Old Fort William: Nursery of Calcutta City, 1700-1757

Fort William of the Kingdom of Bengal of EIC Col. – Engraving by Jan Van Ryne. 1754. Courtesy: British Library

পুরনো কেল্লা ফোর্ট উইলিয়মঃ দুর্গেশনন্দিনী নগর কোলকাতা

The Old Fort William of Calcutta was a fort of different kind. It was a fort without having initially a defined territory of its own to protect against possible intrusion, but to protect its commercial resources housed within. The city of Calcutta evolved round the Fort and called a fort-city, and often compared with other fort-cities in India and abroad. The fort-cities are occasionally called ‘walled-cities’ since those are encircled by one or more shielding walls, while Calcutta had none. Calcutta may yet be called a fort-city in a special sense. The Calcutta metropolis, once the foothold of the British Raj, had been originally a small township grown around the English ‘factory’, designated ‘Fort William’. ‘Modern Calcutta is its child and heir’[1] .  Interestingly, the oxforddictionaries.com  provides a second meaning of the word, ‘fort’, which is ‘trade station’. It suits well to understand what the old Fort William was, and why it may not be meaningfully called a ‘Fort of the Kingdom of Bengal’ as the above featured painting was captioned.

 

BACKGROUND

The Fort William came into existence because of the prosperity of English trade in Bengal during mid 17th century. East India Company desperately needed fortification to safeguard their commercial interest, more than anything else. The English in Bengal did well after obtaining the firman of Badshah Shah Jehan in 1640, that allowed the English Company trading in Bengal without payment of duty. Backed by the firman, the English made large profits in Bengal. They built factories in other places be­sides Hugli, and sent home cargoes of silks, cottons, and other commodities, including the one they built amongst the saltpetre grounds near Patna. Their progress, however, halted for a long while when Nabob Shaistah Khan decried the Badshahi firman and insisted on payment of duties by torturous means. Not even Job Charnock, the most noted of the English Governors of Hugli, was spared from the brutal treatment of Shaista Khan. Charnock refused to submit to the pressure and by shutting down their Bengal chapter went to Madras with his resources. Shortly after, Ibrahim Khan, the next Nabob of Bengal, welcomed the English to come back for trading in Bengal on agreeable terms. Charnock returned, but not to Hugli again. He thought decidedly that the English settlement should be in Sutanuti/ Calcutta, not really ‘for the sake of a large shady tree’, as Hamilton said jokingly, but because of its being the best strategic location for the base of the English traders to operate. With the approval of the Company Board1, Charnock with his companions settled ultimately in Sutanuti on 24th August 1690. No fortification, however, was brought about in his lifetime, and he happily ended his life in a thatched-roofed mud-house on 10 January 1693.  [8]

 

The settlers in Bengal had a rough time from the beginning under the reign of Nabob Shaista Khan, a notorious Mughal Governor. A short-lived upsurge, in 1697, lead by Rajah Shobha Singh created an atmosphere of fear and anxiety in the region.  All districts to the east of the river from Midnapore to Rajmahal lay isolated and unprotected against aggression of defiant Shobha Singh. The French, Dutch and English Chiefs solicited permission to throw up fortifications.  The Nabob was pleased to grant them a tacit permission, in his own interest.   All the foreign settlers seized the occasion to reinforce the structures they had already erected clandestinely.  This was how the Fort Gustavus at  Chinsurah, the  Fort  William  in Calcutta, and the French fort at Chandernagore came into existence. Shobha Singh was defeated in December same year. The Company, with the intention to  carry  on  all  their  trade  at Calcutta,  withdrew Patna,  Rajmahal and  Balasore  factories.  The  idea  of  establishing a  fortified  post  to  protect  English  trade  from  the  oppressive exactions  of  the  Nabob  of  Bengal  and  his  myrmidons,  was possibly suggested first by  William  Hedges, the Commissary General of the English East India Company sometime in 1682-83. [5] [6]

East India Company Hall – An aquatint By Thomas Rowlandson and Augustus Charles Pugin, (after) John Bluck (aquatint engravers). – Source: Microcosm of London (1809)

The very first attempt to accomplish the Company’s desire happened to be the fortified Government House of Sir Goldsborough – that comprised the most critical part of a factory, that is ‘Governor’s House’, but not a factory by itself. There were, in fact, too many houses in Calcutta from where governors and governor-generals preferred to govern.  Charnock’s seat was a mud house near the riverbank. When he died his estate was in chaos. Sir  John Goldsborough, arrived Calcutta to set things in order.  He led the way to build English factory in Calcutta. He  purchased a brick-and-mud house  for  the  Company,  renovated its structure, erected wall all around and thus make it a suitably fortified Governor’s House, ready to get converted into  a  fort  as  soon  as  permission  obtained.  Charles  Eyre, newly  appointed  agent in  place of Ellis, moved into  this  first  Government  House  of  Calcutta.  Its  site  is  said  to  have  been the  strip  of land  north  of the  present  Custom  House,  where  the  ‘ Long Row’  stood  in  the  old Fort William.  This fortified government building, which never was upgraded to a formally recognized fort, survived only for about a decade without having been associated ever with any historical events to remind of its presence, except the infamous storm of 1706 that pulled it down. On the wall of Customs House a marble plaque indicating its site was affixed for public awareness during Curzon’s government.[4]

Old Fort, Playhouse and Holwell’s Monument. – Aquatint with etching (col.) by Daniell, Thomas. 1786

By that time, in 1698, Prince  Azim-ush-shan  granted a nishan, or a sanction of the English Company’s rights. The Company thus gained a definite status and became the Collector of the three towns, Sutanuti, Calcutta, and Govindpur.  Bengal was from this period considered a Presidency; the Court sent from England orders to increase fortifications, to render this seat of trade at Calcutta well secured, not only against native powers, but against European rivals; and in compliment to His Ma­jesty, the fort was to be named Fort William. In 1700 Calcutta became a separate presidency (administrative unit) accountable to London. Its governors, and its governors-general, were given the added title “of Fort William in Bengal.” [Brit. Ency] Mr Charles Eyre was the first appointed President and Governor of Fort William in Bengal. In 1702 the English had the following factories in Bengal dependent on the Presidency at Fort William; viz. Fort William, Sutanuti, Balasore, Cossimbuzar, Dacca,Hugli, Malda, Rajahmahl, and Patna.[2]

 

LOCATION

Fort location in Calcutta 1757 map

About five leagues farther up, on the west side, the river Hugli  was broader but much shallower, and more encumbered with sand banks. Along the river Hugli there are many small villages and farms, intermingled in those large plains, but the first of any note on the river’s side, was Sutanuti, a Market-Town for corn, coarse cloth, butter, and oil, with other productions of the country; above it was the Dutch Bankshall. Calcutta has a large deep river that runs eastward, and five leagues farther up on the other side was Tanna Fort, built to protect the trade of the river.  The place was very suitable for ship maneuvering being not above half a mile from shore to shore. The fort remained unused since 1686, when the English scared the Mughal away from their post with their 60-gun battleship. About a league farther up on the other side of the river, was Govindapore (Governapore), and about a league farther up, was the designated location of the Fort William. [7]

The  actual  site  of  the  fort  was  the ground,  now  occupied  by  the  General  Post  Office,  the  New
Government  Offices,  the  Custom  House,  and  the  East  Indian Railway  House.  The  warehouses  built  along  the  south  side  of the fort skirted Koila Ghat Street. The north side was in Fairlie Place.  The  east  front  looked  out  on  Clive  Street  and  Dalhousie Square,  which  in  those  days  was  known  as  the  Lai  Bagh,  or  the Park.[4]
PLAN

A graphic plan and a neat description of the interior of the Fort is provided by Curzon.

“The Factory building itself was two storeys in height, all the main apartments being upon the upper floor. On entering by the main doorway on the riverside, you turned to the left and ascended by the great staircase to the central hall, from which the principal buildings, lit by very long windows, branched out on either side. On the Eastern face a raised verandah or arcade ran round the three sides of the interior quadrangle. The Governor’s apartments were situated in the South-east wing, but were of no great size, and in the later years, before 1756, were rarely occupied by him, being in all probability used as offices alone. “ [4]

 

CONSTRUCTION

Sir  Charles  Eyre proceeded with  caution  to  build  the  embryo  of the  Fort but no further, as he had to go back to Europe leaving the work to his successor,  John  Beard, Junior.  Governor Beard raised the walls and bastions in stages.  He himself stayed at the site occupying rooms with river view, where the North-west bastion was to be erected afterwards. It was not before 1702, he could build up a reasonably good Factory, or Government House. It was in  the  Southern  part  of  the  extended  Fort,  South  of  the ‘Government  House  No. 1’.  The actual position  of  the  Fort, as determined by Curzon,  was  the  space  between  Fairlie  Place  and  Koila  Ghat  Street  in  modem  Calcutta.  On its  Eastern  side  was  Dalhousie  Square.  The  north­west  and  south-west  bastions  were  put  together  hastily  at  the death  of  Aurangzeb  in  1707.  The  fort  was  completed in 1716-17 under  the  three  succeeding  Governors,  Anthony  Weltden,  John Russell,  and  Robert  Hedges. [2] [4]

The old Fort William was built sporadically depending on available resources and motivation of those at the wheel. Among other reasons, the work suffered because of the ‘difficulty of finding trustworthy officers’  as men of little characters and abilities like Francis Ellis, or Sir  Edward  Littleton, were around. Moreover, not everyone took their task with all seriousness and heeded to the policy guidelines of the Court of Directors in respect to making of the Factory. The Company wished that the Business in Bengal to be concentrated at one single Factory,  but  feared  “it would be rash to attempt fortifications on a large scale, lest their appearance might excite jealousy in the Government”.  On the other side, the intervention of the short-lived English East India Company, the style of Rotational Government, and occasional differences between the Company Directors at London and Council at Calcutta must have contributed to the staggered progress of Fort William. For instance, the  Directors  recommended  that  “the  fort  should be in the form of a pentagon for military  reasons; but the Council in Calcutta thought it  safer  to  adhere  to  a  rectangular  shape”. [2] The shape of the Fort was actually an irregular tetragon, made of bricks and mortar, called ‘Puckah’ a composition of brick-dust, lime, and molasses and cut hemp that turns into a hard material tougher than firm stone or brick.

Custom House Wharf – Coloured lithograph by Charles D’Oyly. Probable Date: c1818-21

The Fort took about seven years to complete its central pieces surrounded by curtain walls and bastions.  The earliest part of the Fort was the south-east bastion and the adjacent walls, followed by the north-east  bastion – both completed in 1701 by Governor Beard Jr.  Next year, in 1702, Beard  began  erecting the  Factory,  or  Government House, in the middle of the Fort, but completed it in 1706 under  the Rotational Government.  At last, in 1706, the  structure  was  completed,  and  was henceforward  generally  known  as  the  Factory  or  the  Governor’s House.   The  north-­west  and  south-west  bastions  were  put  together  hastily  at  the death  of  Aurangzeb  in  1707.   As we see, three more years passed by before Governor Weltden could start the western curtain that took another two years for him to complete in 1712. By December  10,  1712  ‘the  wharf  is  finished  but not  the  breast-work  on  it’.  The  strong  landing-stage  and  the crane  at  the  end  of  it,  which  should  work  at  all  times  of  the  tide, were nearly done. Little work was left to be done inside Fort. A broad walk  round  the  walls  to be constructed on one of the curtains.  The other thing to be reconstructed was the decaying Long  Row,  or  central range of lodgings, running along the east to the west curtain.  When all the works over in early 1716, the building of the Fort William was considered complete for all practical purposes.

 

APRAISAL

The subsequent additions to the fort were made for improving in-house logistics to serve the commercial interest of English traders, and not for strengthening their defense mechanisms. The warehouse was widened, but no efforts were made ever to dig a ditch around to keep enemies at bay.

Old Fort Ghaut – Coloured etching with aquatint by Thomas Daniell. 1787

The artillery was left utterly neglected. There were only 200 firelocks fit for service. In  1753  the  Court  sent  out  fifty-five  pieces  of  cannon, eighteen  and  twenty-four  pounders,  which  were  never mounted, and were lying uselessly near the walls of the fort  when  the  siege  began.  The  bastions  of  the  fort  were  small, the  curtains  only  three  feet  thick,  and  served  as  the  out ward  wall  of  a  range  of  chambers,  which  with  their  terraces,  were  on  all  sides  visible from  outside  within  hundred  yards;  and  there  was  neither  ditch  nor  even a  palisade  to  interrupt  the  approach  of  an  enemy.  None of  the  cannon  mounted  were  above  9  pounders,  most  were honeycombed,  their  carriages  decayed  and  the  ammunition did not exceed 600 charges.

Fort William with St Anne’s Church by Gerge Lambert. c.1730.

The most unwelcome thing among all wrongs is that the Fort disowned the responsibility of safeguarding the buildings, including the Church, that lay outside the Fort arena totally unguarded. It was not unjustifiable for the  Court  of  Directors  to criticize  the Fort in  1713  for  making  ‘a  very  pompous  show to  the  waterside  by  high  turrets  of  lofty  buildings,  but  having  no real strength or power of defence.’  The history proved the truth of it pretty soon. But even the staunch critics had to admire its august architectural beauty, particularly of the main façade at the west on river side.    Captain Alexander Hamilton, the 18th-century Sinbad, made some caustic comments while in Calcutta around 1709, but was of all praise for the Fort William.  He said, The  Governor’s  House  in  the  Fort is  the  best and  most  regular  piece  of architecture  that  I  ever  saw  in  India[7] Hamilton’s admiration was reflected on some brilliant canvases of contemporary European masters.  [See Curzon] We may also judge its veracity from the architectural plan of the Fort and the ruins of the foundations, unearthed  in  1891 at Curzon’s initiative. [4]

CONCLUSION

The old fort was erected by the East India Company in 1706 to keep their traders and goods safe. It stood for half a century as the hub of civil as well as military administration until Siraj gunned down the stronghold during the Battle of Lal Bagh. The Fort vanished in thin air leaving nothing behind to remind its imposing presence. The birth story of the city remains hidden under deceptive appearance of its new buildings, roads and parks all those reconstructed after the Company’s recapturing the city in 1757. Since then Calcutta underwent changes time and again to keep it relevant to the concurrent societies.  Today, we are at a loss to visualize how Calcutta looked in those pre-Plassey days, where the Fort situated, where were the government houses, the Court House, the Council House, the Rope Way, the Avenue, etc., etc. There are many more questions but few sure answers; it would have been fewer had we not the benefit of the research findings of Lord Curzon, who meticulously investigated the whereabouts of city resources in and around the fort prior to 1756.

 

REFERENCE

  1. Historical and ecclesiastical sketches of Bengal, from the earliest settlement, until the virtual conquest of that country by the English, written in 1711-1714/  Anon.    1816.
  2. Old Fort William in Bengal a selection of official documents dealing with its history. v.1 / By C. R. Wilson. 1906
  3. Original letters from India. 1780-82 / By Eliza Fay
  4. British government in India: The story of the Viceroys and government houses / By Marquess George Nathaniel Curzon of Kedleston [1925]
  5. The Early annals of the English in Bengal / By C. R. Wilson. [1963]
  6. The Good old days of Honorable John Company : being curious reminiscences illustrating manners and customs of the British in India during the rule of the East India Company from 1600 to 1883 / W. H. Carey. 1980-
  7. A New account of the East Indies, 17th-18th century / By Alexander Hamilton
  8. Early records of British India: a history of the English settlements in India, as told in the government records, the works of old travellers and other contemporary documents, from the earliest period down to the rise of British power in India / By Wheeler, James Talboys,. 1879

 

 

 

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Barrackpore House & Its English Park: 1803-1912

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Barrackpore House, South view. Photo Samuel Bourne. 1865. Courtesy: BL

রাজভবন লাটবাগান

In sequence of the previously posted essay, ‘Barrackpore, a little Calcutta’, I am tempted to bring about the subject once again to share with you the fascinating details of the making of Barrackpore House and the Park as revealed in ‘The Story Of The Viceroys And Government Houses’ of Marquis Curzon of Kendleston. Curzon started his research during his Viceroyalty (1899-1905), continued with it, and finally readied his work for Cassell to publish in 1925 before he took rest in peace. A condensed and revised version was published in 1935 entitled, Story of Government houses by N V. H. Symons.

Although Curzon had a fond association with Government House at Calcutta as it was modelled after his ancestral manor Kendleston Hall, he took every care to follow faithfully the crazy path of history of the Barrackpore estate since Lord Wellesley started it all by himself.

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A Bunglow in the Park. Artist: James, Marianne Jane. 1828. Courtesy: BL

Barrackpore is complementary to Government House in the same way that Viceroy Lodge, Simla, is complementary to Viceroy’s House, New Delhi. The Governor General used to spend the whole of the year in Bengal, apart from tours, Barrackpore being his habitual summer residence. [Symons] As Stravornius had mentioned in 1768, Belvedere might have served as Barrackpore did after Wellesley [Cal. Rev, Dec.1852]. Even after 1864 the Viceroys and the Governors of Bengal used Barrackpore House as a country house for week-ends.

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A carriage approaching Barrackpore House. Artist: Daniell, William. c1810. Courtesy: BL

The English lady traveler, Monkland, to my mind, described best what Barrackpore was in early 19th century. [Monkland]. Barrackpore was then having ‘a quiet and retirement like air’ of countryside that combined with its military neatness and propriety making it ‘one of the sweetest places in India. ‘The bungalows in four lines stand each separated from the others, every one surrounded by its own corn-ground, flower-garden, and neat trimmed hedge; while the whole cantonment is at right angles intersected by well kept roads, smooth as bowling-greens, and has the river in front and the parade ground in the rear. Government-house, and its beautiful grounds, are merely separated from the cantonments by a piece of water from the river, over which there is a bridge; and the park, as a drive, is at all times open to the European inhabitants.’ [Symons]  Seemingly, nowhere else the Britons raised an exclusive white town as satisfyingly as they did it in Barrackpore. To the natives of the town, লাটবাগান (the Park) remained a prohibited place.

aviary-in-barrackpore-park_fiebie1851s

Lord Richard Colley Wellesley, 1st Marquess Wellesley, Governor-General of India 1798-1805. Artist: Thomas Lawrence. c1813-30. Courtesy: Carey Univ. Serampore

Lord Wellesley was the first to find Barrackpore a great place for peaceful living; and it was he who desired to build government palace amidst an English park. On 31st December, 1800, Wellesley advised Sir Alured Clark, the Commander-in-Chief, that his official residence was intended to resume for the use of the Governor General, and the day after Wellesley appeared on the scene. He started to occupy the house almost at once. He was content with it for the next three years, though he immediately set about enlarging and improving the Parks. It was not till the beginning of 1804, he bethought of building a new palace at Barrackpore, as the present house was considered unsafe. On the site he erected a large bungalow for a provisional residence, and nearby he laid the foundation of a palace that involved an estimated cost of four lakhs of rupees. In July 1805, when its structure had come up to the ground storey level, Wellesley resigned and returned to England. The relationship between the Court of Directors and Lord Wellesley had never been too cordial. When Wellesley left the country, the Court peremptorily prohibited ‘the outlay of so large a sum on such an object’. There were, in fact, many ‘such’ projects Wellesley initiated that the Court of Directors found unjustifiable. Mysore and other campaigns apart, Wellesley’s enterprises in India were characterized both by wisdom and imagination. They were as a rule too expensive, particularly in a country like India prior to coming under the Crown administration. He was time and again cautioned for his extravagant monetary commitments for setting up Fort William College project, schemes for the encouragement of agriculture and horticulture and the study of the flora and fauna that led to the institution of the Gardens and Menagerie at Barrackpore. Being a conscientious and upright administrator, Wellesley remained untouched by any of such public scandals about his wasteful expenditure on pricey projects as reflected in Sir Charles D’Oyly’s anonymously published book of burlesque poem :

BARRACKPORE
…….

Wellesley first stampt it his. He was the boy
For mating ducks and drakes with public cash,
Planned a great house that time might not destroy:
Built the first floor, prepared bricks, beam and sash
And then retired, and left it in this dismal hash.

[*Tom Raw, the Griffin. 1824]

[*Tom Raw, the Griffin: a burlesque poem; descriptive of the adventures of a cadet in the East India Company’s service, from the period of his quitting England to his obtaining a staff situation]

By the order of the Court of Directors the construction work of Barrackpore House was suspended. The beams, doors, and windows, etc. were sold by auction. The shell of the house stood for some more years until Lord Hastings finally cleared the ground and put up a Green House there.

While constructing his dream palace, Wellesley stayed in a temporary accommodation he had made with three large bedrooms opening on to a wide verandah to the North-West. This bungalow happened to be the nucleus of the future Barrackpore House. The three rooms made up the central block of the new building. Sir George Barlow (1805-1807) erected small rooms at every corner of the southern verandah. Lord Hastings (1813-1823) added side wings, a Portico, and the upper Entrance Hall that was used later as a billiard room. These structural changes, however, ruined the prospect of its being a good summer residence. What needed was “a series of rooms which will catch the South breeze at night” – this condition was fulfilled by the original three-roomed house.

Government House Walk. Photographer: Bourne, Samuel. c1865

Government House Walk. Photographer: Bourne, Samuel. c1865


It was Hastings who shaped the house into its final form, and took interest in glorifying the building with appropriate decorations. The lovely lotus basin and the marble fountain installed in front of the South entrance, were two such decorative pieces he brought from Agra. By doubling the building area he also ensured a comfortable accommodation for the Governor and their family members and some guests as well. No other structural changes were attempted ever since, except for some minor modifications and additions of certain features. Lord Auckland (1835 – 1842) added the balcony on the Western side; Lord Lytton (1876-1880) replaced the unseemly iron staircase on the South front. Lord Ripon (1886-1884) installed a wooden porch In front. Lord Minto (1905-1910) equipped the building with electric light, laid the floor in the drawing room and redecorated the entire house.

The house has always been used as a place of relaxation and recreation. Within the house there have been balls and entertainments, and also services were being held at the large central drawing room before Barrackpore Church was established in 1847. Here, Bishop Heber preached in 1823. Carey, Marshman and Ward, often visited Barrackpore House as guests of the Governor General.

Barrackpore House was occupied by as many as twenty-four Governors-General of India Until its final abandonment as the residence of the Viceroy in 1912. Despite so much efforts made over a century for its betterment, the Barrackpore House emerged as ‘a shadow of the house there would have been had Wellesley started this project earlier and been able to see it through before he left India’.[Curzon] William Carey, who was a regular visitor to Barrackpore House, considered Barrackpore House had scarcely any claims to excellence, as a specimen of architecture. [Carey]
Stoqueller tipped off his readers of 1844 Guidebook that there was nothing remarkable about the Government House, but a plain one storied edifice with lofty rooms and very ordinary furniture. [Hand-book of India, a Guide / Stocqueller. 1844]

II

Barrackpore Park – Lake scene. Photographer: Samuel Bourne. Bar… Creator: Bourne, Samuel. 1860

‘Barrackpore Park was created by the taste and public spirit of Lord Wellesley’. [Carey] It was believed that he had a desire ‘to have brought all the public offices up from Calcutta and established them in the vicinity of the park’. From his day-one in Barrackpore, Wellesley started acquiring land for developing the Park. The whole park-area was nearly 350 acres, and the cost of the land acquisition amounted to £9,577. It was originally a flat land covered with swamps and jungle.

barrackpore-riverside-lipoo-tree_williamprinsep_1827

Lipoo Tree at Riverside, the natural landscape outside Park. Artist: William Prinsep. 1827

Wellesley converted this landscape into an English Park by engaging convict labour to do the task of draining, clearing and shaping the land into hillocks and dunes, and installing pieces of ornamental water. In the beginning there had been little or no distinction between the Park and the Garden. It was through a gradual process the Park turned out to be a public-access property. The Gardens grown within the Park remained private. There was, however, no borderline between the two, and the public roads ran through the Park and the Garden areas as well.barrackpore-park_plan-symons

A detailed plan of Barrackpore Park, reproduced here from Lord Curzon’s book, The story of the viceroys and government houses, helps us to understand the distribution of items described by him and other narrators. The Park looked best at the river-side. Barrackpore House stands nearest to the Nishan Ghaut – the platform for landing ships. Lady Canning (1856-1861) made a raised pathway leading from the house to the upper landing stage, and much later Lord Ronaldshay (1917-1922) made a bridge from there to the landing stage.

honeymoon-lodge-barrackpore-park_hawk_ed2

Honeymoon Bunglow. Photographer: Not known. c1878. Courtesy: BL

Some other old bungalows are found close by. Bungalows#1 and #2 were designated for the guests while the one at the Eastern side, the Military Secretary’s quarter, was better known as ‘Honeymoon Bungalow’ because of its being available on rent to newly married couples. On the North-West Beach stands the Flagstaff – a broken up mast enshrined in memory of the flagship HMS Kent, smashed in 1757. The bungalow next to it is called ‘Flagstaff Bungalow’.

Lord Wellesley had a good amount of time to devote for developing the Barrackpore Park before he finally resigned, leaving his other project, Barrackpore House, abandoned.

Rhinozeror [rhinoceros] tank Photographer: Fiebig, Frederick . 1851

Rhinozeror tank Photographer: Fiebig, Frederick . 1851 Courtesy: BL

He had completed many other constructions inside the Park, including a stable for 36 horses and standing for four carriages together with a coachman’s bungalow; he erected the balustrade bridge over the ‘Moti Jheel’ lake to the North of the House, an aviary for large birds, and also a menagerie in the North-East corner of the Park. The Menagerie existed there till the Zoological Gardens at Calcutta were opened by Edward VII as Prince of Wales in 1876, where most of its collections were transferred. Wellesley had constructed the high way from Calcutta as the first section of the Grand Trunk Road, and planted trees on either side before he handed over its charge to his successor, Lord Cornwallis. Wellesley might have also planted the mahogany trees on both side of the shady road known as ‘Mahogany Avenue’ as the cross-dating of tree-rings suggested.

Bear Garden. Photographer: Fiebig, Frederick. 1851

Bear Garden. Photographer: Fiebig, Frederick. 1851. Courtesy: BL

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Llama and its young at Barrackpore Park Chiriakhana. Details not known. Courtesy: Alamy

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Elephant Stable. Barrackpore Details not known. Courtesy: Alamy

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Giraffe at Barrackpore Park. Photographer: Frederick Fiebie. 1851. Courtesy: BL

On the other side of the Avenue, Lord Curzon grew a fine rosary with a large circular lawn surrounded by pergolas. Lord Minto construct¬ed a large stone basin and fountain, 40 feet in diameter and holding 23,000 gallons of water. Though intended for the rosary, the basin and the fountain were placed in front of the Seed House and often used as a bathing pool. There have been many more formal gardens in the Park designed and developed by the successors of Wellesley. Lord Auckland (1835-1842) had started an aviary near the Lily Tank, which is also called ‘Aviary Tank’ in reference to his lost aviary. The ‘Deer Tank’ ,situated in between the House and the ‘Temple of Fame’, was made by Lord Lytton (1922-1927) for the half-a-dozen deer he had brought from Barisal in an attempt to revive the charm of the old time Park. The name ‘Rhinoceros Tank’ brings back the memories of Lord Wellesley’s menagerie. Likewise, the word ‘bustee’ reminds us of his aviary once existed opposite Chiriakhana.

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Menagerie at Barrackpore. Artsit: Charles D’Oyly. 1848. Courtesy: BL

Moti Jheel, the long tank, near the ‘Temple of Fame’ stretched up to the Cantonment church, had been a prolific breeding ground for mosquitoes.

Lord Curzon arranged to drain and turf Moti Jheel, and Lord Minto filled it further along with other restoration works he undertook. Minto built the magnificent ‘Temple of Fame’ following Greek style – a tribute to the 24 officers who fell in the conquest of Java and Mauritius in 1810 and 1811.

Lady Canning (1856-1861) made some memorable contributions toward improvement of the Park facilities. She had built a road from the House to the new landing stage, which was converted into a leafy tunnel of bamboos by Lady Ripon in 1880. On the South of the house, she put the pillared balustrade round the semi-circular terrace and planted blue Morning Glory to grow over it and spread out over the giant Banyan tree. The tree was 85 feet high; and with nearly 400 aerial roots it covered an area of 60,000 square feet; It was smaller in circumspect but older than the Shipbur Ba-nyan tree. Lady Canning realized the possibilities of the great tree as an outdoor pavilion. banian-tree-in-barrackpore-park-_bourne1865ed1Under the shade the members of the House and their ho-nourable guests liked to spend whole day, enjoying the meals and refreshments served there, and perhaps watching games on the Tennis Court from distance. Beneath the shade of Banyan Tree many a viceregal *tiffin-party had assembled. There was also an excellent Golf Links much resorted to by Calcutta folk.

[ *The British in India referred to ‘tiffin’ as a light lunch and the Sunday tiffin was ‘an occasion for over-indulgence, with mulligatawny soup (always), curry and rice, roast beef and Yorkshire pudding washed down with a bottle of iced beer, and tapioca pudding’. – Food Culture in Colonial Asia: A taste of empire, by Cecilia Leong-Salobir. Routledge, 2011]

One of the most beautiful sites in the Park was the grave of Lady Canning, 500 yards down the river bank from the House. She died in Calcutta and, as her husband wished, buried in Barrackpore Park where she, a proficient painter, used to sit in the quiet. gothic-ruin-with-creepers-in-barrackpore-par_bourne1865edBishop Cotton consecrated the ground. Her sister, Lady Waterford, designed a monument for her grave – a large mar-ble platform ornamented with inlaid mosaic. The monument, for its proper up-keeping, was required to be shifted in 1873 to Calcutta Cathedral and from there to other places until the relic found its place at the North portico of St John’s Church.

To the North of the House, near Flagstaff there was a tall masonry tower, and some more were found along the road. According to Lord Curzon, those were semaphore stations for the Governor General’s use but abandoned after installation of the Telegraphic system in India. There are, however, some official records suggesting that the towers were built by Colonel Everest in 1830 for his Trigonometric Survey.

(c) British Library; Supplied by The Public Catalogue Foundation

(c) British Library; Supplied by The Public Catalogue Foundation

Apart from the things we discussed here, my previous post on Barrackpore have dealt with some issues of relevance highlighting the Englishness in the government estate of Barrackpore. “There is said to be nothing else in India or indeed in Asia to compare with the Park and its broad stretches of undulating grassland . . . much though his successors have owed to Wellesley for providing the, magnificent Government House in Calcutta, their debt for the peaceful English charm of Barrackpore is almost greater.” [Curzon]

To the West on the river-side there was a masonry chabutra on which the band used to play English tune flowing over the hillocks and dunes of the Park. To complete, the illusion of English scenery, Lord Wellesley, wished for a constant view of a Church spire. To fulfill that wish, Wellesley spent unhesitatingly a sum of Rs. 10,000 towards the building of the Danish Church at Serampore – a church adhering to non-Anglican creed.

A view of Serampore Artist: Fraser, James Baillie 1826

A view of Serampore Artist: Fraser, James Baillie 1826. Courtesy: BL

The chronicle of the Government estate at Barrackpore may serve as a unique case of colonial architectural experience of a century long endeavour by different masters with variant ability and outlook – the Governors General, Viceroys and Bengal Governors, whoever considered the place their temporary home, had attempted to make things changed their ways for improving conditions of living in Barrackpore House.

The Park is almost like a huge collage of English landscape composed collectively by talented men and women, in succession, adding patches of vibrant colours and forms of their choice, and most significantly, adhering to a thorough English style.

REFERENCE

Tom Raw, the Griffin; a Burlesque Poem, in Twelve Cantos: Illustrated by Twenty-Five Engravings, Descriptive of the Adventures of a Cadet In / Charles D’Oyly. 1828

The Hand-book of India: A Guide to the stranger and the traveller… / Joachim Hayward Stocqueler. 1845.

“Calcutta in the olden time – its localities” In: Calcutta Review; v. 18. Dec. 1852

The Good Old Days of Honorable John Company …v. 1/ William Carey. 1882

Life in India; or, the English at Calcutta / Anne Catharine Monkland; v.2. 1882.

British Government in India: The story of the viceroys and government houses /
George Nathaniel Curzon of Kedleston (Marques). 1925

Story of government houses/ N. V. H. Symons. 1935

Barrackpore : Story of a Little Calcutta

Governor General’s House & Park at Barrackpore. Water colour by Edward Hawk Locker. 1808. Courtesy: British Library

ব্যারাকপুর – কলকাতার অদূরে ‘ছোট কলকাতা’

Barrackpore, some 16 miles away from Calcutta, turned into a little Calcutta or Chhota Calcutta. This happened because of the mastermind of Marquis Wellesley, who moved to Barrackpore in 1801 and occupied the Commander-in-Chief’s residence – one of the two bungalows bought by the Government with 70 acres of land when the cantonment was founded in 1775. This is where Wellesley lived for about 3 years devoting his mind in enlarging and improving the surrounding park area. He landscaped the gardens in the ‘English Style’, added an aviary, a menagerie and a theatre. The rustic hamlet emerged as a fashionable abode of the Britishers for sojourning.

by Ozias Humphry, pencil, chalk and watercolour, 1783

Marquis Wellesley (1760-1842) by Ozias Humphry, 1783

Barrackpore had a long history that began much before the coming of Job Charnock, who had been in Barrackpore for a while, raised a bungalow, and gathered a little bazaar closed by. Here his beloved wife of native origin had died. The area was previously ruled over by a line of Zamindars based in Nona Chandanpukur, Barrackpore. In ‘Ain-e-Akbari’, Abul Fazal (1596–97)  referred to this place as Barbuckpur, and it was Chanak in `Manasa Vijay` written by Bipradas Pipilai (1495). Chanak and the other nearby towns were developed into chief marketing, trading and populous towns along the side of river Hooghly. The local name Achanak seems to be a localized version of Chanak.

Barrackpore, however, went into the British colonial history more significantly because of the two revolts. The first one was the 1824 insurgency led by Sepoy Binda Tiwary, and the second was the Sepoy Mutiny of 1857 led by Mangal Pandey. With the exception of these two horrifying experiences of tumult and fury, Barrackpore have always been a calmly country seat for the white’s leisurely pursuits contrary to the demanding living condition of the up-and-coming city of Calcutta.
In pre-Plassey Calcutta, the servants of East India Company used to live in dark and damp lodgings in the Fort, and warehouses where the gates shut upon them at night. After Plassey, the growth of the garrison and the influx of European officers and troops from Madras worsened the lodging condition. New quarters came up along the Avenue, Pilgrim road, and Bow Bazar and, bypassing the native quarters of Dinga,  and Colinga, spread over the open ground of Chowringhee and Dharmatallah. [See The Social Condition of the British Community in Bengal: 1757-1800 By Suresh Chandra Ghosh. 1970] No wonder that the Europeans, gradually migrated from Tank Square – ‘the Belgravia of that day’ — and took up their abodes in Chowringhee ‘out of town’. [See ‘Calcutta in the olden time — its localities In Calcutta review. Sept.1852.]. Earlier James Atkinson in a verse, published in 1824, described the condition of Calcutta more pungently as ‘an anxious, forced existence’.   [ See City of Palaces, a poem by James Atkinson. 1824]

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Barrackpore Bridge, hand-coloured photograph by Frederick Fiebig. 1851. Courtesy British Library

The road from Calcutta to Barrackpore was opened to the public on the 26th July, 1805, perhaps the best road constructed so far. Miss Emma Robert,the English lady traveller, wrote after two decades, that the ‘drives and rides about the city are not very numerous, nor very extensive, excepting towards Barrackpore.’ [See Scenes and characteristics of Hindostan; with sketches of Anglo-Indian society; v.1 by Emma Roberts. 1835]

 

In 1830 the Barrackpore Bridge, commonly called, ‘Shyambazar Bridge’, was constructed connecting Barrackpore Road to Calcutta at its northern end. The 100 ft long and 30ft wide Bridge was built by the Canal Superintendent, James Prinsep at the cost of Rs 20,529. It was a beautiful bridge, as revealed in the hand-coloured photograph of the bridge and the road with running horses and carriages, taken by Frederick Fiebig in 1851.
J H Stocqueler while journeying through Brarackpur road looked out from his palanquin [ see Hand-book of India, guide to the stranger and the traveler, ..ed. by Joachim Hayward Stocqueler. 1844], to the pleasing view of an extensive avenue of trees skirted by villages, gardens, and rice-fields. Cox’s Bunglow, the site of a building then used as a stables for relays of horses, was on the right-hand side of the road, and there the first change of relay proceeds onward through Barrackpore Cantonment.

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Entrance to Barrackpore. Lithograph ( coloured ).Charles D’Oyly. 1848. Courtesy: British Library

Though a large station, Barrackpore presents an air of quiet and retirement like a country village; which joined to its military neatness and propriety, make it one of the sweetest places in India. The bungalows in four lines stand each separated firom the others, every one surrounded by its own corn-ground, flower-garden, and neat trimmed hedge; while the whole cantonment is at right angles intersected by well kept roads, smooth as bowling-greens, and has the river in front and the parade ground in the rear. Government-house, and it’s beautiful grounds, are merely separated from the cantonments by a piece of water from the river, over which there is a bridge; and the park, as a drive, is at all times open to the European inhabitants. [See Life in India: Or, The English at Calcutta; v.2 by Monkland. 1828]

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Maria Graham (b1785-d1842) (in later life, Maria, Lady Callcott) An Englsh travel writer. Portrait by Thamas Lawrence. 1819

How Barrackpore was in the first half of 19th century can be figured out more from the true-to-life excellent paintings and photographs than the textual documents handed down to us – mostly official transactions and records, and also letters and diaries of the travellers and residents, which provide human-side view, factual information apart. Unfortunately, not many travel-writers visited Barrackpore. The English lady, Maria Graham(later Lady Callcott) was an exception. In her book, Journal of a Residence in India, she left her lively and credible impressions of everything she saw there. Her account of Barrackpore commenced from Nov 20, 1810.

RIVER-SIDE

It was a delightful day she arrived by boat. The weather was so cool that ‘one really enjoys a river view walk’. Close to Calcutta, it is the busiest scene one can imagine; crowded with ships and boats of every form,—here a fine English East lndiaman, there a grab or a dow from Arabia, or a proa from the eastern islands. On one side the picturesque boats of the natives, with their floating huts; on the other the bolios and pleasure boats of the English, with their sides of green and gold, and silken streamers. Up the river, the scene became more quiet, but not less beautiful.

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Barrackpore Ghaut, A hand-coloured photograph by Frederick Fiebig. 1851. Courtesy British Library

The trees grow into the water, and half hide the pagodas and villages with which the banks of the river are covered on both sides. It was late when we arrived here, and some of the pagodas were already illuminated for a festival; fireworks, of which the natives are very fond, were playing on the shore, and here and there the red flame of the funeral fires under the dark trees threw a melancholy glare on the water. From the opposite river bank, The missionaries Serampore had enjoyed the same view of Barrackpore riverside. Carey’s biographer, George Smith reproduced William Carey’s memory of ‘The garden slopes down to the noble river, and commands the beautiful country seat of Barrackpore, which Lord Wellesley had just built’. [See Life of William Carey,  by Gerge Smith. 1909]

THE PARK

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Barrackpore Ghaut, A hand-coloured photograph by Frederick Fiebig. 1851. Courtesy British Library

Many of the Barrackpore goers maintained that it was not the Barrackpore House itself ‘but its accessories were the best features it can boast of’ – an aviary and a menagerie, a garden and a pleasant promenade, where the society of the station assemble, while one of the regimental bands plays upon the green sward, constitute the chief agremens of the place’. [See Hand-book of India, a Guide, ed by Stocqueller. 1844]

When Mrs Graham came to the Park of Barrackpore, the tamarind, acacia, and peepil trees, through whose branches the moon threw her flickering beams on the river, seemed to hang over our heads, and formed a strong contrast to the white buildings of Serampore, which shone on the opposite shore. We landed at the palace begun by the Marquis Wellesley, but discontinued by the frugality of the Indian Company; its unfinished arches shewed by the moon-light like an ancient ruin, and completed the beauty of the scenery. The area of the whole Park is nearly 350 acres and the cost was £9,577. Lord Wellesley started acquiring the land and making the Park.  In the North-East corner he established the menagerie that continued to exist till the Zoological Gardens at Calcutta opened in 1876.

 

MENAGERIE

Menagerie at Barrackpore

Menagerie at Barrackpore, Lithograph ( coloured ). Charles D’Oyly. 1848. Courtesy: British Library

“A little nulla, or rivulet supplies several fine tanks in the park, which embellish the scenery, and furnish food for a number of curious aquatic birds kept in the menagerie. The pelican, whose large pouch contains such an abundant supply of food, the produce of her fishing, for her young; the syrus, or sarasa, a species
of stork, whose body is of a delicate grey colour, and whose head, which he carries above five feet from the ground, is of a brilliant scarlet, shading off to the pure white of his long taper neck; and the flamingo, whose bill and wings are of the brightest rose-colour, while the rest of his plumage is white as snow,—are the most beautiful of those who seek their food in the water. Among their fellow-prisoners are the ostrich, whose black and white plumes attract the avarice of the hunter; the cassowary, whose stiff hard feathers appear like black hair; and the Java pigeon, of the size of a young turkey, shaped and coloured like a pigeon, with a fan-like crest, which glitters in the sun like the rainbow. [Graham]

the North-East corner of the Park known as Chiriakhana. The Governor General’s elephants used to be kept at Barrackpore. The place across the Grand Trunk Road to the North North-East of the Park was known for a long while as Hatikhana, although the last of the elephants was sold in Lord Elgin’s time. It was here in the Park that the poet-bishop first mounted an elephant — “the motion of which,” he confesses, “I thought far from disagreeable, though very different from that of a horse.” [See Thacker’s Guide to Calcutta ed. by Walter Kelly Firminger. 1906]

On Nov. 25, she wrote ‘The north winds are now so cold, that I find it necessary to wrap up in a shawl and fur tippet when 1 take my morning’s ride upon one of the governor-general’s elephants, from whose back I yesterday saw the Barrackpore hounds throw off in chase of a jackal’. “The quadrupeds in the menagerie are only two royal tigers, and two bears, one a very large animal, precisely like the bears of Europe; the other was brought here from Chittagong, where it is called the wild dog. His head is shaped like that of a dog, but bare and red about the muzzle; his paws are like those of the common bear, but his coat is short and smooth; he refuses to eat any kind of vegetable food, which the large bear prefers to flesh, and is altogether the most ferocious creature I ever saw. ”

GAITIES

On December 5, 1810, Graham was in great expectation of the festivity in Barrackpore. In three weeks, she mused, all the gay world will be asembled at Barrackpore, on account of the races, which are run close to the park-gate. This year there will be little sport, as the horses are indifferent, but I am told the scene will be very gay, “ with store of ladies, whose bright eyes rain influence”. Barrackpore had a tradition of public merriments to celebrate important events. Three years ago. On the 12th September 1807, Barrackpore celebrated  the anniversary of the battle of Delhi. A splendid entertainment was given in ‘the new Theatre at Barrackpore’ at which were present the Right Hon’ble Lord Minto, the Governor General, General St. Leger and Staff, the whole of the officers and ladies at the station, and a numerous party of visitors from Calcutta.  [See Life of William Carey, by Gerge Smith. 1909]

Lord Wellesley was not in favour of horse race. He stopped horse racing and all sorts of gambling as soon he arrived India; yet at the end of November 1809, there were three days’ races at a small distance from Calcutta. After a lull the Calcutta Races again commenced under the patronage of Lord Moira. Stocqueler tells us “there at Barrackpore a race-ground existed, but races have not taken place any more. The sports of the place are confined to an occasional steeple-chase, a run with the Calcutta hounds, and a few balls and public dinners.” [See Hand-book of India, a Guide, by Joachim Hayward Stocqueler. 1844]

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A Cheeta Hun in Wellesley’s Park. Lithograph ( coloured ). Charles D’Oyly.1802. Courtesy: British Library

In the Park there was also an excellent golf links much resorted to by Calcutta folk. Closer to the house there was a vast banyan tree beneath whose shade many a viceregal tiffin-party had assembled.   Mrs Graham had some fascination for Indian custom s and traditions. On the first day she mentioned in her journal whatever she had seen on the river bank – the illuminated Hindu pagoda, festivity, fireworks, and the melancholy glare of the flame of funeral – all important elements of Hindu life in a flash.

The cultural difference between the European and Asiatic societies did not deject her spirit of inquiry and appreciation of the estranged tradition of India. She writes:   “The other day, in going through a small bazar near one of the park gates, 1 saw five ruinous temples to Maha Deo, and one in rather a better state to Kali. As 1 had never been in a pagoda dedicated to her by that name, I procured admittance for a rupee. Her figure is of brass, riding on a strange form that passes here for a lion, with a lotus in the place of a saddle. Her countenance is terrific; her four hands are armed with destructive weapons, and before her is a round stone sprinkled with red dust. The sacrificial utensils are mostly of brass; but I observed a ladle, two lamps, and a bell of silver; the handle of the bell was a figure of the goddess herself. The open temple in the square area of the pagoda has been very pleasant, but is now falling into ruin, as are the priests houses and every thing around.”

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Hindoo Pagodas below Barrackpore on the Ganges. Geoge Hunt. 1824. Courtesy: British Library

As it shows, Graham was not unfamiliar with the Hindu themes of deities, and also her feelings on seeing the ruinous state of the temple. In a later note, however, she showed her deep concern, silently, about the desperate order of the native society, while recounting the horrid scene of dead bodies uncaringly floating in the river, vividly and dispassionately.

Bodies of the Dead

“The other night, in coming up the river, the first object I saw was a dead body, which had lain long enough in the water to be swollen, and to become buoyant. It floated past our boat, almost white, from being so long in the river, and surrounded by fish; and as we got to the landing-place, I saw two wild dogs tearing another body, from which one of them had just succeeded in separating a thigh-bone, with which he ran growling away. Now, though I am not very anxious as to the manner of disposing of my body, and have very little choice as to whether it is to be eaten by worms or by fishes, I cannot see, without disgust and horror, the dead indecently exposed, and torn and dragged about through streets and villages, by dogs and jackals. Yet such are the daily sights on the banks of the Hoogly. I wish I could say they were the worst; but when a man becomes infirm, or has any dangerous illness, if his relations have the slightest interest in his death, they take him to the banks of the river, set his feet in the water, and, stuffing his ears and mouth with mud, leave him to perish, which he seldom does without a hard struggle; and should the strength of his constitution enable him to survive, he becomes a pariah; he is no longer considered as belonging to his family or children, and can have no interest in his own fortune or goods. About thirty miles from Calcutta, there is a village under the protection of government, entirely peopled by these poor outcasts, the numbers of whom is incredible.

Earlier, Graham expressed her mind loudly and clearly– reacting to the unconditional submission of the Hindoos to the evils of caste system. She felt degraded seeing the half-clothed, half-fed people, covered with loathsome disease, without attempting ever to overstep the boundaries which confine them to it indelibly. “Perhaps there is something of pride in the pity”, she says, “I cannot help feeling for the Lower Hindoos, who seem so resigned to all that I call evils in life”. The story of this hapless lot stands in glaring contrast to the vibrant city life of Barrackpore.

The park-city of Barrackpore was designed and developed by the British and for the British. It was an English garden Lord Wellesley planned and laid there. An English theatre, ballroom,  race-ground, golf-link, a Hotel Charnock  came in place for their entertainment. There was something in the scenery of this place that reminds Maria Graham of the beauty of the banks of the Thames; ‘the same verdure, the same rich foliage, the same majestic body of water’.

The local inhabitants were, however, never allowed to enter park-area except for work. Graham met few of them while moving around, and had glimpses of their repulsive way of life. Graham never tried to pass a judgement, nor any advice either. She questioned about the root of their malady – ‘how they came into the state, and what could amend it’. The spontaneous reply she received was: “It is the custom —   it belongs to their caste to bear this”. At the end of the century, Swamy Vivekanada found the key to her final question what unfortunately remains ignored ever since.

 

Belvedere House, Alipur, Calcutta,1838

বেলভেডিয়ার হাঊস, আলিপুর, কলকাতা, ১৮৩৮
The Belvedere Estate consists of Belvedere House and the 30 acre (120,000 m²) grounds surrounding it with a beautiful garden, located in Alipore opposite the zoo. Belvedere House was the former palace for the Viceroy of India and later the Governor of Bengal. the National Library of India is housed, since 1948. The Governor-General resided in Belvedere House, Calcutta until the early nineteenth century, when Government House (present Raj Bhavan) was constructed. In 1854, after the Governor-General moved out, the Lieutenant-Governor of Bengal took up residence in Belvedere House. When the capital moved from Calcutta to Delhi in 1912, the Lieutenant-Governor of Bengal, who had hitherto resided in Belvedere House, was upgraded to a full Governor and transferred to Government House. It is believed that while Mir Zafar Ali Khan was in Calcutta, he built many buildings in the area and gifted Belvedere House to Warren Hastings in the late 1760s. It is believed that the roots of Belvedere House lie in the late 1760s from approximately the time when Mir Jafar Ali Khan, the Nawab of the province of Bengal was compelled by the British East India Company to abdicate his throne at Murshidabad to Qasim Khan in 1760. Mir Jafar moved to Calcutta where he is thought to have owned a large court house, and settled within the safety of English East India Company fortifications at Alipore. It is believed that while he was in Calcutta, he built many buildings in the area and gifted Belvedere House to Warren Hastings. After the Battle of Buxar in 1764 Hastings left for England. He returned to Calcutta as Governor in 1772 and to his garden house, the Belvedere with a certain Baroness Inhoff by his side. The grounds of Belvedere Estate were witness to a duel between Warren Hastings and his legal officer, Philip Francis. The duel may have been over the Baroness Inhoff, or was the outcome of political conflict between the two. It is believed that Hastings finally sold Belvedere House to a Major Tolly in the 1780s for the sum of Rs. 60,000. Charles Robert Prinsep (1790–1864), lived at Belvedere Estate for a time. Prinsep served as standing counsel to the East India Company and then as the Judge Advocate General of India during the time when he resided at Belvedere. After this it was turned into the official residence of the Viceroy of India. National Library of India, Kolkata, is housed in the Belvedere Estate since 1948. The main building, however, is presently under the care of the Archaeological Survey of India, as heritage building.
The view of the Belvedere Estate has been captured by the Anglo-Indian merchant and amateur painter William Prinsep in 1838.