলা সন্ধানে


DHURRUMTOLLAH STREET Away From Durrumtollah

Dhurrumtollah Street, nicknamed ‘Dhurrumtollah ka Rasta’, is an approach road to Dhurrumtollah – a vaguely indicated locality north of village Chowringhee that anonymously spreads over the marshy terrain known as Colinga at one time. None of the old maps of Calcutta specifies the place of Dhurrumtollah, though the Dhurrumtollah Street invariably shows up in its place since Mark Wood’s map of 1784-85.
The Dhurrumtollah Street came up in around 1762, so did Jaun Bazar Road (later ‘Street’), both running eastward leaving Dingabhanga in between [Mark Wood, 1784]. Originally it was a causeway raised by deepening the ditch on either side of a land then owned by Jafer, a zamadar in the employ of Warren Hastings.”[Cotton]

COLINGA

Topography
It was the time when the English territory south of Town Calcutta was partly jungle, an extension of Sunderban, where Hastings said to have had the pleasure of tiger hunting.
Before coming of the English, Calcutta topography had been much simpler as Barrel’s 16th Century Bengal map reveals. The vast surrounding area, where the English later founded their first zamindari, looked like populated by only three distant villages – Chitpore, Kolikata, and Kalighat, connected by an unnamed jungle path. The 1680 map ‘Calcutta before the English’ adds few more names pointing to Sutanuti, Govindpore, Chowringhee, and also the Creek, and Jannagar at the eastern end.

Bengal. 1550. River: From Hughli to Sea; according to Joao de Barrel and the Bengali poets. Source: Wilson.Annals.v.1

The landscape in the vicinity of the Creek was then viewed as an extension of village Chowringhee – unworthy of any distinction. It was for the first time, the map Mark Wood prepared in 1784-85 charted the chunk of land separated from Chowringhee as Colinga. Colinga includes two subareas: Talpooker and Jala Colinga within its boundary. The two villages, Colinga, and Jala Colinga, however, were already enlisted in 1717, as ‘Colimba’ and ‘Jola Colimba’, among the 38 villages the English Company was permitted by the Emperor to buy. [Ray]
Talpooker was not in the buying list of villages. In Upjohn’s Mark Wood’s maps Talpooker was prominently placed and it still exists as Taltola, an old quarter of metropolis, bearing one of the most common rural-names in Bengal, featuring habitations centered on ponds bordered with palm trees.
Jala Colinga is better known by its sobriquet ‘Dinga-bhanga’, which originated after the great 1737 cyclone that wrecked a dinga, i.e. large boat, on swampy shoreline of the Creek – the vanished man-made canal for carrying cargo boats from Chandpal Ghat toward Beliaghata at the east end. [Blochmann]

Calcutta before the English 1680

The Creek was also referred to in Company documents as Calcutta khal. The vast territory extending from Calcutta Khal to the Tolly’s Nullah, covering the whole of the maidan spread a jungle tract of heavy undergrowth and giant trees. “This jungle was intersected by numerous creeks and watercourses, where the muddy yellow waters of the Hughly swept in with the rising tide, or ebbed with the drainage of the surrounding rain-drenched country”. The old bed of the Creek remained, long after the closing of its connection with the river had deprived it of its stream, and turned it into a ditch. [Blechynden]
We normally accept unquestioningly whatever presented in a historical map, while the opposite may not be true in all cases. Whatever not presented, cannot be read as non-existent for sure since the possibility of their being existed namelessly can never be overruled without verifying the circumstantial evidences. Colinga is one of such cases. With all its parts: Talpooker and Jala Colinga appear separately in the list of 19 mauzas, and Dhee Calcutta, composed during 1767-1857.

 

Colinga and the newly enlisted villages were not expected to come up suddenly out of nothing. Normally, it takes ages for a geographic entity to acquire a name of its own, unlike the modern way of deciding street names on board meetings, as did the English Company in 1792. For a prolong period, when it remained essentially a part of village Chowringhee, Colinga had been a thinly populated uncultivated landscape occupying north-east segments with Dingabhanga and Talpooker on the peripheries.

 

Etemology
The name Colinga, assigned in Upjohn’s and Mark Wood’s maps, is a derived form of a rare Bengali word কলিম্বা (Colimba), has multiple meanings. It poses a serious challenge for us to distinguish between the etymological and the popular sense of the word in current context. Vernacular lexicon shows 25 different sets of meanings, of which the followings are found plausible attributes contributing to the naming of the village Colimba (কলিম্বা), or Colinga:
(1) Trees: পাকুড় (Ficus religiosa, sacred fig) / শিরিষ (Lebbek Tree)/ কামরাঙ্গা (carambola) / তরমূজ (water melon) (2) Terrain: marshland (হাজা। “হাজালে কলিঙ্গ দেশ”) (3) People: Kol tribe, worshiper of Bonga (বঙ্গা) [Jnanendramohan]
On the basis of such semantic interpretations we may imagine how Colinga might have been before the increasing homesteads changed its ecology. Colinga and its surrounds, by lexical interpretation, apparently looked like a jungle of Sirish শিরিষ and Pakurh পাকুড় trees and a marshland (at Jala Colinga) with abundance of kamranga কামরাঙ্গা vegetation; lived by Kol কোল and such tribal folks.

The Banks of the Hooghly River, Calcutta, Source: The Graphic, v.24, no 646, Ap.15, 1882

Ecology
The soil of Calcutta, marshy and damp, has always been displeasing, particularly in the rainy season, and more so because of proximity of the river and a widespread lake – about 3 to 4 miles long and in no part above 18 inches deep, frequented by innumerable flocks of wild geese, duck, teals, etc. The site of Colinga was the nearest to that lake [Chattopadhyaya]

Colinga happened to be the last of the “typical swamp-type of vegetation including mangroves throve in and around Calcutta” for about 3000 years, as experts find. Perhaps, with the rise of land as a result of continued river silting and increased population the forest has since migrated southwards giving rise to the swampy forest of the present day Sunderbans. [Biswas]

Biodiversity

Since prehistoric eras the birds and animals travel Gangetic Bengal, migrate and settle colonies enriching natural resources contributing to improve quality of the soil and its landscape. As we all know, birds transport seeds and twigs from far and near across lands and oceans to germinate new variety of plant life, and they do it selectively by the atmospheric condition of a terrain. The birds living in and around Calcutta, and those visiting seasonally during last two centuries, have been systematically recorded by birdwatchers. Frank Finn is one of them. His Birds of Calcutta is more relevant to our theme than elaborated work, Pet Birds of Bengal [Law]. We find 24 species of birds, all familiar to us but some like Paddy-bird – once so prevalent in the City of Palace, gone out of sight for good. Those are:

House Crow পাতি কাক, Oriental Magpie Robin দোয়েল, Seven Sisters ছাতারে, Bulbul বুলবুল, King-Crow দাঁড় কাক, Common Tailorbird টুনটুনি, Oriole, বেনে বউ common? Mynah ভাত শালিক, Dhtalধুলাল, Sparrow চড়াই, Honey-Sucker মৌটুসি, Woodpecker কাঠঠোকরা, Coppersmith Barbet বসন্তবাউরি, Blue-Jay নীলকণ্ঠ, Kingfisher মাছরাঙ্গা, Swift বাতাসি, Koel কোয়েল, Parrot তোতা Owl প্যাঁচা, Vulture শকুন, Kite চিল, Dove ঘুঘু, Gull গাং চিল, Paddy-Bird ধান পাখি।

A cursory glance through the list may suggest that not all the species were fit for habitation in early Colinga environ. Flocks arrive at in stages with different compositions, adaptable for the ecological diversity, to contribute in transforming Colinga landscape from a marshland to cultivable woodland, orchard and paddy-field. There were no woodpeckers, honey-suckers at the beginning but gulls, kingfishers, snipes and the like. [Finn]

Route dans le Bangale. c1791-1823. Artist: François Balthasar Solvyns.

The landscape of Colinga before mid-18th century, so far we see, was much dissimilar to woody Govindpore, Birji and Chowinhee villages. Colinga remained a vast inhabitable wetland for centuries, infested with insects and aquatic creatures including water-birds. Initially, a number of coarse weeds began to invade the territory and a variety of thorny shrubs and other plants, not attractive to grazing animals advanced slowly, their seedlings sheltered by the weeds until large enough to escape the trampling. Eventually a thicket of small trees and shrubs appeared, of which, the commonest constituents should have been the thorny beri কুল, benchi বৈঁচি,and their near relative dumar ডুমুর,- a quick-growing, shrubby plant with coarse hairy leaves, also arrived early on the scene.

Finally appear the large trees – the lofty palms তাল raise their crowns of fan-shaped leaves, mangoes আম, tamarind তেঁতুল and the lighter green of a neem নীম amidst them can probably be seen, and in the cold season – the naked branches of a simul শিমুল, or the spreading crown of a siris শিরিষ covered with yellowish pods stands out conspicuously from the green around them. There were some 69 trees only that Benthall considered naturalized in the neighbourhood of Calcutta, 41 were thought to be truly indigenous, 20 are natives of other parts of India, 6 originated in America, and 1 each in Africa and Malaya. On the other hand several plants, which seem to have been fairly common even in 19th century Calcutta have become scarce or lost forever, like Croton Tiglium Linn জায়ফল. [Benthall]

Benthall writes in early 20th century, “Not much more than a hundred years ago the wild rhinoceros roared near Alipore, and panthers were often hunted in what is now part of the city of Calcutta. In those days jungle must have stretched from the Sunderban to the edge of the city … Around Calcutta the country consists of treeless swamp and lake, and broad expanses of paddy-fields, interspersed with roads and paths and villages.” In such country, Benthall maintains, waste land suitable for the growth of trees and shrubs is scarce, but here and there patches may be found which for some reason or other are neither cultivated nor planted with useful trees. [Benthall]

Banyan Tree. Artist: Unidentified. Source: Journal of Residence In India By Maria Graham. 1813

Colinga was certainly one such place of marshy land that remained till recent time uncultivated, in an atmosphere totally different from the then Kalighat, Govindpore, Calcutta areas. It was then wild marshy woodland lived by tribal in hutments making minimal anthropogenic hazards barring the manmade canal created for navigation by the early village dwellers. The scenario discourages us to believe of a presence of grand shrine revered by people of all faiths as a holly place. If at all any such generally acceptable shrine erected as a place of dharma (ধর্ম), it must have been created long after, but not later than, 1764 when ‘Dhurrumtollah ka Rasta’ was rolled over a muddy beaten track that supposed to lead to the holy place.

Modern Scenario
The reconstructed view of the expansive area of Colinga, earlier a part of the forested Chowringhee for about three centuries, may prove to be a rude contrast of what we see in the colonial paintings and photographs documented by the contemporary artists and lens men. Upjohn’s 1793 map gives an idea of the expansion by marking the site of Colinga Bazar Street, and of the Colinga Tank. Colinga Bazar Street stood at the south of Jaunbazar Street, and Colinga Tank, later Monohur Doss Tank, was shown on Maidan opposite the house of Messers Stone and Hoffmann. In Bailie’s map of 1792 Chowringhee contains 45 houses and plenty of paddy-fields. Europeans have moved eastwards and southwards to Bow Bazar Street and Circular Road, while Taltola, Colinga, and Fenwick Bazar are inhabited by native Indians. [Ray] During the end of the 18th century, Europeans came to stay here. The Bengal Gazette editor, James Augustus Hickey, Justice Le Maitre resided in this neighborhood. Since mid-19th century the Colinga Street became an infamous locality of European and Eurasian harlots.
In a Calcutta Municipal Corporation meeting of 17 July 1912, the previous name ‘Collingabazar Street’ was changed into ‘Collin Street’. By dropping the last two letters from its name,‘Collinga’, a variant of ‘Colinga’, turned into ‘Collin’, which the commissioners found necessary to make the Street sound more respectable and attractive to the prospective buyers of lands and houses. Following the decision, not the street alone but everything else known by its name got changed. Colinga was erased from Calcutta map and collective mind of the people, leaving Dhurrumtollah homeless, faceless unidentified geographic entity.

View of Circular Road, Calcutta. Artist: Edward Augustus Prinsep. 1848

There is perhaps another way of finding Dhurrumtollah by applying our mind more toward human elements than to the physical elements of issues. So far we attempted to understand the natural condition of the venue, now let us question how the human folks lived there when Colinga became habitable. We knew that on the plains of Bengal, two trees, peepul(অশ্বথ) and banyan(বট) tend to dominate all others, and Colinga might not be an exception. We may question now why the two are called sacred fig-trees, and try to examine how far Bentham was correct when he said, “Both these trees are venerated by the Hindus and are often planted for religious reasons near houses and temples and in villages. Beneath their branches may be seen little shrines marked by the presence of rounded stones, and sometimes small temples are erected in their shade” (my emphasis). [Benthal]

Endnote
The scenario reminds us of the beaten jungle path of pre-colonial days leading to a widely acknowledged dhurrumtollah, or ‘divine place’, where worshipers arrive from distant villages taking the eastward route that the present Dhurrumtollah Street follows. This street may not lead to a locality ‘Dhurrumtollah’ as the Chowringhee Road and Jaunbazar Street did – one to locality Chowringhee, the other to Jannagar. Instead, it can be in all probability a sacred location and not a locality. Before exploring new directions, it is important to settle a few questions bothering our focus. Should this dhurrumtollah necessarily be an outstanding devotional edifice like temple, mosque or a church? If yes, its location must have been somewhere off the street and not on the street or its sides. Secondly, how far realistically we can think of such an architecture erected before 1764 – the year Dhurrumtollah Street constructed?
I would like to take up these questions in my next post: THE HOLLY STREET DHURRUMTOLLAH

REFERENCE

Books

  1. Bagchi, P.C. 1938. The Second City of the Empire. Calcutta: Indian Science Congress Assoc.
  2. Benthall, A. P. 1933. Tree’s of Calcutta and Its Neighbourhood. Calcutta: Thacker, Spink. Retrieved (https://archive.org/details/TheTreesOfCalcutta).
  3. Biswas, Oneil. 1992. Calmtta and Calcuttans From Dihi to Megalopolis. Calcutta: Firma KL. Retrieved (https://archive.org/details/in.ernet.dli.2015.149376).
  4. Blochmann,H. 1978 ‘Calcutta during the Last Century’ in Alok Ray edt. ‘Calcutta Keepsake’, Calcutta: Rddhi-lndia. (https://www.amazon.com/marsh-township-east-Calcutta-Department/dp/8170740738)
  5. Cotton, Evan. 1907. Calcutta, Old and New: A Historical and Descriptive Handbook to the City. Calcutta: Newman. Retrieved (https://archive.org/details/calcuttaoldandn00cottgoog).
  6. Chattopadhyaya, Haraprasad. 1990. From marsh to township east of Calcutta: A tale of Salt Water Lake and Salt Lake Township. (Department of History, University of Calcutta, monograph) (https://www.amazon.com/marsh-township-east-Calcutta-Department/dp/8170740738)
  7. Frank Finn. 1904. Birds of Calcutta. 2nd ed. Calcutta: Thacker, Spink. Retrieved (https://archive.org/details/birdsofcalcutta00finnrich).
  8. Kathleen Blechynden. 1905. Calcutta: Past and Present. London: Thacker. Retrieved (https://archive.org/details/calcuttapastand02blecgoog).
  9. Law, Satya Churn. 1923. Pet Birds of Bengal; v.1. Calcutta: Thacker, Spink. Retrieved (https://archive.org/details/petbirdsofbengal00laws).
  10. Ray, A. K. 1902. Calcutta: Town and Suburbs; Pt.1 A Short History of Calcutta. Calcutta: Bengal Secretariat. Retrieved (https://books.google.co.in/books?id=-Lo5AQAAMAAJ&q=calcutta+town+and+suburbs+ak+Ray&dq=calcutta+town+and+suburbs+ak+Ray&hl=en&sa=X&ved=0ahUKEwjDnrz11MnXAhUCN48KHdgEDQUQ6AEIJzAA).
  11. Wilson, Charles R. 1895. The Early Annals of the English in Bengal; Summarised, Extracted, and Edited with Introductions and Illustrative Addenda; Vol.1. London, Calcutta: Thacker. Retrieved (https://archive.org/details/earlyannalsofeng01wilsuoft).
  12. জ্ঞানেন্দ্রমোহন দাস. n.d. বাংলাভাষার অভিধান. Retrieved (https://archive.org/details/bub_man_c3ef006702a4d6c876970cc35b669346).

Maps and Plans

  1. Bengal. 1550. River: From Hughli to Sea in the 16th century;  according to Joao de Barrel and the Bengali poets. [Reprinted See:  Wilson.  page 129]
  2. Calcutta. 1680.  Calcutta before the English [map] [Reprinted See:  Wilson. page 126]
  3. Calcutta. 1792 & 1793.  Map of  Calcutta and its environs;  by A Upjohn (http://www.museumsofindia.gov.in/repository/record/vmh_kol-R565-C1737-2914)
  4. Calcutta. 1792-93 Map of  Calcutta and its environs From the accurate survey taken in the year 1792 & 1793 by A Upjohnhttp://www.museumsofindia.gov.in/repository/record/vmh_kol-R565-C1737-2914
    Calcutta. 1793. Plan of Calcutta; reduced by permission of the Commissioners of Police from the original one executed for them by Lietn Colonel Mark Wood of 1784-1785. Published in October 1792 by William Baillie. https://upload.wikimedia.org/wikipedia/commons/8/82/Kolkata_Old_Map.jpg
  5. Calcutta. 1847-49. Map of Calcutta from actual survey. Contributors: Simms, Thillier, and Smyth. London: Chapman, 1858 (https://www.loc.gov/resource/g7654c.ct001429/?r=0.604,0.19,0.07,0.03,0)